On the eve of the year 2001 a vast crowd of interested spectators were present amidst the romantic ruins of Cohen’s Garage, on the former site of New York, to witness a fistic encounter between two renowned champions of the strange-story firmament—Two-Gun Bob[1], the Terror of the Plains, and Knockout Bernie[2], the Wild Wolf of West Shokan. [The Wolf was fresh from his correspondence course in physical training, sold to him by Mr. Arthur Leeds.] Before the battle the auguries were determined by the venerated Thibetan Lama Bill Lum Li,[3] who evoked the primal serpent-god of Valusia and found unmistakable signs of victory for both sides. Cream-puffs were inattentively vended by Wladislaw Brenryk[4]—the partakers being treated by the official surgeons, Drs. D. H. Killer[5] and M. Gin Brewery.[6]

The gong was sounded at 39 o’clock, after which the air grew red with the gore of battle, lavishly flung about by the mighty Texas slaughterer. Very shortly the first actual damage occurred—the loosening of several teeth in both participants. One, bouncing out from the Wolf’s mouth after a casual tap from Two-Gun, described a parabola toward Yucatan; being retrieved in a hasty expedition by Messrs. A. Hijacked Barrell[7] and G. A. Scotland.[8] This incident was used by the eminent sociologist and ex-poet Frank Chimesleep Short, Jr.,[9] as the basis of a ballad of proletarian propaganda with three intentionally defective lines. Meanwhile a potentate from a neighbouring kingdom, the Effjay of Akkamin[10] (also known to himself as an amateur critic), expressed his frenzied disgust at the technique of the combatants, at the same time peddling photographs of the fighters (with himself in the foreground) at five cents each.

In round two the Shokan Soaker’s sturdy right crashed through the Texan’s ribs and became entangled in sundry viscera; thereby enabling Two Gun to get in several telling blows on his opponent’s unprotected chin. Bob was greatly annoyed by the effeminate squeamishness shewn by several onlookers as muscles, glands, gore, and bits of flesh were spattered over the ringside. During this round the eminent magazine-cover anatomist Mrs. M. Blunderage[11] portrayed the battlers as a pair of spirited nudes behind a thin veil of conveniently curling tobacco-smoke, while the late Mr. C. HalfCent[12] provided a sketch of three Chinamen clad in silk hats and galoshes—this being his own original conception of the affray. Among the amateur sketches made was one by Mr. Goofy Hooey, which later gained fame in the annual Cubist exhibit as “Abstraction of an Eradicated Pudding”.

In the third round the fight grew really rough; several ears and other appurtenances being wholly or partially detached from the frontier battler by the Shokan Shocker. Somewhat irritated, Two-Gun countered with some exceptionally sharp blows; severing many fragments from his aggressor, who continued to fight with all his remaining members. [At this stage the audience gave signs of much nervous excitement—instances of trampling and goring being frequent. The more enthusiastic members were placed in the custody of Mr. Harry Brobst of the Butler Hospital for Mental Diseases.]

The entire affair was reported by Mr. W. Lablache Talcum,[13] his copy being revised by Horse Power Hateart[14]. Throughout the event notes were taken by M. le Comte d’Erlette[15] for a 200-volume novel-cycle in the Proustian manner, to be entitled Morning in September, with illustrations by Mrs. Blunderage. Mr. J. Caesar Warts[16] frequently interviewed both battlers and all the more important spectators; obtaining as souvenirs (after a spirited struggle with the Effjay) an autographed quarter-rib of Two-Gun’s, in an excellent state of preservation, and three finger-nails from the Wild Wolf. Lighting effects were supplied by the Electrical Testing Laboratories under the supervision of H. Kanebrake.[17] The fourth round was prolonged eight hours at the request of the official artist, Mr. H. Wanderer,[18] who wished to put certain shadings of fantasy into his representation of the Wolf’s depleted physiognomy, which included several supernumerary details supplied by the imagination.

The climax came in round five, when the Texas Tearer’s left passed entirely through Battling Bernie’s face and brought both sluggers to the mat. This was adjudged a finish by the referee—Robertieff Essovitch Karovsky,[19] the Muscovite Ambassador—who, in view of the Shokan Shocker’s gory state, declared the latter to be essentially liquidated according to the Marxian ideology. The Wild Wolf entered an official protest, which was promptly overruled on the ground that all the points necessary to technical death were theoretically present.

The gonfalons sounded a fanfare of triumph for the victor, while the technically vanquished was committed to the care of the official mortician, Mr. Teaberry Quince.[20] During the ceremonies the theoretical corpse strolled away for a bite of bologna, but a tasteful cenotaph was supplied to furnish a focus for the rites. The funeral procession was headed by a gaily bedecked hearse driven by Malik Taus, the Peacock Sultan,[21] who sat on the box in West Point uniform and turban, and steered an expert course over several formidable hedges and stone walls. About half way to the cemetery the cortege was rejoined by the corpse, who sat beside Sultan Malik on the box and finished his bologna sandwich—his ample girth having made it impossible to enter the hastily selected cenotaph. An appropriate dirge was rendered by Maestro Sing Lee Bawledout[22] on the piccolo; Messrs. De Silva, Brown, and Henderson’s celebrated aria, “Never Swat a Fly”, from the old cantata Just Imagine, being chosen for the occasion. The only detail omitted from the funeral was the interment, which was interrupted by the disconcerting news that the official gate-taker—the celebrated financier and publisher Ivar K. Rodent, Esq.[23]—had absconded with the entire proceeds. [This omission was regretted chiefly by the Rev. D. Vest Wind, who was thereby forced to leave unspoken a long and moving sermon revised expressly for the celebration from a former discourse delivered at the burial of a favourite horse.]

Mr. Talcum’s report of the event, illustrated by the well-known artist Klarkash-Ton[24] (who esoterically depicted the fighters as boneless fungi), was printed after repeated rejections by the discriminating editor of the Windy City Grab-Bag[25]—as a broadside by W. Peter Chef[26] [, with typographical supervision by Vrest Orton.]. This, through the efforts of Otis Adelbert Kline,[27] was finally placed on sale in the bookshop of Smearum & Weep, three and a half copies finally being disposed of through the alluring catalogue description supplied by Samuelus Philanthropus, Esq.[28]

In response to this wide demand, the text was finally reprinted by Mr. De Merit[29] in the polychromatic pages of Wurst’s Weakly Americana[30] under the title “Has Science Been Outmoded? or, The Millers in the Garage”. No copies, however, remain in circulation; since all which were not snapped up by fanatical bibliophiles were seized by the police in connexion with the libel suit of the Wild Wolf, who was, after several appeals ending with the World Court, adjudged not only officially alive but the clear winner of the combat.

My reason for writing stories is to give myself the satisfaction of visualising more clearly and detailedly and stably the vague, elusive, fragmentary impressions of wonder, beauty, and adventurous expectancy which are conveyed to me by certain sights (scenic, architectural, atmospheric, etc.), ideas, occurrences, and images encountered in art and literature. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve, momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis. These stories frequently emphasise the element of horror because fear is our deepest and strongest emotion, and the one which best lends itself to the creation of Nature-defying illusions. Horror and the unknown or the strange are always closely connected, so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or “outsideness” without laying stress on the emotion of fear. The reason why time plays a great part in so many of my tales is that this element looms up in my mind as the most profoundly dramatic and grimly terrible thing in the universe. Conflict with time seems to me the most potent and fruitful theme in all human expression.

While my chosen form of story-writing is obviously a special and perhaps a narrow one, it is none the less a persistent and permanent type of expression, as old as literature itself. There will always be a certain small percentage of persons who feel a burning curiosity about unknown outer space, and a burning desire to escape from the prison-house of the known and the real into those enchanted lands of incredible adventure and infinite possibilities which dreams open up to us, and which things like deep woods, fantastic urban towers, and flaming sunsets momentarily suggest. These persons include great authors as well as insignificant amateurs like myself—Dunsany, Poe, Arthur Machen, M. R. James, Algernon Blackwood, and Walter de la Mare being typical masters in this field.

As to how I write a story—there is no one way. Each one of my tales has a different history. Once or twice I have literally written out a dream; but usually I start with a mood or idea or image which I wish to express, and revolve it in my mind until I can think of a good way of embodying it in some chain of dramatic occurrences capable of being recorded in concrete terms. I tend to run through a mental list of the basic conditions or situations best adapted to such a mood or idea or image, and then begin to speculate on logical and naturally motivated explanations of the given mood or idea or image in terms of the basic condition or situation chosen.

The actual process of writing is of course as varied as the choice of theme and initial conception; but if the history of all my tales were analysed, it is just possible that the following set of rules might be deduced from the average procedure:

1. Prepare a synopsis or scenario of events in the order of their absolute occurrence—not the order of their narration. Describe with enough fulness to cover all vital points and motivate all incidents planned. Details, comments, and estimates of consequences are sometimes desirable in this temporary framework.
2. Prepare a second synopsis or scenario of events—this one in order of narration (not actual occurrence), with ample fulness and detail, and with notes as to changing perspective, stresses, and climax. Change the original synopsis to fit if such a change will increase the dramatic force or general effectiveness of the story. Interpolate or delete incidents at will—never being bound by the original conception even if the ultimate result be a tale wholly different from that first planned. Let additions and alterations be made whenever suggested by anything in the for mulating process.
3. Write out the story—rapidly, fluently, and not too critically—following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design. If the development suddenly reveals new opportunities for dramatic effect or vivid story telling, add whatever is thought advantageous—going back and reconciling the early parts to the new plan. Insert and delete whole sections if necessary or desirable, trying different beginnings and endings until the best arrangement is found. But be sure that all references throughout the story are thoroughly reconciled with the final design. Remove all possible superfluities—words, sentences, paragraphs, or whole episodes or elements—observing the usual precautions about the reconciling of all references.
4. Revise the entire text, paying attention to vocabulary, syntax, rhythm of prose, proportioning of parts, niceties of tone, grace and convincingness of transitions (scene to scene, slow and detailed action to rapid and sketchy time-covering action and vice versa… etc., etc., etc.), effectiveness of beginning, ending, climaxes, etc., dramatic suspense and interest, plausibility and atmosphere, and various other elements.
5. Prepare a neatly typed copy—not hesitating to add final revisory touches where they seem in order.

The first of these stages is often purely a mental one—a set of conditions and happenings being worked out in my head, and never set down until I am ready to prepare a detailed synopsis of events in order of narration. Then, too, I sometimes begin even the actual writing before I know how I shall develop the idea—this beginning forming a problem to be motivated and exploited.

There are, I think, four distinct types of weird story; one expressing a mood or feeling, another expressing a pictorial conception, a third expressing a general situation, condition, legend or intellectual conception, and a fourth explaining a definite tableau or specific dramatic situation or climax. In another way, weird tales may be grouped into two rough categories—those in which the marvel or horror concerns some condition or phenomenon, and those in which it concerns some action of persons in connexion with a bizarre condition or phenomenon.

Each weird story—to speak more particularly of the horror type—seems to involve five definite elements: (a) some basic, underlying horror or abnormality—condition, entity, etc.—, (b) the general effects or bearings of the horror, (c) the mode of manifestation—object embodying the horror and phenomena observed—, (d) the types of fear-reaction pertaining to the horror, and (e) the specific effects of the horror in relation to the given set of conditions.

In writing a weird story I always try very carefully to achieve the right mood and atmosphere, and place the emphasis where it belongs. One cannot, except in immature pulp charlatan-fiction, present an account of impossible, improbable, or inconceivable phenomena as a commonplace narrative of objective acts and conventional emotions. Inconceivable events and conditions have a special handicap to over come, and this can be accomplished only through the maintenance of a careful realism in every phase of the story except that touching on the one given marvel. This marvel must be treated very impressively and deliberately—with a careful emotional “build-up”—else it will seem flat and unconvincing. Being the principal thing in the story, its mere existence should overshadow the characters and events. But the characters and events must be consistent and natural except where they touch the single marvel. In relation to the central wonder, the characters should shew the same overwhelming emotion which similar characters would shew toward such a wonder in real life. Never have a wonder taken for granted. Even when the characters are supposed to be accustomed to the wonder I try to weave an air of awe and impressiveness corresponding to what the reader should feel. A casual style ruins any serious fantasy.

Atmosphere, not action, is the great desideratum of weird fiction. Indeed, all that a wonder story can ever be is a vivid picture of a certain type of human mood. The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Prime emphasis should be given to subtle suggestion—imperceptible hints and touches of selective associative detail which express shadings of moods and build up a vague illusion of the strange reality of the unreal. Avoid bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and symbolism.

These are the rules or standards which I have followed—consciously or unconsciously—ever since I first attempted the serious writing of fantasy. That my results are successful may well be disputed—but I feel at least sure that, had I ignored the considerations mentioned in the last few paragraphs, they would have been much worse than they are.

George Campbell opened sleep-fogged eyes upon darkness and lay gazing out of the tent flap upon the pale August night for some minutes before he roused enough even to wonder what had wakened him. There was in the keen, clear air of these Canadian woods a soporific as potent as any drug. Campbell lay quiet for a moment, sinking slowly back into the delicious borderlands of sleep, conscious of an exquisite weariness, an unaccustomed sense of muscles well used, and relaxed now into perfect ease. These were vacation’s most delightful moments, after all — rest, after toil, in the clear, sweet forest night.

Luxuriously, as his mind sank backward into oblivion, he assured himself once more that three long months of freedom lay before him — freedom from cities and monotony, freedom from pedagogy and the University and students with no rudiments of interest in the geology he earned his daily bread by dinning Into their obdurate ears. Freedom from –

Abruptly the delightful somnolence crashed about him. Somewhere outside the sound of tin shrieking across tin slashed into his peace. George Campbell sat up jerkily and reached for his flashlight. Then he laughed and put it down again, straining his eyes through the midnight gloom outside where among the tumbling cans of his supplies a dark anonymous little night beast was prowling. He stretched out a long arm and groped about among the rocks at the tent door for a missile. His fingers closed on a large stone, and he drew back his hand to throw.

But he never threw it. It was such a queer thing he had come upon in the dark. Square, crystal smooth, obviously artificial, with dull rounded corners. The strangeness of its rock surfaces to his fingers was so remarkable that he reached again for his flashlight and turned its rays upon the thing he held.

All sleepiness left him as he saw what it was he had picked up in his idle groping. It was clear as rock crystal, this queer, smooth cube. Quartz, unquestionably, but not in its usual hexagonal crystallized form. Somehow — he could not guess the method — it had been wrought into a perfect cube, about four inches in measurement over each worn face. For it was incredibly worn. The hard, hard crystal was rounded now until its corners were almost gone and the thing was beginning to assume the outlines of a sphere. Ages and ages of wearing, years almost beyond counting, must have passed over this strange clear thing.

But the most curious thing of all was that shape he could make out dimly in the heart of the crystal. For imbedded in its center lay a little disc of a pale and nameless substance with characters incised deep upon its quartz-enclosed surface. Wedge-shaped characters, faintly reminiscent of cuneiform writing.

George Campbell wrinkled his brows and bent closer above the little enigma in his hands, puzzling helplessly. How could such a thing as this have imbedded in pure rock crystal? Remotely a memory floated through his mind of ancient legends that called quartz crystals ice which had frozen too hard to melt again. Ice — and wedge-shaped cuneiforms — yes, didn’t that sort of writing originate among the Sumerians who came down from the north in history’s remotest beginnings to settle in the primitive Mesopotamian valley? Then hard sense regained control and he laughed. Quartz, of course, was formed in the earliest of earth’s geological periods, when there was nothing anywhere but beat and heaving rock. Ice had not come for tens of millions of years after this thing must have been formed.

And yet — that writing. Man-made, surely, although its characters were unfamiliar save in their faint hinting at cuneiform shapes. Or could there, In a Paleozoic world, have been things with a written language who might have graven these cryptic wedges upon the quartz-enveloped disc he held? Or — might a thing like this have fallen meteor-like out of space into the unformed rock of a still molten world? Could it –

Then he caught himself up sharply and felt his ears going hot at the luridness of his own imagination. The silence and the solitude and the queer thing in his hands were conspiring to play tricks with his common sense. He shrugged and laid the crystal down at the edge of his pallet, switching off the light. Perhaps morning and a clear head would bring him an answer to the questions that seemed so insoluble now.

But sleep did not come easily. For one thing, it seemed to him as he flashed off the light, that the little cube had shone for a moment as if with sustained light before it faded into the surrounding dark. Or perhaps he was wrong. Perhaps It had been only his dazzled eyes that seemed to see the light forsake it reluctantly, glowing In the enigmatic deeps of the thing with queer persistence.

He lay there unquietly for a long while, turning the unanswered questions over and over in his mind. There was something about this crystal cube out of the unmeasured past, perhaps from the dawn of all history, that constituted a challenge that would not let him sleep.

[A. Merritt]

He lay there, it seemed to him, for hours. It had been the lingering light, the luminescence that seemed so reluctant to die, which held his mind. It was as though something in the heart of the cube had awakened, stirred drowsily, become suddenly alert … and Intent upon him.

Sheer fantasy, this. He stirred impatiently and flashed his light upon his watch. Close to one o’clock; three hours more before the dawn. The beam fell and was focused upon the warm crystal cube. He held it there closely, for minutes. He snapped It out, then watched.

There was no doubt about it now. As his eyes accustomed themselves to the darkness, he saw that the strange crystal was glimmering with tiny fugitive lights deep within it like threads of sapphire lightnings. They were at Its center and they seemed to him to come from the pale disk with Its disturbing markings. And the disc itself was becoming larger … the markings shifting shapes … the cube was growing … was it illusion brought about by the tiny lightnings….

He heard a sound. It was the very ghost of a sound, like the ghosts of harp strings being plucked with ghostly fingers. He bent closer. It came from the cube….

There was squeaking in the underbrush, a flurry of bodies and an agonized wailing like a child in death throes and swiftly stilled. Some small tragedy of the wilderness, killer and prey. He stepped over to where it had been enacted, but could see nothing. He again snapped off the flash and looked toward his tent. Upon the ground was a pale blue glimmering. It was the cube. He stooped to pick it up; then obeying some obscure warning, drew back his hand.

And again, he saw, its glow was dying. The tiny sapphire lightnings flashing fitfully, withdrawing to the disc from which they had come. There was no sound from it.

He sat, watching the luminescence glow and fade, glow and fade, but steadily becoming dimmer. It came to him that two elements were necessary to produce the phenomenon. The electric ray itself, and his own fixed attention. His mind must travel along the ray, fix itself upon the cube’s heart, if its beat were to wax, until … what?

He felt a chill of spirit, as though from contact with some alien thing. It was alien, he knew it; not of this earth. Not of earth’s life. He conquered his shrinking, picked up the cube and took It into the tent. It was neither warm nor cold; except for its weight he would not have known he held it. He put it upon the table, keeping the torch turned from it; then stepped to the flap of the tent and closed it.

He went back to the table, drew up the camp chair, and turned the flash directly upon the cube, focusing it so far as he could upon its heart. He sent all his will, all his concentration, along it; focusing will and sight upon the disc as he had the light.

As though at command, the sapphire lightnings burned forth. They burst from the disc into the body of the crystal cube, then beat back, bathing the disc and the markings. Again these began to change, shifting, moving, advancing, and retreating in the blue gleaming. They were no longer cuneiform. They were things … objects.

He heard the murmuring music, the plucked harp strings. Louder grew the sound and louder, and now all the body of the cube vibrated to their rhythm. The crystal walls were melting, growing misty as though formed of the mist of diamonds. And the disc Itself was growing … the shapes shifting, dividing and multiplying as though some door had been opened and Into it companies of phantasms were pouring. While brighter, more bright grew the pulsing light.

He felt swift panic, tried to withdraw sight and will, dropped the flash. The cube had no need now of the ray … and he could not withdraw … could not withdraw? Why, he himself was being sucked into that disc which was now a globe within which unnameable shapes danced to a music that bathed the globe with steady radiance.

There was no tent. There was only a vast curtain of sparkling mist behind which shone the globe…. He felt himself drawn through that mist, sucked through it as if by a mighty wind, straight for the globe.

[H. P. Lovecraft]

As the mist-blurred light of the sapphire suns grew more and more intense, the outlines of the globe ahead wavered and dissolved to a churning chaos. Its pallor and its motion and its music all blended themselves with the engulfing mist- bleaching It to a pale steel-colour and setting it undulantly in motion. And the sapphire suns, too, melted Imperceptibly into the greying infinity of shapeless pulsation.

Meanwhile the sense of forward, outward motion grew intolerably, incredibly, cosmically swift. Every standard of speed known to earth seemed dwarfed, and Campbell knew that any such flight in physical reality would mean instant death to a human being. Even as it was — in this strange, hellish hypnosis or nightmare — the quasi-visual impression of meteor-like hurtling almost paralyzed his mind. Though there were no real points of reference in the grey, pulsing void, he felt that he was approaching and passing the speed of light Itself. Finally his consciousness did go under — and merciful blackness swallowed everything.

It was very suddenly, and amidst the most impenetrable darkness, that thoughts and Ideas again came to George Campbell. Of how many moments — or years — or eternities — had elapsed since his flight through the grey void, he could form no estimate. He knew only that he seemed to be at rest and without pain. Indeed, the absence of all physical sensation was the salient quality of his condition. It made even the blackness seem less solidly black — suggesting as it did that he was rather a disembodied intelligence in a state beyond physical senses, than a corporeal being with senses deprived of their accustomed objects of perception. He could think sharply and quickly — almost preternaturally so — yet could form no idea whatsoever of his situation.

Half by instinct, he realised that he was not in his own tent. True, he might have awaked there from a nightmare to a world equally black; yet he knew this was not so. There was no camp cot beneath him — he had no hands to feel the blankets and canvas surface and flashlight that ought to be around him — there was no sensation of cold in the air — no flap through which he could glimpse the pale night outside … something was wrong, dreadfully wrong.

He cast his mind backward and thought of the fluorescent cube which had hypnotised him — of that, and all which had followed. He had known that his mind was going, yet had been unable to draw back. At the last moment there had been a shocking, panic fear — a subconscious fear beyond even that caused by the sensation of daemonic flight. It had come from some vague flash or remote recollection — just what, he could not at once tell. Some cell-group In the back of his head had seemed to find a cloudily familiar quality In the cube — and that familiarity was fraught with dim terror. Now he tried to remember what the familiarity and the terror were.

Little by little it came to him. Once — long ago, in connection with his geological life-work — he had read of something like that cube. It had to do with those debatable and disquieting clay fragments called the Eltdown Shards, dug up from pre-carboniferous strata in southern England thirty years before. Their shape and markings were so queer that a few scholars hinted at artificiality, and made wild conjectures about them and their origin. They came, clearly, from a time when no human beings could exist on the globe — but their contours and figurings were damnably puzzling. That was how they got their name.

It was not, however, In the writings of any sober scientist that Campbell had seen that reference to a crystal, disc-holding globe. The source was far less reputable, and infinitely more vivid. About 1912 a deeply learned Sussex clergyman of occultist leanings — the Reverend Arthur Brooke Winters-Hall — had professed to Identify the markings on the Eltdown Shards with some of the so-called “pre-human hieroglyphs” persistently cherished and esoterically handed down in certain mystical circles, and had published at his own expense what purported to be a “translation” of the primal and baffling “inscriptions” — a “translation” still quoted frequently and seriously by occult writers. In this “translation’ — a surprisingly long brochure In view of the limited number of “shards” existing — had occurred the narrative, supposedly of pre-human authorship, containing the now frightening reference.

As the story went, there dwelt on a world — and eventually on countless other worlds — of outer space a mighty order of worm-like beings whose attainments and whose control of nature surpassed anything within the range of terrestrial imagination. They had mastered the art of interstellar travel early in their career, and had peopled every habitable planet in their own galaxy – killing off the races they found.

Beyond the limits of their own galaxy — which was not ours — they could not navigate in person; but in their quest for knowledge of all space and time they discovered a means of spanning certain transgalactic gulfs with their minds. They devised peculiar objects — strangely energized cubes of a curious crystal containing hypnotic talismen and enclosed in space-resisting spherical envelopes of an unknown substance — which could be forcibly expelled beyond the limits of their universe, and which would respond to the attraction of cool solid matter only.

These, of which a few would necessarily land on various inhabited worlds in outside universes, formed the ether-bridges needed for mental communication. Atmospheric friction burned away the protecting envelope, leaving the cube exposed and subject to discovery by the intelligent minds of the world where it fell. By its very nature, the cube would attract and rivet attention. This, when coupled with the action of light, was sufficient to set its special properties working.

The mind that noticed the cube would be drawn into it by the power of the disc, and would be sent on a thread of obscure energy to the place whence the disc had come — the remote world of the worm-like spaceexplorers across stupendous galactic abysses. Received in one of the machines to which each cube was attuned, the captured mind would remain suspended without body or senses until examined by one of the dominant race. Then it would, by an obscure process of interchange, be pumped of all its contents. The investigator’s mind would now occupy the strange machine while the captive mind occupied the interrogator’s worm-like body. Then, in another interchange, the interrogator’s mind would leap across boundless space to the captive’s vacant and unconscious body on the trans-galactic world — animating the alien tenement as best It might, and exploring the alien world in the guise of one of its denizens.

When done with exploration, the adventurer would use the cube and its disc in accomplishing his return — and sometimes the captured mind would be restored safely to its own remote world. Not always, however, was the dominant race so kind. Sometimes, when a potentially important race capable of space travel was found, the worm-like folk would employ the cube to capture and annihilate minds by the thousands, andwould extirpate the race for diplomatic reasons — using the exploring minds as agents of destruction.

In other cases sections of the worm-folk would permanently occupy a trans-galactic planet – destroying the captured minds and wiping out the remaining inhabitants preparatory to settling down in unfamiliar bodies. Never, however, could the parent civilization be quite duplicated In such a case; since the new planet would not contain all the materials necessary for the worm-race’s arts. The cubes, for example, could be made only on the home planet.

Only a few of the numberless cubes sent forth ever found a landing and response on an inhabited world – since there was no such thing as aiming them at goals beyond sight or knowledge. Only three, ran the story, had ever landed on peopled worlds in our own particular universe. One of these had struck a planet near the galactic rim two thousand billion years ago, while another had lodged three billion years ago on a world near the centre of the galaxy. The third — and the only one ever known to have invaded the solar system — had reached our own earth 150,000,000 years ago.

It was with this latter that Dr. Winters-Hall’s “translation” chiefly dealt. When the cube struck the earth, he wrote, the ruling terrestrial species was a huge, cone-shaped race surpassing all others before or since In mentality and achievements. This race was so advanced that it had actually sent minds abroad in both space and time to explore the cosmos, hence recognised something of what had happened when the cube fell from the sky and certain Individuals had suffered mental change after gazing at it.

Reallsing that the changed Individuals represented invading minds, the race’s leaders had them destroyed — even at the cost of leaving the displaced minds exiled in alien space. They had had experience with even stranger transitions. When, through a mental exploration of space and time, they formed a rough Idea of what the cube was, they carefully hid the thing from light and sight, and guarded it as a menace. They did not wish to destroy a thing so rich in later experimental possibilities. Now and then some rash, unscrupulous adventurer would furtively gain access to it and sample its perilous powers despite the consequences — but all such cases were discovered, and safely and drastically dealt with.

Of this evil meddling the only bad result was that the worm-like outside race learned from the new exiles what had happened to their explorers on earth, and conceived a violent hatred of the planet and all its life-forms. They would have depopulated it if they could, and indeed sent additional cubes into space in the wild hope of striking it by accident in unguarded places — but that accident never came to pass.

The cone-shaped terrestrial beings kept the one existing cube in a special shrine as a relique and basis for experiments, till after aeons it was lost amidst the chaos of war and the destruction of the great polar city where it was guarded. When, fifty million years ago, the beings sent their minds ahead into the infinite future to avoid a nameless peril of inner earth, the whereabouts of the sinister cube from space were unknown.

This much, according to the learned occultist, the Eltdown Shards had said. What now made the account so obscurely frightful to Campbell was the minute accuracy with which the alien cube had been described. Every detail tallied — dimensions, consistency, heiroglyphed central disc, hypnotic effects. As he thought the matter over and over amidst the darkness of his strange situation, he began to wonder whether his whole experience with the crystal cube — indeed, its very existence — were not a nightmare brought on by some freakish subconscious memory of this old bit of extravagant, charlatanic reading. If so, though, the nightmare must still be in force; since his present apparently bodiless state had nothing of normality in it.

Of the time consumed by this puzzled memory and reflection, Campbell could form no estimate. Everything about his state was so unreal that ordinary dimensions and measurements became meaningless. It seemed an eternity, but perhaps it was not really long before the sudden interruption came. What happened was as strange and inexplicable as the blackness it succeeded. There was a sensation – of the mind rather than of the body — and all at once Campbell felt his thoughts swept or sucked beyond his control in tumultuous and chaotic fashion.

Memories arose irresponsibly and irrelevantly. All that he knew — all his personal background, traditions, experiences, scholarship, dreams, ideas, and inspirations-welled up abruptly and simultaneously, with a dizzying speed and abundance which soon made him unable to keep track of any separate concept. The parade of all his mental contents became an avalanche, a cascade, a vortex. It was as horrible and vertiginous as his hypnotic flight through space when the crystal cube pulled him. Finally it sapped his consciousness and brought on fresh oblivion.

Another measureless blank — and then a slow trickle of sensation. This time it was physical, not mental. Sapphire light, and a low rumble of distant sound. There were tactile impressions — he could realise that he was lying at full length on something, though there was a baffling strangeness about the feel of his posture. He could not reconcile the pressure of the supporting surface with his own outlines — or with the outlines of the human form at all. He tried to move his arms, but found no definite response to the attempt. Instead, there were little, ineffectual nervous twitches all over the area which seemed to mark his body.

He tried to open his eyes more widely, but found himself unable to control their mechanism. The sapphire light came in a diffused, nebulous manner, and could nowhere be voluntarily focussed Into definiteness. Gradually, though, visual images began to trickle in curiously and indecisively. The limits and qualities of vision were not those which he was used to, but he could roughly correlate the sensation with what he had known as sight. As this sensation gained some degree of stability, Campbell realised that he must still be in the throes of nightmare.

He seemed to be in a room of considerable extent — of medium height, but with a large proportionate area. On every side — and he could apparently see all four sides at once — were high, narrowish slits which seemed to serve as combined doors and windows. There were singular low tables or pedestals, but no furniture of normal nature and proportions. Through the slits streamed floods of sapphire light, and beyond them could be mistily seen the sides and roofs of fantastic buildings like clustered cubes. On the walls – in the vertical panels between the slits – were strange markings of an oddly disquieting character. It was some time before Campbell understood why they disturbed him so — then he saw that they were, in repeated instances, precisely like some of the hieroglyphs on the crystal cube’s disc.

The actual nightmare element, though, was something more than this. It began with the living thing which presently entered through one of the slits, advancing deliberately toward him and bearing a metal box of bizarre proportions and glassy, mirror-like surfaces. For this thing was nothing human — nothing of earth — nothing even of man’s myths and dreams. It was a gigantic, pale-grey worm or centipede, as large around as a man and twice as long, with a disc-like, apparently eyeless, cilia-fringed head bearing a purple central orifice. It glided on its rear pairs of legs, with its fore part raised vertically — the legs, or at least two pairs of them, serving as arms. Along its spinal ridge was a curious purple comb, and a fan-shaped tail of some grey membrane ended its grotesque bulk. There was a ring of flexible red spikes around its neck, and from the twistings of these came clicking, twanging sounds in measured, deliberate rhythms.

Here, indeed, was outr� nightmare at its height — capricious fantasy at its apex. But even this vision of delirium was not what caused George Campbell to lapse a third time into unconsciousness. It took one more thing — one final, unbearable touch — to do that. As the nameless worm advanced with its glistening box, the reclining man caught in the mirror-like surface a glimpse of what should have been his own body. Yet — horribly verifying his disordered and unfamiliar sensations — it was not his own body at all that he saw reflected in the burnished metal. It was, instead, the loathsome, pale-grey bulk of one of the great centipedes.

[Robert E. Howard, and Frank Belknap Long.]

From that final lap of senselessness, he emerged with a full understanding of his situation. His mind was Imprisoned in the body of a frightful native of an alien planet, while, somewhere on the other side of the universe, his own body was housing the monster’s personality.

He fought down an unreasoning horror. Judged from a cosmic standpoint, why should his metamorphosis horrify him? Life and consciousness were the only realities in the universe. Form was unimportant. His present body was hideous only according to terrestrial standards. Fear and revulsion were drowned in the excitement of titanic adventure.

What was his former body but a cloak, eventually to be cast off at death anyway? He had no sentimental illusions about the life from which he had been exiled. What had it ever given him save toil, poverty, continual frustration and repression? If this life before him offered no more, at least it offered no less. Intuition told him it offered more — much more.

With the honesty possible only when life is stripped to its naked fundamentals, he realized that he remembered with pleasure only the physical delights of his former life. But he had long ago exhausted all the physical possibilities contained in that earthly body. Earth held no new thrills. But in the possession of this new, alien body he felt promises of strange, exotic joys.

A lawless exultation rose in him. He was a man without a world, tree of all conventions or inhibitions of Earth, or of this strange planet, free of every artificial restraint in the universe. He was a god! With grim amusement he thought of his body moving in earth’s business and society, with all the while an alien monster staring out of the windows that were George Campbell’s eyes on people who would flee !f they knew.

Let him walk the earth slaying and destroying as he would. Earth and its races no longer had any meaning to George Campbell. There he had been one of a billion nonentities, fixed in place by a mountainous accumulation of conventions, laws and manners, doomed to live and die in his sordid niche. But in one blind bound he had soared above the commonplace. This was not death, but re-birth — the birth of a full-grown mentality, with a new-found freedom that made little of physical captivity on Yekub.

He started. Yekub! It was the name of this planet, but how had he known? Then he knew, as he knew the name of him whose body he occupied- Tothe. Memory, deep grooved in Tothe’s brain, was stirring in him – shadows of the knowledge Tothe had. Carved deep in the physical tissues of the brain, they spoke dimly as implanted instincts to George Campbell; and his human consciousness seized them and translated them to show him the way not only to safety and freedom, but to the power his soul, stripped to its primitive impulses, craved. Not as a slave would he dwell on Yekub, but as a kingl Just as of old barbarians had sat on the throne of lordly empires.

For the first time he turned his attention to his surroundings. He still lay on the couch-like thing in the midst of that fantastic room, and the centipede man stood before him, holding the polished metal object, and clashing its neck-spikes. Thus it spoke to him, Campbell knew, and what it said he dimly understood, through the implanted thought processes of Tothe, just as he knew the creature was Yukth, supreme lord of science.

But Campbell gave no heed, for he had made his desperate plan, a plan so alien to the ways of Yekub that !t was beyond Yukth’s comprehension and caught him wholly unprepared. Yukth, like Campbell, saw the sharp-pointed metal shard on a nearby table, but to Yukth !t was only a scientific implement. He did not even know it could be used as a weapon. Campbell’s earthly mind supplied the knowledge and the action that followed, driving Tothe’s body into movements no man of Yekub had ever made before.

Campbell snatched the pointed shard and struck, ripping savagely upward. Yukth reared and toppled, his entrails spilling on the floor. In an instant Campbell was streaking for a door. His speed was amazing, exhilarating, first fulfillment of the promise of novel physical sensations.

As he ran, guided wholly by the Instinctive knowledge implanted in Tothe’s physical reflexes, it was as If he were borne by a separate consciousness in his legs. Tothe’s body was bearing him along a route it had traversed ten thousand times when animated by Tothe’s mind.

Down a winding corridor he raced, up a twisted stair, through a carved door, and the same instincts that had brought him there told him he had found what he sought. He was in a circular room with a domed roof from which shone a livid blue light. A strange structure rose In the middle of the rainbow-hued floor, tier on tier, each of a separate, vivid color. The ultimate tier was a purple cone, from the apex of which a blue smoky mist drifted upward to a sphere that poised in mid-air — a sphere that shone like translucent ivory.

This, the deep-grooved memories of Tothe told Campbell, was the god of Yekub, though why the people of Yekub feared and worshipped it had been forgotten a million years. A worm-priest stood between him and the altar which no hand of flesh had ever touched. That it could be touched was a blasphemy that had never occurred to a man of Yekub. The worm-priest stood in frozen horror until Campbell’s shard ripped the life out of him.

On his centipede-legs Campbell clambered the tiered altar, heedless of its sudden quiverings, heedless of the change that was taking place in the floating sphere, heedless of the smoke that now billowed out In blue clouds. He was drunk with the feel of power. He feared the superstitions of Yekub no more than he feared those of earth. With that globe in his hands he would be king of Yekub. The worm men would dare deny him nothing, when he held their god as hostage. He reached a hand for the ball — no longer ivory-hued, but red as blood….

[Frank Belknap Long]

Out of the tent into the pale August night walked the body of George Campbell. It moved with a slow, wavering gait between the bodies of enormous trees, over a forest path strewed with sweet scented pine needles. The air was crisp and cold. The sky was an inverted bowl of frosted silver flecked with stardust, and far to the north the Aurora Borealis splashed streamers of fire.

The head of the walking man lolled hideously from side to side. From the corners of his lax mouth drooled thick threads of amber froth, which fluttered in the night breeze. He walked upright at first, as a man would walk, but gradually as the tent receded, his posture altered. His torso began almost imperceptibly to slant, and his limbs to shorten.

In a far-off world of outer space the centipede creature that was George Campbell clasped to Its bosom a god whose lineaments were red as blood, and ran with insect-like quiverings across a rainbow-hued hall and out through massive portals into the bright glow of alien suns.

Weaving between the trees of earth in an attitude that suggested the awkward loping of a werebeast, the body of George Campbell was fulfilling a mindless destiny. Long, claw-tipped fingers dragged leaves from a carpet of odorous pine needles as it moved toward a wide expanse of gleaming water.

In the far-off, extra-galactic world of the worm people, George Campbell moved between cyclopean blocks of black masonry down long, fern-planted avenues holding aloft the round red god.

There was a harsh animal cry in the underbrush near the gleaming lake on earth where the mind of a worm creature dwelt in a body swayed by instinct. Human teeth sank into soft animal fur, tore at black animal flesh. A little silver fox sank its fangs in frantic retaliation into a furry human wrist, and thrashed about in terror as its blood spurted. Slowly the body of George Campbell arose, its mouth splashed with fresh blood. With upper limbs swaying oddly it moved towards the waters of the lake.

As the variform creature that was George Campbell crawled between the black blocks of stone thousands of worm-shapes prostrated themselves in the scintillating dust before it. A godlike power seemed to emanate from its weaving body as it moved with a slow, undulant motion toward a throne of spiritual empire transcending all the sovereignties of earth.

A trapper stumbling wearily through the dense woods of earth near the tent where the worm-creature dwelt in the body of George Campbell came to the gleaming waters of the lake and discerned something dark floating there. He had been lost in the woods all night, and weariness enveloped him like a leaden cloak in the pale morning light.

But the shape was a challenge that he could not ignore. Moving to the edge of the water he knelt in the soft mud and reached out toward the floating bulk. Slowly he pulled it to the shore.

Far off in outer space the worm-creature holding the glowing red god ascended a throne that gleamed like the constellation Cassiopeia under an alien vault of hyper-suns. The great deity that he held aloft energized his worm tenement, burning away in the white fire of a supermundane spirituality all animal dross.

On earth the trapper gazed with unutterable horror into the blackened and hairy face of the drowned man. It was a bestial face, repulsively anthropoid in contour, and from its twisted, distorted mouth black ichor poured.

“He who sought your body in the abysses of Time will occupy an unresponsive tenement,” said the red god. “No spawn of Yekub can control the body of a human.

“On all earth, living creatures rend one another, and feast with unutterable cruelty on their kith and kin. No worm-mind can control a bestial man-body when it yearns to raven. Only man-minds Instinctively conditioned through the course of ten thousand generations can keep the human instincts in thrall. Your body will destroy Itself on earth, seeking the blood of its animal kin, seeking the cool water where it can wallow at Its ease. Seeking eventually destruction, for the death-instinct is more powerful in it than the instincts of life and it will destroy itself in seeking to return to the slime from which it sprang.”

Thus spoke the round red god of Yekub in a far-off segment of the space-time continuum to George Campbell as the latter, with all human desire purged away, sat on a throne and ruled an empire of worms more wisely kindly, and benevolently than any man of earth had ever ruled an empire of men.

Of the pleasures and pains of opium much has been written. The ecstasies and horrors of De Quincey and the paradis artificiels of Baudelaire are preserved and interpreted with an art which makes them immortal, and the world knows well the beauty, the terror and the mystery of those obscure realms into which the inspired dreamer is transported. But much as has been told, no man has yet dared intimate the nature of the phantasms thus unfolded to the mind, or hint at the direction of the unheard-of roads along whose ornate and exotic course the partaker of the drug is so irresistibly borne. De Quincey was drawn back into Asia, that teeming land of nebulous shadows whose hideous antiquity is so impressive that “the vast age of the race and name overpowers the sense of youth in the individual,” but farther than that he dared not go. Those who have gone farther seldom returned, and even when they have, they have been either silent or quite mad. I took opium but once — in the year of the plague, when doctors sought to deaden the agonies they could not cure. There was an overdose — my physician was worn out with horror and exertion — and I travelled very far indeed. In the end I returned and lived, but my nights are filled with strange memories, nor have I ever permitted a doctor to give me opium again.

The pain and pounding in my head had been quite unendurable when the drug was administered, Of the future I had no heed; to escape, whether by cure, unconsciousness, or death, was all that concerned me. I was partly delirious, so that it is hard to place the exact moment of transition, but I think the effect must have begun shortly before the pounding ceased to be painful. As I have said, there was an overdose; so my reactions were probably far from normal. The sensation of falling, curiously dissociated from the idea of gravity or direction, was paramount; though there was subsidiary impression of unseen throngs in incalculable profusion, throngs of infinitely di-verse nature, but all more or less related to me. Sometimes it seemed less as though I were falling, than as though the universe or the ages were falling past me. Suddenly my pain ceased, and I began to associate the pounding with an external rather than internal force. The falling had ceased also, giving place to a sensation of uneasy, temporary rest; and when I listened closely, I fancied the pounding was that of the vast, inscrutable sea as its sinister, colossal breakers lacerated some desolate shore after a storm of titanic magnitude. Then I opened my eyes. For a moment my surroundings seemed confused, like a projected image hopelessly out of focus, but gradually I realised my solitary presence in a strange and beautiful room lighted by many windows. Of the exact nature of the apartment I could form no idea, for my thoughts were still far from settled, but I noticed van-coloured rugs and draperies, elaborately fashioned tables, chairs, ottomans, and divans, and delicate vases and ornaments which conveyed a suggestion of the exotic without being actually alien. These things I noticed, yet they were not long uppermost in my mind. Slowly but inexorably crawling upon my consciousness and rising above every other impression, came a dizzying fear of the unknown; a fear all the greater because I could not analyse it, and seeming to concern a stealthily approaching menace; not death, but some nameless, unheard-of thing inexpressibly more ghastly and abhorrent. Presently I realised that the direct symbol and excitant of my fear was the hideous pounding whose incessant reverberations throbbed maddeningly against my exhausted brain. It seemed to come from a point outside and below the edifice in which I stood, and to associate itself with the most terrifying mental images. I felt that some horrible scene or object lurked beyond the silk-hung walls, and shrank from glancing through the arched, latticed windows that opened so bewilderingly on every hand. Perceiving shutters attached to these windows, I closed them all, averting my eyes from the exterior as I did so. Then, employing a flint and steel which I found on one of the small tables, I lit the many candles reposing about the walls in arabesque sconces. The added sense of security brought by closed shutters and artificial light calmed my nerves to some degree, but I could not shut out the monotonous pounding. Now that I was calmer, the sound became as fascinating as it was fearful, and I felt a contradictory desire to seek out its source despite my still powerful shrinking. Opening a portiere at the side of the room nearest the pounding, I beheld a small and richly draped corridor ending in a carven door and large oriel window. To this window I was irresistibly drawn, though my ill-defined apprehensions seemed almost equally bent on holding me back. As I approached it I could see a chaotic whirl of waters in the distance. Then, as I attained it and glanced out on all sides, the stupendous picture of my surroundings burst upon me with full and devastating force.

I beheld such a sight as I had never beheld before, and which no living person can have seen save in the delirium of fever or the inferno of opium. The building stood on a narrow point of land — or what was now a narrow point of land — fully three hundred feet above what must lately have been a seething vortex of mad waters. On either side of the house there fell a newly washed-out precipice of red earth, whilst ahead of me the hideous waves were still rolling in frightfully, eating away the land with ghastly monotony and deliberation. Out a mile or more there rose and fell menacing breakers at least fifty feet in height, and on the far horizon ghoulish black clouds of grotesque contour were resting and brooding like unwholesome vultures. The waves were dark and purplish, almost black, and clutched at the yielding red mud of the bank as if with uncouth, greedy hands. I could not but feel that some noxious marine mind had declared a war of extermination upon all the solid ground, perhaps abetted by the angry sky.

Recovering at length from the stupor into which this unnatural spectacle had thrown me, I realized that my actual physical danger was acute. Even whilst I gazed, the bank had lost many feet, and it could not be long before the house would fall undermined into the awful pit of lashing waves. Accordingly I hastened to the opposite side of the edifice, and finding a door, emerged at once, locking it after me with a curious key which had hung inside. I now beheld more of the strange region about me, and marked a singular division which seemed to exist in the hostile ocean and firmament. On each side of the jutting promontory different conditions held sway. At my left as I faced inland was a gently heaving sea with great green waves rolling peacefully in under a brightly shining sun. Something about that sun’s nature and position made me shudder, but I could not then tell, and cannot tell now, what it was. At my right also was the sea, but it was blue, calm, and only gently undulating, while the sky above it was darker and the washed-out bank more nearly white than reddish. I now turned my attention to the land, and found occasion for fresh surprise; for the vegetation resembled nothing I had ever seen or read about. It was apparently tropical or at least sub-tropical — a conclusion borne out by the intense heat of the air. Sometimes I thought I could trace strange analogies with the flora of my native land, fancying that the well-known plants and shrubs might assume such forms under a radical change of climate; but the gigantic and omnipresent palm trees were plainly foreign. The house I had just left was very small — hardly more than a cottage — but its material was evidently marble, and its architecture was weird and composite, involving a quaint fusion of Western and Eastern forms. At the corners were Corinthian columns, but the red tile roof was like that of a Chinese pagoda. From the door inland there stretched a path of singularly white sand, about four feet wide, and lined on either side with stately palms and unidentifiable flowering shrubs and plants. It lay toward the side of the promontory where the sea was blue and the bank rather whitish. Down this path I felt impelled to flee, as if pursued by some malignant spirit from the pounding ocean. At first it was slightly uphill, then I reached a gentle crest. Behind me I saw the scene I had left; the entire point with the cottage and the black water, with the green sea on one side and the blue sea on the other, and a curse unnamed and unnamable lowering over all. I never saw it again, and often wonder…. After this last look I strode ahead and surveyed the inland panorama before me.

The path, as I have intimated, ran along the right-hand shore as one went inland. Ahead and to the left I now viewed a magnificent valley comprising thousands of acres, and covered with a swaying growth of tropical grass higher than my head. Almost at the limit of vision was a colossal palm tree which seemed to fascinate and beckon me. By this time wonder and’ escape from the imperilled peninsula had largely dissipated my fear, but as I paused and sank fatigued to the path, idly digging with my hands into the warm, whitish-golden sand, a new and acute sense of danger seized me. Some terror in the swishing tall grass seemed added to that of the diabolically pounding sea, and I started up crying aloud and disjointedly, “Tiger? Tiger? Is it Tiger? Beast? Beast? Is it a Beast that I am afraid of?” My mind wandered back to an ancient and classical story of tigers which I had read; I strove to recall the author, but had difficulty. Then in the midst of my fear I remembered that the tale was by Rudyard Kipling; nor did the grotesqueness of deeming him an ancient author occur to me; I wished for the volume containing this story, and had almost started back toward the doomed cottage to procure it when my better sense and the lure of the palm prevented me.

Whether or not I could have resisted the backward beckoning without the counter-fascination of the vast palm tree, I do not know. This attraction was now dominant, and I left the path and crawled on hands and knees down the valley’s slope despite my fear of the grass and of the serpents it might contain. I resolved to fight for life and reason as long as possible against all menaces of sea or land, though I sometimes feared defeat as the maddening swish of the uncanny grasses joined the still audible and irritating pounding of the distant breakers. I would frequently pause and put my hands to my ears for relief, but could never quite shut out the detestable sound. It was, as it seemed to me, only after ages that I finally dragged myself to the beckoning palm tree and lay quiet beneath its protecting shade.

There now ensued a series of incidents which transported me to the opposite extremes of ecstasy and horror; incidents which I tremble to recall and dare not seek to interpret. No sooner had I crawled beneath the overhanging foliage of the palm, than there dropped from its branches a young child of such beauty as I never beheld before. Though ragged and dusty, this being bore the features of a faun or demigod, and seemed almost to diffuse a radiance in the dense shadow of the tree. It smiled and extended its hand, but before I could arise and speak I heard in the upper air the exquisite melody of singing; notes high and low blent with a sublime and ethereal harmoniousness. The sun had by this time sunk below the horizon, and in the twilight I saw an aureole of lambent light encircled the child’s head. Then in a tone of silver it addressed me: “It is the end. They have come down through the gloaming from the stars. Now all is over, and beyond the Arinurian streams we shall dwell blissfully in Teloe. ” As the child spoke, I beheld a soft radiance through the leaves of the palm tree, and rising, greeted a pair whom I knew to be the chief singers among those I had heard. A god and goddess they must have been, for such beauty is not mortal; and they took my hands, saying, “Come, child, you have heard the voices, and all is well. In Teloe beyond the Milky Way and the Arinurian streams are cities all of amber and chalcedony. And upon their domes of many facets glisten the images of strange and beautiful stars. Under the ivory bridges of Teloe flow rivers of liquid gold bearing pleasure-barges bound for blossomy Cytharion of the Seven Suns. And in Teloe and Cytharion abide only youth, beauty, and pleasure, nor are any sounds heard, save of laughter, song, and the lute. Only the gods dwell in Teloe of the golden rivers, but among them shalt thou dwell.”

As I listened, enchanted, I suddenly became aware of a change in my surroundings. The palm tree, so lately overshadowing my exhausted form, was now some distance to my left and considerably below me. I was obviously floating in the atmosphere; companioned not only by the strange child and the radiant pair, but by a constantly increasing throng of half-luminous, vine-crowned youths and maidens with wind-blown hair and joyful countenance. We slowly ascended together, as if borne on a fragrant breeze which blew not from the earth but from the golden nebulae, and the child whispered in my ear that I must look always upward to the pathways of light, and never backward to the sphere I had just left. The youths and maidens now chanted mellifluous choriambics to the accompaniment of lutes, and I felt enveloped in a peace and happiness more profound than any I had in life imagined, when the intrusion of a single sound altered my destiny and shattered my soul. Through the ravishing strains of the singers and the lutanists, as if in mocking, daemoniac concord, throbbed from gulfs below the damnable, the detestable pounding of that hideous ocean. As those black breakers beat their message into my ears I forgot the words of the child and looked back, down upon the doomed scene from which I thought I had escaped.

Down through the aether I saw the accursed earth slowly turning, ever turning, with angry and tempestuous seas gnawing at wild desolate shores and dashing foam against the tottering towers of deserted cities. And under a ghastly moon there gleamed sights I can never describe, sights I can never forget; deserts of corpselike clay and jungles of ruin and decadence where once stretched the populous plains and villages of my native land, and maelstroms of frothing ocean where once rose the mighty temples of my forefathers. Round the northern pole steamed a morass of noisome growths and miasmal vapours, hissing before the onslaught of the ever-mounting waves that curled and fretted from the shuddering deep. Then a rending report clave the night, and athwart the desert of deserts appeared a smoking rift. Still the black ocean foamed and gnawed, eating away the desert on either side as the rift in the center widened and widened. There was now no land left but the desert, and still the fuming ocean ate and ate. All at once I thought even the pounding sea seemed afraid of something, afraid of dark gods of the inner earth that are greater than the evil god of waters, but even if it was it could not turn back; and the desert had suffered too much from those nightmare waves to help them now. So the ocean ate the last of the land and poured into the smoking gulf, thereby giving up all it had ever conquered. From the new-flooded lands it flowed again, uncovering death and decay; and from its ancient and immemorial bed it trickled loathsomely, uncovering nighted secrets of the years when Time was young and the gods unborn. Above the waves rose weedy remembered spires. The moon laid pale lilies of light on dead London, and Paris stood up from its damp grave to be sanctified with star-dust. Then rose spires and monoliths that were weedy but not remembered; terrible spires and monoliths of lands that men never knew were lands. There was not any pounding now, but only the unearthly roaring and hissing of waters tumbling into the rift. The smoke of that rift had changed to steam, and almost hid the world as it grew denser and denser. It seared my face and hands, and when I looked to see how it affected my companions I found they had all disappeared. Then very suddenly it ended, and I knew no more till I awaked upon a bed of convalescence. As the cloud of steam from the Plutonic gulf finally concealed the entire surface from my sight, all the firmament shrieked at a sudden agony of mad reverberations which shook the trembling aether. In one delirious flash and burst it happened; one blinding, deafening holocaust of fire, smoke, and thunder that dissolved the wan moon as it sped outward to the void.

And when the smoke cleared away, and I sought to look upon the earth, I beheld against the background of cold, humorous stars only the dying sun and the pale mournful planets searching for their sister.

In 1925 I went into Oklahoma looking for snake lore, and I came out with a fear of snakes that will last me the rest of my life. I admit it is foolish, since there are natural explanations for everything I saw and heard, but it masters me none the less. If the old story had been all there was to it, I would not have been so badly shaken. My work as an American Indian ethnologist has hardened me to all kinds of extravagant legendry, and I know that simple white people can beat the redskins at their own game when it comes to fanciful inventions. But I can’t forget what I saw with my own eyes at the insane asylum in Guthrie.

I called at that asylum because a few of the oldest settlers told me I would find something important there. Neither Indians nor white men would discuss the snake-god legends I had come to trace. The oil-boom newcomers, of course, knew nothing of such matters, and the red men and old pioneers were plainly frightened when I spoke of them. Not more than six or seven people mentioned the asylum, and those who did were careful to talk in whispers. But the whisperers said that Dr. McNeill could shew me a very terrible relic and tell me all I wanted to know. He could explain why Yig, the half-human father of serpents, is a shunned and feared object in central Oklahoma, and why old settlers shiver at the secret Indian orgies which make the autumn days and nights hideous with the ceaseless beating of tom-toms in lonely places.

It was with the scent of a hound on the trail that I went to Guthrie, for I had spent many years collecting data on the evolution of serpent-worship among the Indians. I had always felt, from well-defined undertones of legend and archaeology, that great Quetzalcoatl—benign snake-god of the Mexicans—had had an older and darker prototype; and during recent months I had well-nigh proved it in a series of researches stretching from Guatemala to the Oklahoma plains. But everything was tantalising and incomplete, for above the border the cult of the snake was hedged about by fear and furtiveness.

Now it appeared that a new and copious source of data was about to dawn, and I sought the head of the asylum with an eagerness I did not try to cloak. Dr. McNeill was a small, clean-shaven man of somewhat advanced years, and I saw at once from his speech and manner that he was a scholar of no mean attainments in many branches outside his profession. Grave and doubtful when I first made known my errand, his face grew thoughtful as he carefully scanned my credentials and the letter of introduction which a kindly old ex-Indian agent had given me.

“So you’ve been studying the Yig legend, eh?” he reflected sententiously. “I know that many of our Oklahoma ethnologists have tried to connect it with Quetzalcoatl, but I don’t think any of them have traced the intermediate steps so well. You’ve done remarkable work for a man as young as you seem to be, and you certainly deserve all the data we can give.

“I don’t suppose old Major Moore or any of the others told you what it is I have here. They don’t like to talk about it, and neither do I. It is very tragic and very horrible, but that is all. I refuse to consider it anything supernatural. There’s a story about it that I’ll tell you after you see it—a devilish sad story, but one that I won’t call magic. It merely shews the potency that belief has over some people. I’ll admit there are times when I feel a shiver that’s more than physical, but in daylight I set all that down to nerves. I’m not a young fellow any more, alas!

“To come to the point, the thing I have is what you might call a victim of Yig’s curse—a physically living victim. We don’t let the bulk of the nurses see it, although most of them know it’s here. There are just two steady old chaps whom I let feed it and clean out its quarters—used to be three, but good old Stevens passed on a few years ago. I suppose I’ll have to break in a new group pretty soon; for the thing doesn’t seem to age or change much, and we old boys can’t last forever. Maybe the ethics of the near future will let us give it a merciful release, but it’s hard to tell.

“Did you see that single ground-glass basement window over in the east wing when you came up the drive? That’s where it is. I’ll take you there myself now. You needn’t make any comment. Just look through the moveable panel in the door and thank God the light isn’t any stronger. Then I’ll tell you the story—or as much as I’ve been able to piece together.”

We walked downstairs very quietly, and did not talk as we threaded the corridors of the seemingly deserted basement. Dr. McNeill unlocked a grey-painted steel door, but it was only a bulkhead leading to a further stretch of hallway. At length he paused before a door marked B 116, opened a small observation panel which he could use only by standing on tiptoe, and pounded several times upon the painted metal, as if to arouse the occupant, whatever it might be.

A faint stench came from the aperture as the doctor unclosed it, and I fancied his pounding elicited a kind of low, hissing response. Finally he motioned me to replace him at the peep-hole, and I did so with a causeless and increasing tremor. The barred, ground-glass window, close to the earth outside, admitted only a feeble and uncertain pallor; and I had to look into the malodorous den for several seconds before I could see what was crawling and wriggling about on the straw-covered floor, emitting every now and then a weak and vacuous hiss. Then the shadowed outlines began to take shape, and I perceived that the squirming entity bore some remote resemblance to a human form laid flat on its belly. I clutched at the door-handle for support as I tried to keep from fainting.

The moving object was almost of human size, and entirely devoid of clothing. It was absolutely hairless, and its tawny-looking back seemed subtly squamous in the dim, ghoulish light. Around the shoulders it was rather speckled and brownish, and the head was very curiously flat. As it looked up to hiss at me I saw that the beady little black eyes were damnably anthropoid, but I could not bear to study them long. They fastened themselves on me with a horrible persistence, so that I closed the panel gaspingly and left the creature to wriggle about unseen in its matted straw and spectral twilight. I must have reeled a bit, for I saw that the doctor was gently holding my arm as he guided me away. I was stuttering over and over again: “B-but for God’s sake, what is it?”

Dr. McNeill told me the story in his private office as I sprawled opposite him in an easy-chair. The gold and crimson of late afternoon changed to the violet of early dusk, but still I sat awed and motionless. I resented every ring of the telephone and every whir of the buzzer, and I could have cursed the nurses and internes whose knocks now and then summoned the doctor briefly to the outer office. Night came, and I was glad my host switched on all the lights. Scientist though I was, my zeal for research was half forgotten amidst such breathless ecstasies of fright as a small boy might feel when whispered witch-tales go the rounds of the chimney-corner.

It seems that Yig, the snake-god of the central plains tribes—presumably the primal source of the more southerly Quetzalcoatl or Kukulcan—was an odd, half-anthropomorphic devil of highly arbitrary and capricious nature. He was not wholly evil, and was usually quite well-disposed toward those who gave proper respect to him and his children, the serpents; but in the autumn he became abnormally ravenous, and had to be driven away by means of suitable rites. That was why the tom-toms in the Pawnee, Wichita, and Caddo country pounded ceaselessly week in and week out in August, September, and October; and why the medicine-men made strange noises with rattles and whistles curiously like those of the Aztecs and Mayas.

Yig’s chief trait was a relentless devotion to his children—a devotion so great that the redskins almost feared to protect themselves from the venomous rattlesnakes which thronged the region. Frightful clandestine tales hinted of his vengeance upon mortals who flouted him or wreaked harm upon his wriggling progeny; his chosen method being to turn his victim, after suitable tortures, to a spotted snake.

In the old days of the Indian Territory, the doctor went on, there was not quite so much secrecy about Yig. The plains tribes, less cautious than the desert nomads and Pueblos, talked quite freely of their legends and autumn ceremonies with the first Indian agents, and let considerable of the lore spread out through the neighbouring regions of white settlement. The great fear came in the land-rush days of ’89, when some extraordinary incidents had been rumoured, and the rumours sustained, by what seemed to be hideously tangible proofs. Indians said that the new white men did not know how to get on with Yig, and afterward the settlers came to take that theory at face value. Now no old-timer in middle Oklahoma, white or red, could be induced to breathe a word about the snake-god except in vague hints. Yet after all, the doctor added with almost needless emphasis, the only truly authenticated horror had been a thing of pitiful tragedy rather than of bewitchment. It was all very material and cruel—even that last phase which had caused so much dispute.

Dr. McNeill paused and cleared his throat before getting down to his special story, and I felt a tingling sensation as when a theatre curtain rises. The thing had begun when Walker Davis and his wife Audrey left Arkansas to settle in the newly opened public lands in the spring of 1889, and the end had come in the country of the Wichitas—north of the Wichita River, in what is at present Caddo County. There is a small village called Binger there now, and the railway goes through; but otherwise the place is less changed than other parts of Oklahoma. It is still a section of farms and ranches—quite productive in these days—since the great oil-fields do not come very close.

Walker and Audrey had come from Franklin County in the Ozarks with a canvas-topped wagon, two mules, an ancient and useless dog called “Wolf”, and all their household goods. They were typical hill-folk, youngish and perhaps a little more ambitious than most, and looked forward to a life of better returns for their a hard work than they had had in Arkansas. Both were lean, raw-boned specimens; the man tall, sandy, and grey-eyed, and the woman short and rather dark, with a black straightness of hair suggesting a slight Indian admixture.

In general, there was very little of distinction about them, and but for one thing their annals might not have differed from those of thousands of other pioneers who flocked into the new country at that time. That thing was Walker’s almost epileptic fear of snakes, which some laid to prenatal causes, and some said came from a dark prophecy about his end with which an old Indian squaw had tried to scare him when he was small. Whatever the cause, the effect was marked indeed; for despite his strong general courage the very mention of a snake would cause him to grow faint and pale, while the sight of even a tiny specimen would produce a shock sometimes bordering on a convulsion seizure.

The Davises started out early in the year, in the hope of being on their new land for the spring ploughing. Travel was slow; for the roads were bad in Arkansas, while in the Territory there were great stretches of rolling hills and red, sandy barrens without any roads whatever. As the terrain grew flatter, the change from their native mountains depressed them more, perhaps, than they realised; but they found the people at the Indian agencies very affable, while most of the settled Indians seemed friendly and civil. Now and then they encountered a fellow-pioneer, with whom crude pleasantries and expressions of amiable rivalry were generally exchanged.

Owing to the season, there were not many snakes in evidence, so Walker did not suffer from his special temperamental weakness. In the earlier stages of the journey, too, there were no Indian snake-legends to trouble him; for the transplanted tribes from the southeast do not share the wilder beliefs of their western neighbours. As fate would have it, it was a white man at Okmulgee in the Creek country who gave the Davises the first hint of Yig beliefs; a hint which had a curiously fascinating effect on Walker, and caused him to ask questions very freely after that.

Before long Walker’s fascination had developed into a bad case of fright. He took the most extraordinary precautions at each of the nightly camps, always clearing away whatever vegetation he found, and avoiding stony places whenever he could. Every clump of stunted bushes and every cleft in the great, slab-like rocks seemed to him now to hide malevolent serpents, while every human figure not obviously part of a settlement or emigrant train seemed to him a potential snake-god till nearness had proved the contrary. Fortunately no troublesome encounters came at this stage to shake his nerves still further.

As they approached the Kickapoo country they found it harder and harder to avoid camping near rocks. Finally it was no longer possible, and poor Walker was reduced to the puerile expedient of droning some of the rustic anti-snake charms he had learned in his boyhood. Two or three times a snake was really glimpsed, and these sights did not help the sufferer in his efforts to preserve composure.

On the twenty-second evening of the journey a savage wind made it imperative, for the sake of the mules, to camp in as sheltered a spot as possible; and Audrey persuaded her husband to take advantage of a cliff which rose uncommonly high above the dried bed of a former tributary of the Canadian River. He did not like the rocky cast of the place, but allowed himself to be overruled this once; leading the animals sullenly toward the protecting slope, which the nature of the ground would not allow the wagon to approach.

Audrey, examining the rocks near the wagon, meanwhile noticed a singular sniffing on the part of the feeble old dog. Seizing a rifle, she followed his lead, and presently thanked her stars that she had forestalled Walker in her discovery. For there, snugly nested in the gap between two boulders, was a sight it would have done him no good to see. Visible only as one convoluted expanse, but perhaps comprising as many as three or four separate units, was a mass of lazy wriggling which could not be other than a brood of new-born rattlesnakes.

Anxious to save Walker from a trying shock, Audrey did not hesitate to act, but took the gun firmly by the barrel and brought the butt down again and again upon the writhing objects. Her own sense of loathing was great, but it did not amount to a real fear. Finally she saw that her task was done, and turned to cleanse the improvised bludgeon in the red sand and dry, dead grass near by. She must, she reflected, cover the nest up before Walker got back from tethering the mules. Old Wolf, tottering relic of mixed shepherd and coyote ancestry that he was, had vanished, and she feared he had gone to fetch his master.

Footsteps at that instant proved her fear well founded. A second more, and Walker had seen everything. Audrey made a move to catch him if he should faint, but he did no more than sway. Then the look of pure fright on his bloodless face turned slowly to something like mingled awe and anger, and he began to upbraid his wife in trembling tones.

“Gawd’s sake, Aud, but why’d ye go for to do that? Hain’t ye heerd all the things they’ve been tellin’ about this snake-devil Yig? Ye’d ought to a told me, and we’d a moved on. Don’t ye know they’s a devil-god what gets even if ye hurts his children? What for d’ye think the Injuns all dances and beats their drums in the fall about? This land’s under a curse, I tell ye—nigh every soul we’ve a-talked to sence we come in’s said the same. Yig rules here, an’ he comes out every fall for to git his victims and turn ‘em into snakes. Why, Aud, they won’t none of them Injuns acrost the Canayjin kill a snake for love nor money!

“Gawd knows what ye done to yourself, gal, a-stompin’ out a hull brood o’ Yig’s chillen. He’ll git ye, sure, sooner or later, unlessen I kin buy a charm offen some o’ the Injun medicine-men. He’ll git ye, Aud, as sure’s they’s a Gawd in heaven—he’ll come outa the night and turn ye into a crawlin’ spotted snake!”

All the rest of the journey Walker kept up the frightened reproofs and prophecies. They crossed the Canadian near Newcastle, and soon afterward met with the first of the real plains Indians they had seen—a party of blanketed Wichitas, whose leader talked freely under the spell of the whiskey offered him, and taught poor Walker a long-winded protective charm against Yig in exchange for a quart bottle of the same inspiring fluid. By the end of the week the chosen site in the Wichita country was reached, and the Davises made haste to trace their boundaries and perform the spring ploughing before even beginning the construction of a cabin.

The region was flat, drearily windy, and sparse of natural vegetation, but promised great fertility under cultivation. Occasional outcroppings of granite diversified a soil of decomposed red sandstone, and here and there a great flat rock would stretch along the surface of the ground like a man-made floor. There seemed to be a very few snakes, or possible dens for them; so Audrey at last persuaded Walker to build the one-room cabin over a vast, smooth slab of exposed stone. With such a flooring and with a good-sized fireplace the wettest weather might be defied—though it soon became evident that dampness was no salient quality of the district. Logs were hauled in the wagon from the nearest belt of woods, many miles toward the Wichita Mountains.

Walker built his wide-chimneyed cabin and crude barn with the aid of some of the other settlers, though the nearest one was over a mile away. In turn, he helped his helpers at similar house-raisings, so that many ties of friendship sprang up between the new neighbours. There was no town worthy the name nearer than El Reno, on the railway thirty miles or more to the northeast; and before many weeks had passed, the people of the section had become very cohesive despite the wideness of their scattering. The Indians, a few of whom had begun to settle down on ranches, were for the most part harmless, though somewhat quarrelsome when fired by the liquid stimulation which found its way to them despite all government bans.

Of all the neighbours the Davises found Joe and Sally Compton, who likewise hailed from Arkansas, the most helpful and congenial. Sally is still alive, known now as Grandma Compton; and her son Clyde, then an infant in arms, has become one of the leading men of the state. Sally and Audrey used to visit each other often, for their cabins were only two miles apart; and in the long spring and summer afternoons they exchanged many a tale of old Arkansas and many a rumour about the new country.

Sally was very sympathetic about Walker’s weakness regarding snakes, but perhaps did more to aggravate than cure the parallel nervousness which Audrey was acquiring through his incessant praying and prophesying about the curse of Yig. She was uncommonly full of gruesome snake stories, and produced a direfully strong impression with her acknowledged masterpiece—the tale of a man in Scott County who had been bitten by a whole horde of rattlers at once, and had swelled so monstrously from poison that his body had finally burst with a pop. Needless to say, Audrey did not repeat this anecdote to her husband, and she implored the Comptons to beware of starting it on the rounds of the countryside. It is to Joe’s and Sally’s credit that they heeded this plea with the utmost fidelity.

Walker did his corn-planting early, and in midsummer improved his time by harvesting a fair crop of the native grass of the region. With the help of Joe Compton he dug a well which gave a moderate supply of very good water, though he planned to sink an artesian later on. He did not run into many serious snake scares, and made his land as inhospitable as possible for wriggling visitors. Every now and then he rode over to the cluster of thatched, conical huts which formed the main village of the Wichitas, and talked long with the old men and shamans about the snake-god and how to nullify his wrath. Charms were always ready in exchange for whiskey, but much of the information he got was far from reassuring.

Yig was a great god. He was bad medicine. He did not forget things. In the autumn his children were hungry and wild, and Yig was hungry and wild, too. All the tribes made medicine against Yig when the corn harvest came. They gave him some corn, and danced in proper regalia to the sound of whistle, rattle, and drum. They kept the drums pounding to drive Yig away, and called down the aid of Tirᷡ, whose children men are, even as the snakes are Yig’s children. It was bad that the squaw of Davis killed the children of Yig. Let Davis say the charms many times when the corn harvest comes. Yig is Yig. Yig is a great god.

By the time the corn harvest did come, Walker had succeeded in getting his wife into a deplorably jumpy state. His prayers and borrowed incantations came to be a nuisance; and when the autumn rites of the Indians began, there was always a distant wind-borne pounding of tom-toms to lend an added background of the sinister. It was maddening to have the muffled clatter always stealing over the wide red plains. Why would it never stop? Day and night, week on week, it was always going in exhaustless relays, as persistently as the red dusty winds that carried it. Audrey loathed it more than her husband did, for he saw in it a compensating element of protection. It was with this sense of a mighty, intangible bulwark against evil that he got in his corn crop and prepared cabin and stable for the coming winter.

The autumn was abnormally warm, and except for their primitive cookery the Davises found scant use for the stone fireplace Walker had built with such care. Something in the unnaturalness of the hot dust-clouds preyed on the nerves of all the settlers, but most of all on Audrey’s and Walker’s. The notions of a hovering snake-curse and the weird, endless rhythm of the distant Indian drums formed a bad combination which any added element of the bizarre went far to render utterly unendurable.

Notwithstanding this strain, several festive gatherings were held at one or another of the cabins after the crops were reaped; keeping naively alive in modernity those curious rites of the harvest-home which are as old as human agriculture itself. Lafayette Smith, who came from southern Missouri and had a cabin about three miles east of Walker’s, was a very passable fiddler; and his tunes did much to make the celebrants forget the monotonous beating of the distant tom-toms. Then Hallowe’en drew near, and the settlers planned another frolic—this time, had they but known it, of a lineage older than even agriculture; the dread Witch-Sabbath of the primal pre-Aryans, kept alive through ages in the midnight blackness of secret woods, and still hinting at vague terrors under its latter-day mask of comedy and lightness. Hallowe’en was to fall on a Thursday, and the neighbours agreed to gather for their first revel at the Davis cabin.

It was on that thirty-first of October that the warm spell broke. The morning was grey and leaden, and by noon the incessant winds had changed from searingness to rawness. People shivered all the more because they were not prepared for the chill, and Walker Davis’ old dog Wolf dragged himself wearily indoors to a place beside the hearth. But the distant drums still thumped on, nor were the white citizenry less inclined to pursue their chosen rites. As early as four in the afternoon the wagons began to arrive at Walker’s cabin; and in the evening, after a memorable barbecue, Lafayette Smith’s fiddle inspired a very fair-sized company to great feats of saltatory grotesqueness in the one good-sized but crowded room. The younger folk indulged in the amiable inanities proper to the season, and now and then old Wolf would howl with doleful and spine-tickling ominousness at some especially spectral strain from Lafayette’s squeaky violin—a device he had never heard before. Mostly, though, this battered veteran slept through the merriment; for he was past the age of active interests and lived largely in his dreams. Tom and Jennie Rigby had brought their collie Zeke along, but the canines did not fraternise. Zeke seemed strangely uneasy over something, and nosed around curiously all the evening.

Audrey and Walker made a fine couple on the floor, and Grandma Compton still likes to recall her impression of their dancing that night. Their worries seemed forgotten for the nonce, and Walker was shaved and trimmed into a surprising degree of spruceness. By ten o’clock all hands were healthily tired, and the guests began to depart family by family with many handshakings and bluff assurances of what a fine time everybody had had. Tom ands Jennie thought Zeke’s eerie howls as he followed them to their wagon were marks of regret at having to go home; though Audrey said it must be the far-away tom-toms which annoyed him, for the distant thumping was surely ghastly enough after the merriment within.

The night was bitterly cold, and for the first time Walker put a great log in the fireplace and banked it with ashes to keep it smouldering till morning. Old Wolf dragged himself within the ruddy glow and lapsed into his customary coma. Audrey and Walker, too tired to think of charms or curses, tumbled into the rough pine bed and were asleep before the cheap alarm-clock on the mantel had ticked out three minutes. And from far away, the rhythmic pounding of those hellish tom-toms still pulsed on the chill night-wind.

Dr. McNeill paused here and removed his glasses, as if a blurring of the objective world might make the reminiscent vision clearer.

“You’ll soon appreciate,” he said, “that I had a great deal of difficulty in piecing out all that happened after the guests left. There were times, though—at first—when I was able to make a try at it.” After a moment of silence he went on with the tale.

Audrey had terrible dreams of Yig, who appeared to her in the guise of Satan as depicted in cheap engravings she had seen. It was, indeed, from an absolute ecstasy of nightmare that she started suddenly awake to find Walker already conscious and sitting up in bed. He seemed to be listening intently to something, and silenced her with a whisper when she began to ask what had roused him.

“Hark, Aud!” he breathed. “Don’t ye hear somethin’ a-singin’ and buzzin’ and rustlin’? D’ye reckon it’s the fall crickets?”

Certainly, there was distinctly audible within the cabin such a sound as he had described. Audrey tried to analyse it, and was impressed with some element at once horrible and familiar, which hovered just outside the rim of her memory. And beyond it all, waking a hideous thought, the monotonous beating of the distant tom-toms came incessantly across the black plains on which a cloudy half-moon had set.

“Walker—s’pose it’s—the—the—curse o’ Yig?”

She could feel him tremble.

“No, gal, I don’t reckon he comes that away. He’s shapen like a man, except ye look at him clost. That’s what Chief Grey Eagle says. This here’s some varmints come in outen the cold—not crickets, I calc’late, but summat like ‘em. I’d orter git up and stomp ‘em out afore they make much headway or git at the cupboard.”

He rose, felt for the lantern that hung within easy reach, and rattled the tin match-box nailed to the wall beside it. Audrey sat up in bed and watched the flare of the match grow into the steady glow of the lantern. Then, as their eyes began to take in the whole of the room, the crude rafters shook with the frenzy of their simultaneous shriek. For the flat, rocky floor, revealed in the new-born illumination, was one seething, brown-speckled mass of wriggling rattlesnakes, slithering toward the fire, and even now turning their loathsome heads to menace the fright-blasted lantern-bearer.

It was only for an instant that Audrey saw the things. The reptiles were of every size, of uncountable numbers, and apparently of several varieties; and even as she looked, two or three of them reared their heads as if to strike at Walker. She did not faint—it was Walker’s crash to the floor that extinguished the lantern and plunged her into blackness. He had not screamed a second time—fright had paralysed him, and he fell as if shot by a silent arrow from no mortal’s bow. To Audrey the entire world seemed to whirl about fantastically, mingling with the nightmare from which she had started.

Voluntary motion of any sort was impossible, for will and the sense of reality had left her. She fell back inertly on her pillow, hoping that she would wake soon. No actual sense of what had happened penetrated her mind for some time. Then, little by little, the suspicion that she was really awake began to dawn on her; and she was convulsed with a mounting blend of panic and grief which made her long to shriek out despite the inhibiting spell which kept her mute.

Walker was gone, and she had not been able to help him. He had died of snakes, just as the old witch-woman had predicted when he was a little boy. Poor Wolf had not been able to help, either—probably he had not even awaked from his senile stupor. And now the crawling things must be coming for her, writhing closer and closer every moment in the dark, perhaps even now twining slipperily about the bedposts and oozing up over the coarse woollen blankets. Unconsciously she crept under the clothes and trembled.

It must be the curse of Yig. He had sent his monstrous children on All-Hallows’ Night, and they had taken Walker first. Why was that—wasn’t he innocent enough? Why not come straight for her—hadn’t she killed those little rattlers alone? Then she thought of the curse’s form as told by the Indians. She wouldn’t be killed—just turned to a spotted snake. Ugh! So she would be like those things she had glimpsed on the floor—those things which Yig had sent to get her and enroll her among their number! She tried to mumble a charm that Walker had taught her, but found she could not utter a single sound.

The noisy ticking of the alarm-clock sounded above the maddening beat of the distant tom-toms. The snakes were taking a long time—did they mean to delay on purpose to play on her nerves? Every now and then she thought she felt a steady, insidious pressure on the bedclothes, but each time it turned out to be only the automatic twitchings of her overwrought nerves. The clock ticked on in the dark, and a change came slowly over her thoughts.

Those snakes couldn’t have taken so long! They couldn’t be Yig’s messengers after all, but just natural rattlers that were nested below the rock and had been drawn there by the fire. They weren’t coming for her, perhaps—perhaps they had sated themselves on poor Walker. Where were they now? Gone? Coiled by the fire? Still crawling over the prone corpse of their victim? The clock ticked, and the distant drums throbbed on.

At the thought of her husband’s body lying there in the pitch blackness a thrill of purely physical horror passed over Audrey. That story of Sally Compton’s about the man back in Scott County! He, too, had been bitten by a whole bunch of rattlesnakes, and what had happened to him? The poison had rotted the flesh and swelled the whole corpse, and in the end the bloated thing had burst horribly—burst horribly with a detestable popping noise. Was that what was happening to Walker down there on the rock floor? Instinctively she felt she had begun to listen for something too terrible even to name to herself.

The clock ticked on, keeping a kind of mocking, sardonic time with the far-off drumming that the night-wind brought. She wished it were a striking clock, so that she could know how long this eldritch vigil must last. She cursed the toughness of fibre that kept her from fainting, and wondered what sort of relief the dawn could bring, after all. Probably neighbours would pass—no doubt somebody would call—would they find her still sane? Was she still sane now?

Morbidly listening, Audrey all at once became aware of something which she had to verify with every effort of her will before she could believe it; and which, once verified, she did not know whether to welcome or dread. The distant beating of the Indian tom-toms had ceased. They had always maddened her—but had not Walker regarded them as a bulwark against nameless evil from outside the universe? What were some of those things he had repeated to her in whispers after talking with Grey Eagle and the Wichita medicine-men?

She did not relish this new and sudden silence, after all! There was something sinister about it. The loud-ticking clock seemed abnormal in its new loneliness. Capable at last of conscious motion, she shook the covers from her face and looked into the darkness toward the window. It must have cleared after the moon set, for she saw the square aperture distinctly against the background of stars.

Then without warning came that shocking, unutterable sound—ugh!—that dull, putrid pop of cleft skin and escaping poison in the dark. God!—Sally’s story—that obscene stench, and this gnawing, clawing silence! It was too much. The bonds of muteness snapped, and the black night waxed reverberant with Audrey’s screams of stark, unbridled frenzy.

Consciousness did not pass away with the shock. How merciful if only it had! Amidst the echoes of her shrieking Audrey still saw the star-sprinkled square of window ahead, and heard the doom-boding ticking of that frightful clock. Did she hear another sound? Was that square window still a perfect square? She was in no condition to weigh the evidence of her senses or distinguish between fact and hallucination.

No—that window was not a perfect square. Something had encroached on the lower edge. Nor was the ticking of the clock the only sound in the room. There was, beyond dispute, a heavy breathing neither her own nor poor Wolf’s. Wolf slept very silently, and his wakeful wheezing was unmistakable. Then Audrey saw against the stars the black, daemoniac silhouette of something anthropoid—the undulant bulk of a gigantic head and shoulders fumbling slowly toward her.

“Y’aaaah! Y’aaaah! Go away! Go away! Go away, snake-devil! Go ‘way, Yig! I didn’t mean to kill ‘em—I was feared he’d be scairt of ‘em. Don’t, Yig, don’t! I didn’t go for to hurt yore chillen—don’t come nigh me—don’t change me into no spotted snake!”

But the half-formless head and shoulders only lurched onward toward the bed, very silently.

Everything snapped at once inside Audrey’s head, and in a second she had turned from a cowering child to a raging madwoman. She knew where the axe was—hung against the wall on those pegs near the lantern. It was within easy reach, and she could find it in the dark. Before she was conscious of anything further it was in her hands, and she was creeping toward the foot of the bed—toward the monstrous head and shoulders that every moment groped their way nearer. Had there been any light, the look on her face would not have been pleasant to see.

“Take that, you! And that, and that, and that!”

She was laughing shrilly now, and her cackles mounted higher as she saw that the starlight beyond the window was yielding to the dim prophetic pallor of coming dawn.

Dr. McNeill wiped the perspiration from his forehead and put on his glasses again. I waited for him to resume, and as he kept silent I spoke softly.

“She lived? She was found? Was it ever explained?”

The doctor cleared his throat.

“Yes—she lived, in a way. And it was explained. I told you there was no bewitchment—only cruel, pitiful, material horror.”

It was Sally Compton who had made the discovery. She had ridden over to the Davis cabin the next afternoon to talk over the party with Audrey, and had seen no smoke from the chimney. That was queer. It had turned very warm again, yet Audrey was usually cooking something at that hour. The mules were making hungry-sounding noises in the barn, and there was no sign of old Wolf sunning himself in the accustomed spot by the door.

Altogether, Sally did not like the look of the place, so was very timid and hesitant as she dismounted and knocked. She got no answer but waited some time before trying the crude door of split logs. The lock, it appeared, was unfastened; and she slowly pushed her way in. Then, perceiving what was there, she reeled back, gasped, and clung to the jamb to preserve her balance.

A terrible odour had welled out as she opened the door, but that was not what had stunned her. It was what she had seen. For within that shadowy cabin monstrous things had happened and three shocking objects remained on the floor to awe and baffle the beholder.

Near the burned-out fireplace was the great dog—purple decay on the skin left bare by mange and old age, and the whole carcass burst by the puffing effect of rattlesnake poison. It must have been bitten by a veritable legion of the reptiles.

To the right of the door was the axe-hacked remnant of what had been a man—clad in a nightshirt, and with the shattered bulk of a lantern clenched in one hand. He was totally free from any sign of snake-bite. Near him lay the ensanguined axe, carelessly discarded.

And wriggling flat on the floor was a loathsome, vacant-eyed thing that had been a woman, but was now only a mute mad caricature. All that this thing could do was to hiss, and hiss, and hiss.

Both the doctor and I were brushing cold drops from our foreheads by this time. He poured something from a flask on his desk, took a nip, and handed another glass to me. I could only suggest tremulously and stupidly:

“So Walker had only fainted that first time—the screams roused him, and the axe did the rest?”

“Yes.” Dr. McNeill’s voice was low. “But he met his death from snakes just the same. It was his fear working in two ways—it made him faint, and it made him fill his wife with the wild stories that caused her to strike out when she thought she saw the snake-devil.”

I thought for a moment.

“And Audrey—wasn’t it queer how the curse of Yig seemed to work itself out on her? I suppose the impression of hissing snakes had been fairly ground into her.”

“Yes. There were lucid spells at first, but they got to be fewer and fewer. Her hair came white at the roots as it grew, and later began to fall out. The skin grew blotchy, and when she died—”

I interrupted with a start.

“Died? Then what was that—that thing downstairs?”

McNeill spoke gravely.

“That is what was born to her three-quarters of a year afterward. There were three more of them—two were even worse—but this is the only one that lived.”

Retrieved from “http://en.wikisource.org/wiki/The_Curse_of_Yig”

I awoke abruptly from a horrible dream and stared wildly about. Then, seeing the high, arched ceiling and the narrow stained windows of my friend’s room, a flood of uneasy revelation coursed over me; and I knew that all of Andrews’ hopes had been realized. I lay supine in a large bed, the posts of which reared upward in dizzy perspective; while on vast shelves about the chamber were the familiar books and antiques I was accustomed to seeing in that secluded corner of the crumbling and ancient mansion which had formed our joint home for many years. On a table by the wall stood a huge candelabrum of early workmanship and design, and the usual light window-curtains had been replaced by hangings of somber black, which took on a faint, ghostly luster in the dying light.

I recalled forcibly the events preceding my confinement and seclusion in this veritable medieval fortress. They were not pleasant, and I shuddered anew when I remembered the couch that had held me before my tenancy of the present one – the couch that everyone supposed would be my last. Memory burned afresh regarding those hideous circumstances which had compelled me to choose between a true death and a hypothetical one – with a later re-animation by therapeutic methods known only to my comrade, Marshall Andrews. The whole thing had begun when I returned from the Orient a year before and discovered, to my utter horror, that I had contracted leprosy while abroad. I had known that I was taking grave chances in caring for my stricken brother in the Philippines, but no hint of my own affliction appeared until I returned to my native land. Andrews himself had made the discovery, and kept it from me as long as possible; but our close acquaintance soon disclosed the awful truth.

At once I was quartered in our ancient abode atop the crags overlooking crumbling Hampden, from whose musty halls and quaint, arched doorways I was never permitted to go forth. It was a terrible existence, with the yellow shadow hanging constantly over me; yet my friend never faltered in his faith, taking care not to contract the dread scourge, but meanwhile making life as pleasant and comfortable as possible. His widespread though somewhat sinister fame as a surgeon prevented any authority from discovering my plight and shipping me away.

It was after nearly a year of this seclusion – late in August – that Andrews decided on a trip to the West Indies – to study “native” medical methods, he said. I was left in care of venerable Simes, the household factotum. So far no outward signs of the disease had developed, and I enjoyed a tolerable though almost completely private existence during my colleague’s absence. It was during this time that I read many of the tomes Andrews had acquired in the course of his twenty years as a surgeon, and learned why his reputation, though locally of the highest, was just a bit shady. For the volumes included any number of fanciful subjects hardly related to modern medical knowledge: treatises and unauthoritative articles on monstrous experiments in surgery; accounts of the bizarre effects of glandular transplantation and rejuvenation in animals and men alike; brochures on attempted brain transference, and a host of other fanatical speculations not countenanced by orthodox physicians. It appeared, too, that Andrews was an authority on obscure medicaments; some of the few books I waded through revealing that he had spent much time in chemistry and in the search for new drugs which might be used as aids in surgery. Looking back at those studies now, I find them hellishly suggestive when associated with his later experiments.

Andrews was gone longer than I expected, returning early in November, almost four months later; and when he did arrive, I was quite anxious to see him, since my condition was at last on the brink of becoming noticeable. I had reached a point where I must seek absolute privacy to keep from being discovered. But my anxiety was slight as compared with his exuberance over a certain new plan he had hatched while in the Indies – a plan to be carried out with the aid of a curious drug he had learned of from a native “doctor” in Haiti. When he explained that his idea concerned me, I became somewhat alarmed; though in my position there could be little to make my plight worse. I had, indeed, considered more than once the oblivion that would come with a revolver or a plunge from the roof to the jagged rocks below.

On the day after his arrival, in the seclusion of the dimly lit study, he outlined the whole grisly scheme. He had found in Haiti a drug, the formula for which he would develop later, which induced a state of profound sleep in anyone taking it; a trance so deep that death was closely counterfeited – with all muscular reflexes, even the respiration and heart-beat, completely stilled for the time being. Andrews had, he said, seen it demonstrated on natives many times. Some of them remained somnolent for days at a time, wholly immobile and as much like death as death itself. This suspended animation, he explained further, would even pass the closest examination of any medical man. He himself, according to all known laws, would have to report as dead a man under the influence of such a drug. He stated, too, that the subject’s body assumed the precise appearance of a corpse – even a slight rigor mortis developing in prolonged cases.

For some time his purpose did not seem wholly clear, but when the full import of his words became apparent I felt weak and nauseated. Yet in another way I was relieved; for the thing meant at least a partial escape from my curse, an escape from the banishment and shame of an ordinary death of the dread leprosy. Briefly, his plan was to administer a strong dose of the drug to me and call the local authorities, who would immediately pronounce me dead, and see that I was buried within a very short while. He felt assured that with their careless examination they would fail to notice my leprosy symptoms, which in truth had hardly appeared. Only a trifle over fifteen months had passed since I had caught the disease, whereas the corruption takes seven years to run its entire course.

Later, he said, would come resurrection. After my interment in the family graveyard – beside my centuried dwelling and barely a quarter-mile from his own ancient pile – the appropriate steps would be taken. Finally, when my estate was settled and my decease widely known, he would secretly open the tomb and bring me to his own abode again, still alive and none the worse for my adventure. It seemed a ghastly and daring plan, but to me it offered the only hope for even a partial freedom; so I accepted his proposition, but not without a myriad of misgivings. What if the effect of the drug should wear off while I was in my tomb? What if the coroner should discover the awful ruse, and fail to inter me? These were some of the hideous doubts which assailed me before the experiment. Though death would have been a release from my curse, I feared it even worse than the yellow scourge; feared it even when I could see its black wings constantly hovering over me.

Fortunately I was spared the horror of viewing my own funeral and burial rites. They must, however, have gone just as Andrews had planned, even to the subsequent disinterment; for after the initial dose of the poison from Haiti I lapsed into a semi-paralytic state and from that to a profound, night-black sleep. The drug had been administered in my room, and Andrews had told me before giving it that he would recommend to the coroner a verdict of heart failure due to nerve strain. Of course, there was no embalming – Andrews saw to that – and the whole procedure, leading up to my secret transportation from the graveyard to his crumbling manor, covered a period of three days. Having been buried late in the afternoon of the third day, my body was secured by Andrews that very night. He had replaced the fresh sod just as it had been when the workmen left. Old Simes, sworn to secrecy, had helped Andrews in his ghoulish task.

Later I had lain for over a week in my old familiar bed. Owing to some unexpected effect of the drug, my whole body was completely paralyzed, so that I could move my head only slightly. All my senses, however, were fully alert, and by another week’s time I was able to take nourishment in good quantities. Andrews explained that my body would gradually regain its former sensibilities; though owing to the presence of the leprosy it might take considerable time. He seemed greatly interested in analyzing my daily symptoms, and always asked if there was any feeling present in my body.

Many days passed before I was able to control any part of my anatomy, and much longer before the paralysis crept from my enfeebled limbs so that I could feel the ordinary bodily reactions. Lying and staring at my numb hulk was like having it injected with a perpetual anesthetic. There was a total alienation I could not understand, considering that my head and neck were quite alive and in good health.

Andrews explained that he had revived my upper half first and could not account for the complete bodily paralysis; though my condition seemed to trouble him little considering the damnably intent interest he centered upon my reactions and stimuli from the very beginning. Many times during lulls in our conversation I would catch a strange gleam in his eyes as he viewed me on the couch – a glint of victorious exultation which, queerly enough, he never voiced aloud; though he seemed to be quite glad that I had run the gauntlet of death and had come through alive. Still, there was that horror I was to meet in less than six years, which added to my desolation and melancholy during the tedious days in which I awaited the return of normal bodily functions. But I would be up and about, he assured me, before very long, enjoying an existence few men had ever experienced. The words did not, however, impress me with their true and ghastly meaning until many days later.

During that awful siege in bed Andrews and I became somewhat estranged. He no longer treated me so much like a friend as like an implement in his skilled and greedy fingers. I found him possessed of unexpected traits – little examples of baseness and cruelty, apparent even to the hardened Simes, which disturbed me in a most unusual manner. Often he would display extraordinary cruelty to live specimens in his laboratory, for he was constantly carrying on various hidden projects in glandular and muscular transplantation on guinea-pigs and rabbits. He had also been employing his newly discovered sleepingpotion in curious experiments with suspended animation. But of these things he told me very little; though old Simes often let slip chance comments which shed some light on the proceedings. I was not certain how much the old servant knew, but he had surely learned considerable, being a constant companion to both Andrews and myself.

With the passage of time, a slow but consistent feeling began creeping into my disabled body; and at the reviving symptoms Andrews took a fanatical interest in my case. He still seemed more coldly analytical than sympathetic toward me, taking my pulse and heart-beat with more than usual zeal. Occasionally, in his fevered examinations, I saw his hands tremble slightly – an uncommon sight with so skilled a surgeon – but he seemed oblivious of my scrutiny. I was never allowed even a momentary glimpse of my full body, but with the feeble return of the sense of touch, I was aware of a bulk and heaviness which at first seemed awkward and unfamiliar.

Gradually I regained the use of my hands and arms; and with the passing of the paralysis came a new and terrible sensation of physical estrangement. My limbs had difficulty in following the commands of my mind, and every movement was jerky and uncertain. So clumsy were my hands, that I had to become accustomed to them all over again. This must, I thought, be due to my disease and the advance of the contagion in my system. Being unaware of how the early symptoms affected the victim (my brother’s being a more advanced case), I had no means of judging; and since Andrews shunned the subject, I deemed it better to remain silent.

One day I asked Andrews – I no longer considered him a friend – if I might try rising and sitting up in bed. At first he objected strenuously, but later, after cautioning me to keep the blankets well up around my chin so that I would not be chilled, he permitted it. This seemed strange, in view of the comfortable temperature. Now that late autumn was slowly turning into winter, the room was always well heated. A growing chilliness at night, and occasional glimpses of a leaden sky through the window, had told me of the changing season; for no calendar was ever in sight upon the dingy walls. With the gentle help of Simes I was eased to a sitting position, Andrews coldly watching from the door to the laboratory. At my success a slow smile spread across his leering features, and he turned to disappear from the darkened doorway. His mood did nothing to improve my condition. Old Simes, usually so regular and consistent, was now often late in his duties, sometimes leaving me alone for hours at a time.

The terrible sense of alienation was heightened by my new position. It seemed that the legs and arms inside my gown were hardly able to follow the summoning of my mind, and it became mentally exhausting to continue movement for any length of time. My fingers, woefully clumsy, were wholly unfamiliar to my inner sense of touch, and I wondered vaguely if I were to be accursed the rest of my days with an awkwardness induced by my dread malady.

It was on the evening following my half-recovery that the dreams began. I was tormented not only at night but during the day as well. I would awaken, screaming horribly, from some frightful nightmare I dared not think about outside the realm of sleep. These dreams consisted mainly of ghoulish things; graveyards at night, stalking corpses, and lost souls amid a chaos of blinding light and shadow. The terrible reality of the visions disturbed me most of all: it seemed that some inside influence was inducing the grisly vistas of moonlit tombstones and endless catacombs of the restless dead. I could not place their source; and at the end of a week I was quite frantic with abominable thoughts which seemed to obtrude themselves upon my unwelcome consciousness.

By that time a slow plan was forming whereby I might escape the living hell into which I had been propelled. Andrews cared less and less about me, seeming intent only on my progress and growth and recovery of normal muscular reactions. I was becoming every day more convinced of the nefarious doings going on in that laboratory across the threshold – the animal cries were shocking, and rasped hideously on my overwrought nerves. And I was gradually beginning to think that Andrews had not saved me from deportation solely for my own benefit, but for some accursed reason of his own. Simes’s attention was slowly becoming slighter and slighter, and I was convinced that the aged servitor had a hand in the deviltry somewhere. Andrews no longer eyed me as a friend, but as an object of experimentation; nor did I like the way he fingered his scalpel when he stood in the narrow doorway and stared at me with crafty alertness. I had never before seen such a transformation come over any man. His ordinarily handsome features were now lined and whisker-grown, and his eyes gleamed as if some imp of Satan were staring from them. His cold, calculating gaze made me shudder horribly, and gave me a fresh determination to free myself from his bondage as soon as possible.

I had lost track of time during my dream-orgy, and had no way of knowing how fast the days were passing. The curtains were often drawn in the daytime, the room being lit by waxen cylinders in the large candelabrum. It was a nightmare of living horror and unreality; though through it all I was gradually becoming stronger. I always gave careful responses to Andrews’ inquiries concerning my returning physical control, concealing the fact that a new life was vibrating through me with every passing day – an altogether strange sort of strength, but one which I was counting on to serve me in the coming crisis.

Finally, one chilly evening when the candles had been extinguished, and a pale shaft of moonlight fell through the dark curtains upon my bed, I determined to rise and carry out my plan of action. There had been no movement from either of my captors for several hours, and I was confident that both were asleep in adjoining bedchambers. Shifting my cumbersome weight carefully, I rose to a sitting position and crawled cautiously out of bed, down upon the floor. A vertigo gripped me momentarily, and a wave of weakness flooded my entire being. But finally strength returned, and by clutching at a bed-post I was able to stand upon my feet for the first time in many months. Gradually a new strength coursed through me, and I donned the dark robe which I had seen hanging on a nearby chair. It was quite long, but served as a cloak over my nightdress. Again came that feeling of awful unfamiliarity which I had experienced in bed; that sense of alienation, and of difficulty in making my limbs perform as they should. But there was need for haste before my feeble strength might give out. As a last precaution in dressing, I slipped some old shoes over my feet; but though I could have sworn they were my own, they seemed abnormally loose, so that I decided they must belong to the aged Simes.

Seeing no other heavy objects in the room, I seized from the table the huge candelabrum, upon which the moon shone with a pallid glow, and proceeded very quietly toward the laboratory door.

My first steps came jerkily and with much difficulty, and in the semi-darkness I was unable to make my way very rapidly. When I reached the threshold, a glance within revealed my former friend seated in a large overstuffed chair; while beside him was a smoking-stand upon which were assorted bottles and a glass. He reclined half-way in the moonlight through the large window, and his greasy features were creased in a drunken smirk. An opened book lay in his lap – one of the hideous tomes from his private library.

For a long moment I gloated over the prospect before me, and then, stepping forward suddenly, I brought the heavy weapon down upon his unprotected head. The dull crunch was followed by a spurt of blood, and the fiend crumpled to the floor, his head laid half open. I felt no contrition at taking the man’s life in such a manner. In the hideous, half-visible specimens of his surgical wizardry scattered about the room in various stages of completion and preservation, I felt there was enough evidence to blast his soul without my aid. Andrews had gone too far in his practices to continue living, and as one of his monstrous specimens – of that I was now hideously certain – it was my duty to exterminate him. Simes, I realized, would be no such easy matter; indeed, only unusual good fortune had caused me to find Andrews unconscious. When I finally reeled up to the servant’s bedchamber door, faint from exhaustion, I knew it would take all my remaining strength to complete the ordeal.

The old man’s room was in utmost darkness, being on the north side of the structure, but he must have seen me silhouetted in the doorway as I came in. He screamed hoarsely, and I aimed the candelabrum at him from the threshold. It struck something soft, making a sloughing sound in the darkness; but the screaming continued. From that time on events became hazy and jumbled together, but I remember grappling with the man and choking the life from him little by little. He gibbered a host of awful things before I could lay hands on him – cried and begged for mercy from my clutching fingers. I hardly realized my own strength in that mad moment which left Andrews’ associate in a condition like his own.

Retreating from the darkened chamber, I stumbled for the stairway door, sagged through it, and somehow reached the landing below. No lamps were burning, and my only light was a filtering of moonbeams coming from the narrow windows in the hall. But I made my jerky way over the cold, damp slabs of stone, reeling from the terrible weakness of my exertion, and reached the front door after ages of fumbling and crawling about in the darkness.

Vague memories and haunting shadows came to taunt me in that ancient hallway; shadows once friendly and understandable, but now grown alien and unrecognizable, so that I stumbled down the worn steps in a frenzy of something more than fear. For a moment I stood in the shadow of the giant stone manor, viewing the moonlit trail down which I must go to reach the home of my forefathers, only a quarter of a mile distant. But the way seemed long, and for a while I despaired of ever traversing the whole of it.

At last I grasped a piece of dead wood as a cane and set out down the winding road. Ahead, seemingly only a few rods away in the moonlight, stood the venerable mansion where my ancestors had lived and died. Its turrets rose spectrally in the shimmering radiance, and the black shadow cast on the beetling hillside appeared to shift and waver, as if belonging to a castle of unreal substance. There stood the monument of half a century; a haven for all my family old and young, which I had deserted many years ago to live with the fanatical Andrews. It stood empty on that fateful night, and I hope that it may always remain so.

In some manner I reached the aged place; though I do not remember the last half of the journey at all. It was enough to be near the family cemetery, among whose moss-covered and crumbling stones I would seek the oblivion I had desired. As I approached the moonlit spot the old familiarity – so absent during my abnormal existence – returned to plague me in a wholly unexpected way. I drew close to my own tombstone, and the feeling of homecoming grew stronger; with it came a fresh flood of that awful sense of alienation and disembodiment which I knew so well. I was satisfied that the end was drawing near; nor did I stop to analyze emotions till a little later, when the full horror of my position burst upon me.

Intuitively I knew my own tombstone; for the grass had scarcely begun to grow between the pieces of sod. With feverish haste I began clawing at the mound, and scraping the wet earth from the hole left by the removal of the grass and roots. How long I worked in the nitrous soil before my fingers struck the coffin-lid, I can never say; but sweat was pouring from me and my nails were but useless, bleeding hooks.

At last I threw out the last bit of loose earth, and with trembling fingers tugged on the heavy lid. It gave a trifle; and I was prepared to lift it completely open when a fetid and nauseous odor assailed my nostrils. I started erect, horrified. Had some idiot placed my tombstone on the wrong grave, causing me to unearth another body? For surely there could be no mistaking that awful stench. Gradually a hideous uncertainty came over me and I scrambled from the hole. One look at the newly made headpiece was enough. This was indeed my own grave .. . but what fool had buried within it another corpse?

All at once a bit of the unspeakable truth propelled itself upon my brain. The odor, in spite of its putrescence, seemed somehow familiar – horribly familiar. . . . Yet I could not credit my senses with such an idea. Reeling and cursing, I fell into the black cavity once more, and by the aid of a hastily lit match, lifted the long lid completely open. Then the light went out, as if extinguished by a malignant hand, and I clawed my way out of that accursed pit, screaming in a frenzy of fear and loathing.

When I regained consciousness I was lying before the door of my own ancient manor, where I must have crawled after that hideous rendezvous in the family cemetery. I realized that dawn was close at hand, and rose feebly, opening the aged portal before me and entering the place which had known no footsteps for over a decade. A fever was ravaging my weakened body, so that I was hardly able to stand, but I made my way slowly through the musty, dimly lit chambers and staggered into my own study – the study I had deserted so many years before.

When the sun has risen, I shall go to the ancient well beneath the old willow tree by the cemetery and cast my deformed self into it. No other man shall ever view this blasphemy which has survived life longer than it should have. I do not know what people will say when they see my disordered grave, but this will not trouble me if I can find oblivion from that which I beheld amidst the crumbling, mosscrusted stones of the hideous place.

I know now why Andrews was so secretive in his actions; so damnably gloating in his attitude toward me after my artificial death. He had meant me for a specimen all the time – a specimen of his greatest feat of surgery, his masterpiece of unclean witchery . . . an example of perverted artistry for him alone to see. Where Andrews obtained that other with which I lay accursed in his moldering mansion I shall probably never know; but I am afraid that it was brought from Haiti along with his fiendish medicine. At least these long hairy arms and horrible short legs are alien to me … alien to all natural and sane laws of mankind. The thought that I shall be tortured with that other during the rest of my brief existence is another hell.

Now I can but wish for that which once was mine; that which every man blessed of God ought to have at death; that which I saw in that awful moment in the ancient burial ground when I raised the lid on the coffin – my own shrunken, decayed, and headless body.

(INTRODUCTORY NOTE: The following very singular narrative, or record of impressions, was discovered under circumstances so extraordinary that they deserve careful description. On the evening of Wednesday, August 27, 1913, at about eight-thirty o’clock, the population of the small seaside village of Potowonket, Maine, U.S.A., was aroused by a thunderous report accompanied by a blinding flash; and persons near the shore beheld a mammoth ball of fire dart from the heavens into the sea but a short distance out, sending up a prodigious column of water. The following Sunday a fishing party composed of John Richmond, Peter B. Carr, and Simon Canfield, caught in their trawl and dragged ashore a mass of metallic rock, weighing 360 pounds, and looking (as Mr. Canfield said) like a piece of slag. Most of the inhabitants agreed that this heavy body was none other than the fireball which had fallen from the sky four days before; and Dr. Richard M. Jones, the local scientific authority, allowed that it must be an aerolite or meteoric stone. In chipping off specimens to send to an expert Boston analyst, Dr. Jones discovered imbedded in the semi-metallic mass the strange book containing the ensuing tale, which is still in his possession.

In form the discovery resembles an ordinary note-book, about 5 X 3 inches in size, and containing thirty leaves. In material, however it presents marked peculiarities. The covers are apparently of some dark stony substance unknown to geologists, and unbreakable by any mechanical means. No chemical reagent seems to act upon them. The leaves are much the same, save that they are lighter in colour, and so infinitely thin as to be quite flexible. The whole is bound by some process not very clear to those who have observed it; a process involving the adhesion of the leaf substance to the cover substance. These substances cannot now be separated, nor can the leaves be torn by any amount of force. The writing is Greek of the purest classical quality, and several students of palaeography declare that the characters are in a cursive hand used about the second century B. C. There is little in the text to determine the date. The mechanical mode of writing cannot be deduced beyond the fact that it must have resembled that of the modern slate and slate-pencil. During the course of analytical efforts made by the late Professor Chambers of Harvard, several pages, mostly at the conclusion of the narrative, were blurred to the point of utter effacement before being read; a circumstance forming a well-nigh irreparable loss. What remains of the contents was done into modern Greek letters by the palaeographer, Rutherford, and in this form submitted to the translators.

Professor Mayfield of the Massachusetts Institute of Technology, who examined samples of the strange stone, declares it a true meteorite; an opinion in which Dr. von Winterfeldt of Heidelberg (interned in 1918 as a dangerous enemy alien) does not concur. Professor Bradley of Columbia College adopts a less dogmatic ground; pointing out that certain utterly unknown ingredients are present in large quantities, and warning that no classification is as yet possible.

The presence, nature, and message of the strange book form so momentous a problem, that no explanation can even be attempted. The text, as far as preserved, is here rendered as literally as our language permits, in the hope that some reader may eventually hit upon an interpretation and solve one of the greatest scientific mysteries of recent years.)

It was a narrow place, and I was alone. On one side, beyond a margin of vivid waving green, was the sea; blue; bright, and billowy, and send-ing up vaporous exhalations which intoxicated me. So profuse, indeed, were these exhalations, that they gave me an odd impression of a coales-cence of sea and sky; for the heavens were likewise bright and blue. On the other side was the forest, ancient almost as the sea itself, and stretch-ing infinitely inland. It was very dark, for the trees were grotesquely huge and luxuriant, and incredibly numerous. Their giant trunks were of a horrible green which blended weirdly with the narrow green tract whereon I stood. At some distance away, on either side of me, the strange forest extended down to the water’s edge, obliterating the shore line and completely hemming in the narrow tract. Some of the trees, I observed, stood in the water itself; as though impatient of any barrier to their progress.

I saw no living thing, nor sign that any living thing save myself had ever existed. The sea and the sky and the wood encircled me, and reached off into regions beyond my imagination. Nor was there any sound save of the wind-tossed wood and of the sea.

As I stood in this silent place, I suddenly commenced to tremble; for though I knew not how I came there, and could scarce remember what my name and rank had been, I felt that I should go mad if I could understand what lurked about me. I recalled things I had learned, things I had dreamed, things I had imagined and yearned for in some other distant life. I thought of long nights when I had gazed up at the stars of heaven and cursed the gods that my free soul could not traverse the vast abysses which were inaccessible to my body. I conjured up ancient blasphemies, and terrible delvings into the papri of Democritus; but as memories appeared, I shuddered in deeper fear, for I knew that I was alone – horribly alone. Alone, yet close to sentient impulses of vast, vague kind; which I prayed never to comprehend nor encounter. In the voice of the swaying green branches I fancied I could detect a kind of malignant hatred and demoniac triumph. Sometimes they struck me as being in horrible colloquy with ghastly and unthinkable things which the scaly green bodies of the trees half-hid; hid from sight but not from consciousness. The most oppressive of my sensations was a sinister feeling of alienage. Though I saw about me objects which I could name; trees, grass, sea, and sky; I felt that their relation to me was not the same as that of the trees, grass, sea, and sky I knew in another and dimly remembered life. The nature of the difference I could not tell, yet I shook in stark fright as it impressed itself upon me.

And then, in a spot where I had before discerned nothing but the misty sea, I beheld the Green Meadow; separated from me by a vast expanse of blue rippling water with suntipped wavelets, yet strangely near. Often I would peep fearfully over my right shoulder at the trees, but I preferred to look at the Green Meadow, which affected me oddly.

It was while my eyes were fixed upon this singular tract, that I first felt the ground in motion beneath me. Beginning with a kind of throbbing agitation which held a fiendish suggestion of conscious action, the bit of bank on which I stood detached itself from the grassy shore and commenced to float away; borne slowly onward as if by some current of resistless force. I did not move, astonished and startled as I was by the unprecedented phenomenon; but stood rigidly still until a wide lane of water yawned betwixt me and the land of trees. Then I sat down in a sort of daze, and again looked at the sun-tipped water and the Green Meadow.

Behind me the trees and the things they may have been hiding seemed to radiate infinite menace. This I knew without turning to view them, for as I grew more used to the scene I became less and less depen-dent upon the five senses that once had been my sole reliance. I knew the green scaly forest hated me, yet now I was safe from it, for my bit of bank had drifted far from the shore.

But though one peril was past, another loomed up before me. Pieces of earth were constantly crumbling from the floating isle which held me, so that death could not be far distant in any event. Yet even then I seemed to sense that death would be death to me no more, for I turned again to watch the Green Meadow, imbued with a curious feeling of security in strange contrast to my general horror.

Then it was that I heard, at a distance immeasurable, the sound of falling water. Not that of any trival cascade such as I had known, but that which might be heard in the far Scythian lands if all the Mediterranean were poured down an unfathomable abyss. It was toward this sound that my shrinking island was drifting, yet I was content.

Far in the rear were happening weird and terrible things; things which I turned to view, yet shivered to behold. For in the sky dark vaporous forms hovered fantastically, brooding over trees and seeming to answer the challenge of the waving green branches. Then a thick mist arose from the sea to join the sky-forms, and the shore was erased from my sight. Though the sun – what sun I knew not – shone brightly on the water around me, the land I had left seemed involved in a demoniac tempest where dashed the will of the hellish trees and what they hid, with that of the sky and the sea. And when the mist vanished, I saw only the blue sky and the blue sea, for the land and the trees were no more.

It was at this point that my attention was arrested by the singing in the Green Meadow. Hitherto, as I have said, I had encountered no sign of human life; but now there arose to my ears a dull chant whose origin and nature were apparently unmistakable. While the words were utterly undistinguishable, the chant awaked in me a peculiar train of associations; and I was reminded of some vaguely disquieting lines I had once translated out of an Egyptian book, which in turn were taken from a papyrus of ancient Meroe. Through my brain ran lines that I fear to repeat; lines telling of very antique things and forms of life in the days when our earth was exceeding young. Of things which thought and moved and were alive, yet which gods and men would not consider alive. It was a strange book.

As I listened, I became gradually conscious of a circumstance which had before puzzled me only subconsciously. At no time had my sight distinguished any definite objects in the Green Meadow, an impression of vivid homogeneous verdure being the sum total of my perception. Now, however, I saw that the current would cause my island to pass the shore at but a little distance; so that I might learn more of the land and of the singing thereon. My curiosity to behold the singers had mounted high, though it was mingled with apprehension.

Bits of sod continued to break away from the tiny tract which carried me, but I heeded not their loss; for I felt that I was not to die with the body (or appearance of a body) which I seemed to possess. That everything about me, even life and death, was illusory; that I had overleaped the bounds of mortality and corporeal entity, becoming a free, detached thing; impressed me as almost certain. Of my location I knew nothing, save that I felt I could not be on the earth-planet once so familiar to me. My sensations, apart from a kind of haunting terror, were those of a traveller just embarked upon an unending voyage of discovery. For a moment I thought of the lands and persons I had left behind; and of strange ways whereby I might some day tell them of my adventurings, even though I might never return.

I had now floated very near the Green Meadow, so that the voices were clear and distinct; but though I knew many languages I could not quite interpret the words of the chanting. Familiar they indeed were, as I had subtly felt when at a greater distance, but beyond a sensation of vague and awesome remembrance I could make nothing of them. A most extraordinary quality in the voices-a quality which I cannot describe-at once frightened and fascinated me. My eyes could now discern several things amidst the omnipresent verdure-rocks, covered with I bright green moss, shrubs of considerable height, and less definable shapes of great magnitude which seemed to move or vibrate amidst the shrubbery in a peculiar way. The chanting, whose authors I was so anxious to glimpse, seemed loudest, at points where these shapes were most numerous and most vigorously in motion.

And then, as my island drifted closer and the sound of the distant waterfall grew louder, I saw clearly the source of the chanting, and in one horrible instant remembered everything. Of such things I cannot, dare not tell, for therein was revealed the hideous solution of all which had puzzled me; and that solution would drive you mad, even as it al-most drove me…. I knew now the change through which I had passed, and through which certain others who once were men had passed! and I knew the endless cycle of the future which none like me may escape… I shall live forever, be conscious forever, though my soul cries out to the gods for the boon of death and oblivion… All is before me: beyond the deafening torrent lies the land of Stethelos, where young men are infinitely old… The Green Meadow… I will send a message across the horrible immeasurable abyss….

I have never heard an even approximately adequate explanation of the horror at Martin’s Beach. Despite the large number of witnesses, no two accounts agree; and the testimony taken by local authorities contains the most amazing discrepancies.

Perhaps this haziness is natural in view of the unheard-of character of the horror itself, the almost paralytic terror of all who saw it, and the efforts made by the fashionable Wavecrest Inn to hush it up after the publicity created by Prof. Ahon’s article “Are Hypnotic Powers Confined to Recognized Humanity?”

Against all these obstacles I am striving to present a coherent version; for I beheld the hideous occurrence, and believe it should be known in view of the appalling possibilities it suggests. Martin’s Beach is once more popular as a watering-place, but I shudder when I think of it. Indeed, I cannot look at the ocean at all now without shuddering.

Fate is not always without a sense of drama and climax, hence the terrible happening of August 8, 1922, swiftly followed a period of minor and agreeably wonder-fraught excitement at Martin’s Beach. On May 17 the crew of the fishing smack Alma of Gloucester, under Capt. James P. Orne, killed, after a battle of nearly forty hours, a marine monster whose size and aspect produced the greatest possible stir in scientific circles and caused certain Boston naturalists to take every precaution for its taxidermic preservation.

The object was some fifty feet in length, of roughly cylindrical shape, and about ten feet in diameter. It was unmistakably a gilled fish in its major affiliations; but with certain curious modifications such as rudimentary forelegs and six-toed feet in place of pectoral fins, which prompted the widest speculation. Its extraordinary mouth, its thick and scaly hide, and its single, deep-set eye were wonders scarcely less remarkable than its colossal dimensions; and when the naturalists pronounced it an infant organism, which could not have been hatched more than a few days, public interest mounted to extraordinary heights.

Capt. Orne, with typical Yankee shrewdness, obtained a vessel large enough to hold the object in its hull, and arranged for the exhibition of his prize. With judicious carpentry he prepared what amounted to an excellent marine museum, and, sailing south to the wealthy resort district of Martin’s Beach, anchored at the hotel wharf and reaped a harvest of admission fees.

The intrinsic marvelousness of the object, and the importance which it clearly bore in the minds of many scientific visitors from near and far, combined to make it the season’s sensation. That it was absolutely unique – unique to a scientifically revolutionary degree – was well understood. The naturalists had shown plainly that it radically differed from the similarly immense fish caught off the Florida coast; that, while it was obviously an inhabitant of almost incredible depths, perhaps thousands of feet, its brain and principal organs indicated a development startlingly vast, and out of all proportion to anything hitherto associated with the fish tribe.

On the morning of July 20 the sensation was increased by the loss of the vessel and its strange treasure. In the storm of the preceding night it had broken from its moorings and vanished forever from the sight of man, carrying with it the guard who had slept aboard despite the threatening weather. Capt. Orne, backed by extensive scientific interests and aided by large numbers of fishing boats from Gloucester, made a thorough and exhaustive searching cruise, but with no result other than the prompting of interest and conversation. By August 7 hope was abandoned, and Capt. Orne had returned to the Wavecrest Inn to wind up his business affairs at Martin’s Beach and confer with certain of the scientific men who remained there. The horror came on August 8.

It was in the twilight, when grey sea-birds hovered low near the shore and a rising moon began to make a glittering path across the waters. The scene is important to remember, for every impression counts. On the beach were several strollers and a few late bathers; stragglers from the distant cottage colony that rose modestly on a green hill to the north, or from the adjacent cliff-perched Inn whose imposing towers proclaimed its allegiance to wealth and grandeur.

Well within viewing distance was another set of spectators, the loungers on the Inn’s high-ceiled and lantern-lighted veranda, who appeared to be enjoying the dance music from the sumptuous ballroom inside. These spectators, who included Capt. Orne and his group of scientific confreres, joined the beach group before the horror progressed far; as did many more from the Inn. Certainly there was no lack of witnesses, confused though their stories be with fear and doubt of what they saw.

There is no exact record of the time the thing began, although a majority say that the fairly round moon was “about a foot” above the low-lying vapors of the horizon. They mention the moon because what they saw seemed subtly connected with it – a sort of stealthy, deliberate, menacing ripple which rolled in from the far skyline along the shimmering lane of reflected moonbeams, yet which seemed to subside before it reached the shore.

Many did not notice this ripple until reminded by later events; but it seems to have been very marked, differing in height and motion from the normal waves around it. Some called it cunning and calculating. And as it died away craftily by the black reefs afar out, there suddenly came belching up out of the glitter-streaked brine a cry of death; a scream of anguish and despair that moved pity even while it mocked it.

First to respond to the cry were the two life guards then on duty; sturdy fellows in white bathing attire, with their calling proclaimed in large red letters across their chests. Accustomed as they were to rescue work, and to the screams of the drowning, they could find nothing familiar in the unearthly ululation; yet with a trained sense of duty they ignored the strangeness and proceeded to follow their usual course.

Hastily seizing an air-cushion, which with its attached coil of rope lay always at hand, one of them ran swiftly along the shore to the scene of the gathering crowd; whence, after whirling it about to gain momentum, he flung the hollow disc far out in the direction from which the sound had come. As the cushion disappeared in the waves, the crowd curiously awaited a sight of the hapless being whose distress had been so great; eager to see the rescue made by the massive rope.

But that rescue was soon acknowledged to be no swift and easy matter; for, pull as they might on the rope, the two muscular guards could not move the object at the other end. Instead, they found that object pulling with equal or even greater force in the very opposite direction, till in a few seconds they were dragged off their feet and into the water by the strange power which had seized on the proffered life-preserver.

One of them, recovering himself, called immediately for help from the crowd on the shore, to whom he flung the remaining coil of rope; and in a moment the guards were seconded by all the hardier men, among whom Capt. Orne was foremost. More than a dozen strong hands were now tugging desperately at the stout line, yet wholly without avail.

Hard as they tugged, the strange force at the other end tugged harder; and since neither side relaxed for an instant, the rope became rigid as steel with the enormous strain. The struggling participants, as well as the spectators, were by this time consumed with curiosity as to the nature of the force in the sea. The idea of a drowning man had long been dismissed; and hints of whales, submarines, monsters, and demons now passed freely around. Where humanity had first led the rescuers, wonder kept them at their task; and they hauled with a grim determination to uncover the mystery.

It being decided at last that a whale must have swallowed the air-cushion, Capt. Orne, as a natural leader, shouted to those on shore that a boat must be obtained in order to approach, harpoon, and land the unseen leviathan. Several men at once prepared to scatter in quest of a suitable craft, while others came to supplant the captain at the straining rope, since his place was logically with whatever boat party might be formed. His own idea of the situation was very broad, and by no means limited to whales, since he had to do with a monster so much stranger. He wondered what might be the acts and manifestations of an adult of the species of which the fifty-foot creature had been the merest infant.

And now there developed with appalling suddenness the crucial fact which changed the entire scene from one of wonder to one of horror, and dazed with fright the assembled band of toilers and onlookers. Capt. Orne, turning to leave his post at the rope, found his hands held in their place with unaccountable strength; and in a moment he realized that he was unable to let go of the rope. His plight was instantly divined, and as each companion tested his own situation the same condition was encountered. The fact could not be denied – every struggler was irresistibly held in some mysterious bondage to the hempen line which was slowly, hideously, and relentlessly pulling them out to sea.

Speechless horror ensued; a horror in which the spectators were petrified to utter inaction and mental chaos. Their complete demoralization is reflected in the conflicting accounts they give, and the sheepish excuses they offer for their seemingly callous inertia. I was one of them, and know.

Even the strugglers, after a few frantic screams and futile groans, succumbed to the paralyzing influence and kept silent and fatalistic in the face of unknown powers. There they stood in the pallid moonlight, blindly pulling against a spectral doom and swaying monotonously backward and forward as the water rose first to their knees, then to their hips. The moon went partly under a cloud, and in the half-light the line of swaying men resembled some sinister and gigantic centipede, writhing in the clutch of a terrible creeping death.

Harder and harder grew the rope, as the tug in both directions increased, and the strands swelled with the undisturbed soaking of the rising waves. Slowly the tide advanced, till the sands so lately peopled by laughing children and whispering lovers were now swallowed by the inexorable flow. The herd of panic-stricken watchers surged blindly backward as the water crept above their feet, while the frightful line of strugglers swayed hideously on, half submerged, and now at a substantial distance from their audience. Silence was complete.

The crowd, having gained a huddling-place beyond reach of the tide, stared in mute fascination; without offering a word of advice or encouragement, or attempting any kind of assistance. There was in the air a nightmare fear of impending evils such as the world had never before known.

Minutes seemed lengthened into hours, and still that human snake of swaying torsos was seen above the fast rising tide. Rhythmically it undulated; slowly, horribly, with the seal of doom upon it. Thicker clouds now passed over the ascending moon, and the glittering path on the waters faded nearly out.

Very dimly writhed the serpentine line of nodding heads, with now and then the livid face of a backward-glancing victim gleaming pale in the darkness. Faster and faster gathered the clouds, till at length their angry rifts shot down sharp tongues of febrile flame. Thunders rolled, softly at first, yet soon increasing to a deafening, maddening intensity. Then came a culminating crash – a shock whose reverberations seemed to shake land and sea alike – and on its heels a cloudburst whose drenching violence overpowered the darkened world as if the heavens themselves had opened to pour forth a vindictive torrent.

The spectators, instinctively acting despite the absence of conscious and coherent thought, now retreated up the cliff steps to the hotel veranda. Rumors had reached the guests inside, so that the refugees found a state of terror nearly equal to their own. I think a few frightened words were uttered, but cannot be sure.

Some, who were staying at the Inn, retired in terror to their rooms; while others remained to watch the fast sinking victims as the line of bobbing heads showed above the mounting waves in the fitful lightning flashes. I recall thinking of those heads, and the bulging eyes they must contain; eyes that might well reflect all the fright, panic, and delirium of a malignant universe – all the sorrow, sin, and misery, blasted hopes and unfulfilled desires, fear, loathing and anguish of the ages since time’s beginning; eyes alight with all the soul-racking pain of eternally blazing infernos.

And as I gazed out beyond the heads, my fancy conjured up still another eye; a single eye, equally alight, yet with a purpose so revolting to my brain that the vision soon passed. Held in the clutches of an unknown vise, the line of the damned dragged on; their silent screams and unuttered prayers known only to the demons of the black waves and the night-wind.

There now burst from the infuriate sky such a mad cataclysm of satanic sound that even the former crash seemed dwarfed. Amidst a blinding glare of descending fire the voice of heaven resounded with the blasphemies of hell, and the mingled agony of all the lost reverberated in one apocalyptic, planet-rending peal of Cyclopean din. It was the end of the storm, for with uncanny suddenness the rain ceased and the moon once more cast her pallid beams on a strangely quieted sea.

There was no line of bobbing heads now. The waters were calm and deserted, and broken only by the fading ripples of what seemed to be a whirlpool far out in the path of the moonlight whence the strange cry had first come. But as I looked along that treacherous lane of silvery sheen, with fancy fevered and senses overwrought, there trickled upon my ears from some abysmal sunken waste the faint and sinister echoes of a laugh.

When the state highway to Rutland is closed, travellers are forced to take the Stillwater road past Swamp Hollow. The scenery is superb in places, yet somehow the route has been unpopular for years. There is something depressing about it, especially near Stillwater itself. Motorists feel subtly uncomfortable about the tightly shuttered farmhouse on the knoll just north of the village, and about the white-bearded half-wit who haunts the old burying-ground on the south, apparently talking to the occupants of some of the graves.

Not much is left of Stillwater, now. The soil is played out, and most of the people have drifted to the towns across the distant river or to the city beyond the distant hills. The steeple of the old white church has fallen down, and half of the twenty-odd straggling houses are empty and in various stages of decay. Normal life is found only around Peck’s general store and filling-station, and it is here that the curious stop now and then to ask about the shuttered house and the idiot who mutters to the dead.

Most of the questioners come away with a touch of distaste and disquiet. They find the shabby loungers oddly unpleasant and full of unnamed hints in speaking of the long-past events brought up. There is a menacing, portentous quality in the tones which they use to describe very ordinary events–a seemingly unjustified tendency to assume a furtive, suggestive, confidential air, and to fall into awesome whispers at certain points–which insidiously disturbs the listener. Old Yankees often talk like that; but in this case the melancholy aspect of the half-mouldering village, and the dismal nature of the story unfolded, give these gloomy, secretive mannerisms an added significance. One fells profoundly the quintessential horror that lurks behind the isolated Puritan and his strange repressions–feels it, and longs to escape precipitately into clearer air.

The loungers whisper impressively that the shuttered house is that of old Miss Sprague–Sophie Sprague, whose brother Tom was buried on the seventeenth of June, back in ’86. Sophie was never the same after that funeral–that and the other thing which happened the same day–and in the end she took to staying in all the time. Won’t even be seen now, but leaves notes under the back-door mat and has her things brought from the store by Ned Peck’s boy. Afraid of something–the old Swamp Hollow burying-ground most of all. Never could be dragged near there since her brother–and the other one–were laid away. Not much wonder, though, seeing the way crazy Johnny Dow rants. He hangs around the burying-ground all day and sometimes at night, and claims he talks with Tom–and the other. Then he marches by Sophie’s house and shouts things at her–that’s why she began to keep the shutters closed. He says things are coming from somewhere to get her sometime. Ought to be stopped, but one can’t be too hard on poor Johnny. Besides, Steve Barbour always had his opinions.

Johnny does his talking to two of the graves. One of them is Tom Sprague’s. The other, at the opposite end of the graveyard, is that of Henry Thorndike, who was buried on the same day. Henry was the village undertaker–the only one in miles–and never liked around Stillwater. A city fellow from Rutland–been to college and full of book learning. Read queer things nobody else ever heard of, and mixed chemicals for no good purpose. Always trying to invent something new–some new-fangled embalming-fluid or some foolish kind of medicine. Some folds said he had tried to be a doctor but failed in his studies and took to the next best profession. Of course, there wasn’t much undertaking to do in a place like Stillwater, but Henry farmed on the side.

Mean, morbid disposition–and a secret drinker if you could judge by the empty bottles in his rubbish heap. No wonder Tom Sprague hated him and blackballed him from the Masonic lodge, and warned him off when he tried to make up to Sophie. The way he experimented on animals was against Nature and Scripture. Who could forget the state that collie dog was found in, or what happened to old Mrs. Akeley’s cat? Then there was the matter of Deacon Leavitt’s calf, when Tom had led a band of the village boys to demand an accounting. The curious thing was that the calf came alive after all in the end, though Tom had found it as stiff as a poker. Some said the joke was on Tom, but Thorndike probably thought otherwise, since he had gone down under his enemy’s fist before the mistake was discovered.

Tom, of course, was half drunk at the time. He was a vicious brute at best, and kept his poor sister half cowed with threats. That’s probably why she is such a fear-racked creature still. There were only the two of them, and Tom would never let her leave because that meant splitting the property. Most of the fellows were too afraid of him to shine up to Sophie–he stood six feet one in his stockings–but Henry Thorndike was a sly cuss who had ways of doing things behind folk’s backs. He wasn’t much to look at, but Sophie never discouraged him any. Mean and ugly as he was, she’d have been glad if anybody could have freed her from her brother. She may not have stopped to wonder how she could get clear of him after he got her clear of Tom.

Well, that was the way things stood in June of ’86. Up to this point, the whispers of the loungers at Peck’s store are not to unbearably portentous; but as they continue, the element of secretiveness and malign tension grows. Tom Sprague, it appears, used to go to Rutland on periodic sprees, his absences being Henry Thorndike’s great opportunities. He was always in bad shape when he got back, and old Dr. Pratt, deaf and half blind though he was, used to warn him about his heart, and about the danger of delirium tremens. Folks could always tell by the shouting and cursing when he was home again.

It was on the ninth of June–on a Wednesday, the day after young Joshua Goodenough finished building his new-fangled silo–that Tom started out on his last and longest spree. He came back the next Tuesday morning and folks at the store saw him lashing his bay stallion the way he did when whiskey had a hold of him. Then there came shouts and shrieks and oaths from the Sprague house, and the first thing anybody knew Sophie was running over to old Dr. Pratt’s at top speed.

The doctor found Thorndike at Sprague’s when he got there, and Tom was on the bed in his room, with eyes staring and foam around his mouth. Old Pratt fumbled around and gave the usual tests, then shook his head solemnly and told Sophie she had suffered a great bereavement–that her nearest and dearest had passed through the pearly gates to a better land, just as everybody knew he would if he didn’t let up on his drinking.

Sophie kind of sniffled, but didn’t seem to take on much. Thorndike didn’t do anything but smile–perhaps at the ironic fact that he, always an enemy, was now the only person who could be of any use to Thomas Sprague. He shouted something in old Dr. Pratt’s half-good ear about the need of having the funeral early on account of Tom’s condition. Drunks like that were always doubtful subjects, and any extra delay–with merely rural facilities–would entail consequences, visual and otherwise, hardly acceptable to the deceased’s loving mourners. The doctor had muttered that Tom’s alcoholic career ought to have embalmed him pretty well in advance, but Thorndike assured him to the contrary, at the same time boasting of his own skill, and of the superior methods he had devised through his experiments.

It is here that the whispers of the loungers grow acutely disturbing. Up to this point the story is usually told by Ezra Davenport, or Luther Fry, if Ezra is laid up with chilblains, as he is apt to be in winter; but from there on old Calvin Wheeler takes up the thread, and his voice has a damnably insidious way of suggesting hidden horror. If Johnny Dow happens to be passing by there is always a pause, for Stillwater does not like to have Johnny talk too much with strangers.

Calvin edges close to the traveller and sometimes seizes a coat-lapel with his gnarled, mottled hand while he half shuts his watery blue eyes.

“Well, sir,” he whispers, “Henry he went home an’ got his undertaker’s fixin’s–crazy Johnny Dow lugged most of ‘em, for he was always doin’ chores for Henry–an’ says as Doc Pratt an’ crazy Johnny should help lay out the body. Doc always did say as how he thought Henry talked too much–a-boastin’ what a fine workman he was, an’ how lucky it was that Stillwater had a reg’lar undertaker instead of buryin’ folks jest as they was, like they do over to Whitby.

“‘Suppose,’ says he, ‘some fellow was to be took with some of them paralysin’ cramps like you read about. How’d a body like it when they lowered him down and begun shovelin’ the dirt back? How’d he like it when he was chokin’ down there under the new headstone, scratchin’ an’ tearin’ if he chanced to get back the power, but all the time knowin’ it wasn’t no use? No, sir, I tell you it’s a blessin’ Stillwater’s got a smart doctor as knows when a man’s dead and when he ain’t, and a trained undertaker who can fix a corpse so he’ll stay put without no trouble.’

“That was the way Henry went on talkin’, most like he was talkin’ to poor Tom’s remains; and old Doc Pratt he didn’t like what he was able to catch of it, even though Henry did call him a smart doctor. Crazy Johnny kept watchin’ of the corpse, and it didn’t make it none too pleasant the way he’d slobber about things like, ‘He ain’t cold, Doc,’ or ‘I see his eyelids move,’ or ‘There’s a hole in his arm jest like the ones I git when Henry gives me a syringe full of what makes me feel good.’ Thorndike shut him up on that, though we all knowed he’d been givin’ poor Johnny drugs. It’s a wonder the poor fellow ever got clear of the habit.

“But the worst thing, accordin’ to the doctor, was the way the body jerked up when Henry began to shoot it full of embalmin’-fluid. He’d been boastin’ about what a fine new formula he’d got practicin’ on cats and dogs, when all of a sudden Tom’s corpse began to double up like it was alive and fixin’ to wrassle. Land of Goshen, but Doc says he was scared stiff, though he knowed the way corpses act when the muscles begin to stiffen. Well, sir, the long and short of it is, that the corpse sat up an’ grabbed a holt of Thorndike’s syringe so that it got stuck in Henry hisself, an’ give him as neat a dose of his own embalmin’-fluid as you’d wish to see. That got Henry pretty scared, though he yanked the point out and managed to get the body down again and shot full of the fluid. He kept measurin’ more of the stuff out as though he wanted to be sure there was enough, and kept reassurin’ himself as not much had got into him, but crazy Johnny begun singin’ out, ‘That’s what you give Lige Hopkins’s dog when it got all dead an’ stiff an’ then waked up agin. Now you’re a-going to get dead an’ stiff like Tom Sprague be! Remember it don’t set to work till after a long spell if you don’t get much.’

“Sophie, she was downstairs with some of the neighbours–my wife Matildy, she that’s dead an’ gone this thirty year, was one of them. They were all tryin’ to find out whether Thorndike was over when Tom came home, and whether findin’ him there was what set poor Tom off. I may as well say as some folks thought it mighty funny that Sophie didn’t carry on more, nor mind the way Thorndike had smiled. Not as anybody was hintin’ that Henry helped Tom off with some of his queer cooked-up fluids and syringes, or that Sophie would keep still if she thought so–but you know how folks will guess behind a body’s back. We all knowed the nigh crazy way Thorndike had hated Tom–not without reason, at that–and Emily Barbour says to my Matildy as how Henry was lucky to have ol’ Doc Pratt right on the spot with a death certificate as didn’t leave no doubt for nobody.”

When old Calvin gets to this point he usually begins to mumble indistinguishably in his straggling, dirty white beard. Most listeners try to edge away from him, and he seldom appears to heed the gesture. It is generally Fred Peck, who was a very small boy at the time of the events, who continues the tale.

Thomas Sprague’s funeral was held on Thursday, June 17th, only two days after his death. Such haste was thought almost indecent in remote and inaccessibly Stillwater, where long distances had to be covered by those who came, but Thorndike had insisted that the peculiar condition of the deceased demanded it. The undertaker had seemed rather nervous since preparing the body, and could be seen frequently feeling his pulse. Old Dr. Pratt thought he must be worrying about the accidental dose of embalming-fluid. Naturally, the story of the “laying out” had spread, so that a double zest animated the mourners who assembled to glut their curiosity and morbid interest.

Thorndike, though he was obviously upset, seemed intent on doing his professional duty in magnificent style. Sophie and others who saw the body were most startled by its utter lifelikeness, and the mortuary virtuoso made doubly sure of his job by repeating certain injections at stated intervals. He almost wrung a sort of reluctant admiration from the townsfolk and visitors, though he tended to spoil that impression by his boastful and tasteless talk. Whenever he administered to his silent charge he would repeat that eternal rambling about the good luck of having a first-class undertaker. What–he would say as if directly addressing the body–if Tom had had one of those careless fellows who bury their subjects alive? The way he harped on the horrors of premature burial was truly barbarous and sickening.

Services were held in the stuffy best room–opened for the first time since Mrs. Sprague died. The tuneless little parlour organ groaned disconsolately, and the coffin, supported on trestles near the hall door, was covered with sickly-smelling flowers. It was obvious that a record-breaking crowd was assembling from far and near, and Sophie endeavoured to look properly grief-stricken for their benefit. At unguarded moments she seemed both puzzled and uneasy, dividing her scrutiny between the feverish-looking undertaker and the life-like body of her brother. A slow disgust at Thorndike seemed to be brewing within her, and neighbours whispered freely that she would soon send him about his business now that Tom was out of the way–that is, if she could, for such a slick customer was sometimes hard to deal with. But with her money and remaining looks she might be able to get another fellow, and he’d probably take care of Henry well enough.

As the organ wheezed into Beautiful Isle of Somewhere the Methodist church choir added their lugubrious voices to the gruesome cacophony, and everyone looked piously at Deacon Leavitt–everyone, that is, except crazy Johnny Dow, who kept his eyes glued to the still form beneath the class of the coffin. He was muttering softly to himself.

Stephen Barbour–from the next farm–was the only one who noticed Johnny. He shivered as he saw that the idiot was talking directly to the corpse, and even making foolish signs with his fingers as if to taunt the sleeper beneath the plate glass. Tom, he reflected, had kicked poor Johnny around on more than one occasion, though probably not without provocation. Something about this whole event was getting on Stephen’s nerves. There was a suppressed tension and brooding abnormality in the air for which he could not account. Johnny ought not to have been allowed in the house–and it was curious what an effort Thorndike seemed to be making not to look at the body. Every now and then the undertaker would feel his pulse with an odd air.

The Reverend Silas Atwood droned on in a plaintive monotone about the deceased–about the striking of Death’s sword in the midst of this little family, breaking the earthly tie between this loving brother and sister. Several of the neighbours looked furtively at one another from beneath lowered eyelids, while Sophie actually began to sob nervously. Thorndike moved to her side and tried to reassure her, but she seemed to shrink curiously away from him. His motions were distinctly uneasy, and he seemed to feel acutely the abnormal tension permeating the air. Finally, conscious of his duty as master of ceremonies, he stepped forward and announced in a sepulchral voice that the body might be viewed for the last time.

Slowly the friends and neighbours filed past the bier, from which Thorndike roughly dragged crazy Johnny away. Tom seemed to be resting peacefully. That devil had been handsome in his day. A few genuine sobs–and many feigned ones–were heard, though most of the crowd were content to stare curiously and whisper afterward. Steve Barbour lingered long and attentively over the still face, and moved away shaking his head. His wife, Emily, following after him, whispered that Henry Thorndike had better not boast so much about his work, for Tom’s eyes had come open. They had been shut when the services began, for she had been up and looked. But they certainly looked natural–not the way one would expect after two days.

When Fred Peck gets this far he usually pauses as if he did not like to continue. The listener, too, tends to feel that something unpleasant is ahead. But Peck reassures his audience with the statement that what happened isn’t as bad as folks like to hint. Even Steve never put into words what he may have thought, and crazy Johnny, of course, can’t be counted at all.

It was Luella Morse–the nervous old maid who sang in the choir–who seems to have touched things off. She was filing past the coffin like the rest, but stopped to peer a little closer than anyone else except the Barbours had peered. And then, without warning, she gave a shrill scream and fell in a dead faint.

Naturally, the room was at once a chaos of confusion. Old Dr. Pratt elbowed his way to Luella and called for some water to throw in her face, and others surged up to look at her and the coffin. Johnny Dow began chanting to himself, “He knows, he knows, he kin hear all we’re a-sayin’ and see all we’re a-doin’, and they’ll bury him that way”–but no one stopped to decipher his mumbling except Steve Barbour.

In a very few moments Luella began to come out of her faint, and could not tell exactly what had startled her. All she could whisper was, “The way he looked–the way he looked.” But to other eyes the body seemed exactly the same. It was a gruesome sight, though, with those open eyes and that high colouring.

And then the bewildered crowed noticed something which put both Luella and the body out of their minds for a moment. It was Thorndike–on whom the sudden excitement and jostling crowd seemed to be having a curiously bad effect. He had evidently been knocked down in the general bustle, and was on the floor trying to drag himself to a sitting posture. The expression on his face was terrifying in the extreme, and his eyes were beginning to take on a glazed, fishy expression. He could scarcely speak aloud, but the husky rattle of his throat held an ineffable desperation which was obvious to all.

“Get me home, quick, and let me be. That fluid I got in my arm by mistake…heart action…the damned excitement…too much…wait…wait…don’t think I’m dead if I seem to…only the fluid–just get me home and wait…I’ll come to later, don’t know how long…all the time I’ll be conscious and know what’s going on…don’t be deceived…”

As his words trailed off into nothingness old Dr. Pratt reached him and felt his pulse–watching a long time and finally shaking his head. “No use doing anything–he’s gone. Heart no good–and that fluid he got in his arm must have been bad stuff. I don’t know what it is.”

A kind of numbness seemed to fall on all the company. New death in the chamber of death! Only Steve Barbour thought to bring up Thorndike’s last choking words. Was he surely dead, when he himself had said he might falsely seem so? Wouldn’t it be better to wait a while and see what would happen? And for that matter, what harm would it do if Doc Pratt were to give Tom Sprague another looking over before burial?

Crazy Johnny was moaning, and had flung himself on Thorndike’s body like a faithful dog. “Don’t ye bury him, don’t ye bury him! He ain’t dead no more nor Lige Hopkins’s dog nor Deacon Leavitt’s calf was when he shot ‘em full. He’s got some stuff he puts into ye to make ye seem like dead when ye ain’t! Ye seem like dead but ye know everything what’s a-goin’ on, and the next day ye come to as good as ever. Don’t ye bury him–he’ll come to under the earth an’ he can’t scratch up! He’s a good man, an’ not like Tom Sprague. Hope to Gawd Tom scratches an’ chokes for hours an’ hours…”

But no one save Barbour was paying any attention to poor Johnny. Indeed, what Steve himself had said had evidently fallen on deaf ears. Uncertainly was everywhere. Old Doc Pratt was applying final tests and mumbling about death certificate blanks, and unctuous Elder Atwood was suggesting that something be done about a double interment. With Thorndike dead there was no undertaker this side of Rutland, and it would mean a terrible expense if one were to be brought from there, and if Thorndike were not embalmed in this hot June weather–well, one couldn’t tell. And there were no relatives or friends to be critical unless Sophie chose to be–but Sophie was on the other side of the room, staring silently, fixedly, and almost morbidly into her brother’s coffin.

Deacon Leavitt tried to restore a semblance of decorum, and had poor Thorndike carried across the hall to the sitting-room, meanwhile sending Zenas Wells and Walter Perkins over to the undertaker’s house for a coffin of the right size. The key was in Henry’s trousers pocket. Johnny continued to whine and paw at the body, and Elder Atwood busied himself with inquiring about Thorndike’s denomination–for Henry had not attended local services. When it was decided that his folks in Rutland–all dead now–had been Baptists, the Reverend Silas decided that Deacon Leavitt had better offer the brief prayer.

It was a gala day for the funeral-fanciers of Stillwater and vicinity. Even Luella had recovered enough to stay. Gossip, murmured and whispered, buzzed busily while a few composing touches were given to Thorndike’s cooling, stiffening form. Johnny had been cuffed out of the house, as most agreed he should have been in the first place, but his distant howls were now and then wafted gruesomely in.

When the body was encoffined and laid out beside that of Thomas Sprague, the silent, almost frightening-looking Sophie gazed intently as it as she had gazed at her brother’s. She had not uttered a word for a dangerously long time, and the mixed expression on her face was past all describing or interpreting. As the others withdrew to leave her alone with the dead she managed to find a sort of mechanical speech, but no one could make out the words, and she seemed to be talking first to one body and then the other.

And now, with what would seem to an outside the acme of gruesome unconscious comedy, the whole funeral mummery of the afternoon was listlessly repeated. Again the organ wheezed, again the choir screeched and scraped, again a droning incantation arose, and again the morbidly curious spectators filed past a macabre object–this time a dual array of mortuary repose. Some of the more sensitive people shivered at the whole proceeding, and again Stephen Barbour felt an underlying note of eldritch horror and daemoniac abnormality. God, how life-like both of those corpses were…and how in earnest poor Thorndike had been about not wanting to be judged dead…and how he hated Tom Sprague…but what could one do in the face of common sense–a dead man was a dead man, and there was old Doc Pratt with his years of experience…if nobody else bothered, why should one bother oneself?…Whatever Tom had got he had probably deserved…and if Henry had done anything to him, the score was even now…well, Sophie was free at last…

As the peering procession moved at last toward the hall and the outer door, Sophie was alone with the dead once more. Elder Atwood was out in the road talking to the hearse-driver from Lee’s livery stable, and Deacon Leavitt was arranging for a double quota of pall-bearers. Luckily the hearse would hold two coffins. No hurry–Ed Plummer and Ethan Stone were going ahead with shovels to dig the second grave. There would be three livery hacks and any number of private rigs in the cavalcade–no use trying to keep the crowd away from the graves.

Then came that frantic scream from the parlour where Sophie and the bodies were. Its suddenness almost paralysed the crowd and brought back the same sensation wheh had surged up when Luella had screamed and fainted. Steve Barbour and Deacon Leavitt started to go in, but before they could enter the house Sophie was bursting forth, sobbing and gasping about “That face at the window!…that face at the window!…”

At the same time a wild-eyed figure rounded the corner of the house, removing all mystery from Sophie’s dramatic cry. It was, very obviously, the face’s owner–poor crazy Johnny, who began to leap up and down, pointing at Sophie and shrieking, “She knows! She knows! I seen it in her face when she looked at ‘em and talked to ‘em! She knows, and she’s a-lettin’ ‘em go down in the earth to scratch and claw for air…But they’ll talk to her so’s she kin hear ‘em…they’ll talk to her, an’ appear to her…and some day they’ll come back an’ git her!”

Zenas Wells dragged the shrieking half-wit to a woodshed behind the house and bolted him in as best he could. His screams and poundings could be heard at a distance, but nobody paid him any further attention. The procession was made up, and with Sophie in the first hack it slowly covered the short distance past the village to the Swamp Hollow burying-ground.

Elder Atwood made appropriate remarks as Thomas Sprague was laid to rest, and by the time he was through, Ed and Ethan had finished Thorndike’s grave on the other side of the cemetery–to which the crowd was presently shifted. Deacon Leavitt then spoke ornamentally, and the lowering process was repeated. People had begun to drift off in knots, and the clatter of receding buggies and carryalls was quite universal, when the shovels began to fly again. As the earth thudded down on the coffin-lids, Thorndike’s first, Steve Barbour noticed the queer expressions flitting over Sophie Sprague’s face. He couldn’t keep track of them all, but behind the rest there seemed to lurk a sort of wry, perverse, half-suppressed look of vague triumph. He shook his head.

Zenas had run ahead and let crazy Johnny out of the woodshed before Sophie got home, and the poor fellow at once made frantically for the graveyard. He arrived before the shovelmen were through, and while many of the curious mourners were still lingering about. What he shouted into Tom Sprague’s partly filled grave, and how he clawed at the loose earth of Thorndike’s freshly finished mound across the cemetery, surviving spectators still shudder to recall. Jotham Blake, the constable, had to take him back to the town farm by force, and his screams waked dreadful echoes.

This is where Fred Peck usually leaves off the story. What more, he asks, is there to tell? It was a gloomy tragedy, and one can scarcely wonder that Sophie grew queer after that. That is all one hears if the hour is so late that old Calvin Wheeler has tottered home, but when he is still around he breaks in again with that damnably suggestive and insidious whisper. Sometimes those who hear him dread to pass either the shuttered house or the graveyard afterward, especially after dark.

“Heh, heh…Fred was only a little shaver then, and don’t remember no more than half of what was goin’ on! You want to know why Sophie keeps her house shuttered, and why crazy Johnny still keeps a-talkin’ to the dead and a-shoutin’ at Sophie’s windows? Well, sir, I don’t know’s I know all there is to know, but I hear what I hear.”

Here the old man ejects his cud of tobacco and leans forward to buttonhole the listener.

“It was that same night, mind ye–toward mornin’, and just eight hours after them burials–when we heard the first scream from Sophie’s house. Woke us all up–Steve and Emily Barbour and me and Matildy goes over hot-footin’, all in night gear, and finds Sophie all dressed and dead fainted on the settin’-room floor. Lucky she hadn’t locked the door. When we got her to she was shakin’ like a leaf, and wouldn’t let on by so much as a word what was ailin’ her. Matildy and Emily done what they could to quiet her down, but Steve whispered things to me as didn’t make me none too easy. Come about an hour when we allowed we’d be goin’ home soon, that Sophie she begun to tip her head on one side like she was a-listenin’ to somethin’. Then on a sudden she screamed again, and keeled over in another faint.

“Well, sir, I’m tellin’ what I’m tellin’, and won’t do no guessin’ like Steve Barbour would a done if he dared. He always was the greatest hand for hintin’ things…died ten years ago of pneumony.

…

“What we heard so faint-like was just poor crazy Johnny, of course. ‘Taint more than a mile to the buryin’-ground, and he must a got out of the window where they’d locked him up at the town farm–even if Constable Blake says he didn’t get out that night. From that day to this he hangs around them graves a-talkin’ to the both of them–cussin’ and kickin’ at Tom’s mound, and puttin’ posies and things on Henry’s. And when he ain’t a-doin’ that he’s hangin’ around Sophie’s shuttered windows howlin’ about what’s a-comin’ soon to git her.

“She wouldn’t never go near the buryin’-ground, and now she won’t come out of the house at all nor see nobody. Got to sayin’ there was a curse on Stillwater–and I’m dinged if she ain’t half right, the way things is a-goin’ to pieces these days. There certainly was somethin’ queer about Sophie right along. Once when Sally Hopkins was a’callin’ on her–in ’97 or ’98, I think it was–there was an awful rattlin’ at her winders–and Johnny was safe locked up at the time–at least, so Constable Dodge swore up and down. But I ain’t takin’ no stock in their stories about noises every seventeenth of June, or about faint shinin’ figures a-tryin’ Sophie’s door and winders every black mornin’ about two o’clock.

“You see, it was about two o’clock in the mornin’ that Sophie heard the sounds and keeled over twice that first night after the buryin’. Steve and me, and Matildy and Emily, heard the second lot, faint as it was, just like I told you. And I’m a-tellin’ you again as how it must a been crazy Johnny over to the buryin’-ground, let Jotham Blake claim what he will. There ain’t no tellin’ the sound of a man’s voice so far off, and with our heads full of nonsense it ain’t no wonder we thought there was two voices–and voices that hadn’t ought to be speakin’ at all.

“Steve, he claimed to have heard more than I did. I verily believe he took some stock in ghosts. Matildy and Emily was so scared they didn’t remember what they heard. And curious enough, nobody else in town–if anybody was awake at the ungodly hour–never said nothin’ about hearin’ no sounds at all.

“Whatever it was, was so faint it might have been the wind if there hadn’t been words. I made out a few, but don’t want to say as I’d back up all Steve claimed to have caught…

“‘She-devil’…’all the time’…’Henry’…and ‘alive’ was plain…and so was ‘you know’…’said you’d stand by’…’get rid of him’ and ‘bury me’…in a kind of changed voice…Then there was that awful ‘comin’ again some day’–in a death-like squawk…but you can’t tell me Johnny couldn’t have made those sounds.

…

“Hey, you! What’s takin’ you off in such a hurry? Mebbe there’s more I could tell you if I had a mind…”

1
IT WAS languid curiousity which first brought Stephen Jones to Rogers’ Museum. Someone had told him about the queer underground place in Southwark Street across the river, where waxen things so much more horrible than the worst effigies at Madame Tussaud’s were shown, and he had strolled in one April day to see how disappointing he would find it. Oddly, he was not disappointed. There was something different and distinctive here, after all. Of course, the usual gory commonplaces were present–Landru, Doctor Crippen, Madame Demers, Rizzio, Lady Jane Grey, endless maimed victims of war and revolution, and monsters like Gilles de Rais and Marquis de Sade–but there were other things which had made him breathe faster and stay till the ringing of the closing bell. The man who had fashioned this collection could be no ordinary mountebank. There was imagination–even a kind of diseased genius–in some of this stuff.

Later he had learned about George Rogers. The man had been on the Tussaud staff, but some trouble had developed which led to his discharge. There were aspersions on his sanity and tales of his crazy forms of secret worship–though latterly his success with his own basement museum had dulled the edge of some criticisms while sharpening the insidious point of others. Teratology and the iconography of nightmare were his hobbies, and even he had had the prudence to screen off some of his worst effigies in a special alcolve for adults only. It was this alcolve which had fascinated Jones so much. There were lumpish hybrid things which only fantasy could spawn, molded with devilish skill, and colored in a horribly life-like fashion.

Some were the figures of well-known myth–gorgons, chimeras. dragons, cyclops, and all their shuddersome congeners. Others were drawn from darker and more furtively whispered cycles of subterranean legend–black, formless Tsathoggua, many-tentacled Cthulhu, proboscidian Chaugnar Faugn, and other rumored blasphemies from forbidden books like the Necronomicon, the Book of Eibon, or the Unaussprechlichen Kulten of von Junzt. But the worst were wholly original with Rogers, and represented shapes which no tale of antiquity had ever dared to suggest. Several were hideous parodies on forms of organic life we know, while others seemed to be taken from feverish dreams of other planets and galaxies. The wilder painted of Clark Ashton Smith might suggest a few–but nothing could suggest the effect of poignant, loathsome terror created by their great size and fiendishly cunning workmanship, and by the diabolically clever lighting conditions under which they were exhibited.

Stephen Jones, as a leisurely connoisseur of the bizarre in art, had sought out Rogers himself in the dingy office and workroom behind the vaulted museum chamber–an evil-looking crypt lighted dimly by dusty windows set slit-like and horizontal in the brick wall on a level with the ancient cobblestones of a hidden courtyard. It was here that the images were repaired–here, too, where some of them had been made. Waxen arms, legs, heads and torsos lay in grotesque array on various benches, while on high tiers of shelves matted wigs, ravenous-looking teeth, and glassy, staring eyes were indiscriminately scattered. Costumes of all sorts hung from hooks, and in one alcove were great piles of flesh-colored wax-cakes and shelves filled with paint-cans and brushes of every description. In the center of the room was a large melting-furnace used to prepare the wax for molding, its fire-box topped by a huge iron container on hinges, with a spout which permitted the pouring of melted wax with the merest touch of a finger.

Other things in the dismal crypt were less describable–isolated parts of problematical entities whose assembled forms were the phantoms of delerium. At one end was a door of heavy plank, fastened by an unusually large padlock and with a very peculiar symbol painted over it. Jone, who had once had access to the dreaded Necronomicon, shivered involuntarily as he recognized that symbol. This showman, he reflected, must indeed be a person of disconcertingly wide scholarship in dark and dubious fields.

Nor did the conversation of Rogers disappoint him. The man was tall, lean, and rather unkempt, with large black eyes which gazed combustively from a pallid and usually stubble-covered face. He did not resent Jones’ intrusion, but seemed to welcome the chance of unburdening himself to an interested person. His voice was of singular depth and resonance, and harbored a sort of repressed intensity bordering on the feverish. Jones did not wonder that many had thought him mad.

With every successive call–and such calls became a habit as the weeks went by–Jones had found Rogers more communicative and confidential. From the first there had been hints of strange faiths and practices on the showman’s part, and later on those hints expanded into tales–despite a few odd corroborative photographs–whose extravagence was almost comic. It was some time in June, on a night when Jones had brought a bottle of good whisky and plied his host somewhat freely, that the really demented talk first appeared. Before that there had been wild enough stories–accounts of mysterious trips to Tibet, the African interior, the Arabian desert, the Amazon valley, Alaska, and certain little-known islands of the South Pacific, plus claims of having read such monstrous and half-fabulous books as the prehistoric Pnakotic fragments and the Dhol chants attributed to malign and non-human Leng–but nothing in all this had been so unmistakably insane as what had cropped out that June evening under the spell of the whisky.

To be plain, Rogers began making vauge boasts of having found certain things in nature that no one had found before, and of having brought back tangible evidences of such discoveries. According to his bibulous harangue, he had gone farther than anyone else in interpreting the obscure and primal books he studied, and had been directed by them to certain remote places where strange survivals are hidden–survivals of æons and life-cycles earlier than mankind, and in some case connected with other dimensions and other worlds, communication with which was frequent in the forgotten pre-human days. Jones marvelled at the fancy which could conjure up such notions, and wondered just what Rogers’ mental history had been. Had his work amidst the morbid grotesequeries of Madame Tussaud’s been the start of his imaginative flights, or was the tendency innate, so that his choice of occupation was merely one of its manifestations? At any rate, the man’s work was merely[?] very closely linked with his notions. Even now there was no mistaking the trend of his blackest hints about the nightmare monstrosities in the screened-off “Adults only” alcove. Heedless of ridicule, he was trying to imply that not all of these demoniac abnormalities were artificial.

It was Jones’ frank scepticism and amusement at these irresponsible claims which broke up the growing cordiality. Rogers, it was clear, took himself very seriously; for he now became morose and resentful, continuing to tolerate Jones only through a dogged urge to break down his wall of urbane and complacent incredulity. Wild tales and suggestions of rites and sacrifices to nameless elder gods continued, and now and then Rogers would lead his guest to one of the hideous blashphemies in the screen-off alcolve and point out features difficult to reconcile with even the finest human craftsmanship. Jones continued his visits through sheer fascination, though he knew he had forfeited his host’s regards. At times he would humor Rogers with pretended assent to some mad hint or assertion, but the gaunt showman was seldom to be deceived by such tactics.

The tension came to a head later in September. Jones had casually dropped into the museum one afternoon, and was wandering through the dim corridors whose horror were now so familiar, when he heard a very peculiar sound from the general direction of Rogers’ workroom. Others heard it too, and started nervously as the echoes reverberated through the great vaulted basement. The three attendants exchanged odd glances; and one of them, a dark, taciturn, foreign-looking fellow who always served Rogers as a repairer and assistant designer, smiled in a way which seemed to puzzle his colleagues and which grated very harshly on some facet of Jones’ sensibilities. It was the yelp or scream of a dog, and was such a sound as could be made only under conditions of the utmost fright and agony combined. Its stark, anguised frenzy was appalling to hear, and in this setting of grotesque abnormality it held a double hideousness. Jones remembered that no dogs were allowed in the museum.

He was about to go to the door leading into the workroom, when the dark attendant stopped him with a word and a gesture. Mr. Rogers, the man said in a soft, somewhat accented voice at once apologetic and vaguely sardonic, was out, and there were standing orders to admit no one to the workroom during his absence. As for that yelp, it was undoubtedly something out in the courtyard behind the museum. This neighborhood was full of stray mongrels, and their fights were sometimes shockingly noisy. There were no dogs in any part of the museum. But if Mr. Jones wished to see Mr. Rogers he might find him just before closing-time.

After this Jones climbed the old stone steps to the street outside and examined the squalid neighborhood curiously. The leaning, decrepit buildings–once dwellings but now largely shops and warehouses–were very ancient indeed. Some of them were of a gabled type seeming to go back to Tudor times, and a faint miasmatic stench hung subtly about the whole region. Beside the dingy house whose basement held the museum was a low archway pierced by a dark cobbled alley, and this Jones entered in a vague wish to find the courtyard behind the workroom and settle the affair of the dog comfortably in his mind. The courtyard was dim in the late afternoon light, hemmed in by rear walls even uglier and more intangibly menacing than the crumbling facades of the evil old houses. Not a dog was in sight, and Jones wondered how the aftermath of such a frantic turmoil could have completely vanished so soon.

Despite the assistant’s statement that no dog had been in the museum, Jones glanced nervously at the three small windows of the basement workroom–narrow, horizontal rectangles close to the grass-grown pavement, with grimy panes that stared repulsively and incuriously like the eyes of dead fish. To their left a worn flight of stairs led to an opaque and heavily bolted door. Some impulse urged him to crouch low on the damp, broken cobblestones and peer in, on the chance that the thick green shades, worked by long cords that hung down to a reachable level, might not be drawn. The outer surfaces were thick with dirt, but as he rubbed them with his handkerchief he saw there was no obscuring curtain in the way of his vision.

So shadowed was the cellar from the inside that not much could be made out, but the grotesque working paraphernalia now and then loomed up spectrally as Jones tried each of the windows in turn. It seemed evident at first that no one was within; yet when he peered through the extreme right-hand window–the one nearest the entrance alley–he saw a glow of light at the farther end of the apartment which made him pause in bewilderment. There was no reason why any light should be there. It was an inner side of the room, and he could not recall any gas or electric fixture near that point. Another look defined the glow as a large vertical rectangle, and a though occurred to him. It was in that direction that he had always noticed the heavy plank door with the abnormally large padlock–the door which was never opened, and above which was crudely smeared that hideous cryptic symbol from the fragmentary records of forbidden elder magic. It must be open now–and there was a light inside. All his former speculation as to where that door led, and as to what lay behind it, were now renewed with trebly disquieting force.

Jones wandered aimlessly around the dismal locality till close to six o’clock, when he returned to the museum to make the call on Rogers. He could hardly tell why he wished so especially to see the man just then, but there must have been some subconscious misgivings about that terribly unplaceable canine scream of the afternnon, and about the glow of light in that disturbing and usually unopened inner doorway with the heavy padlock. The attendants were leaving as he arrived, and he thought that Orabona–the dark foreign-looking assistant–eyed him with something like sly, repressed amusement. He did not relish that look–even though he had seen the fellow turn it on his employer many times.

The vaulted exhibition room was ghoulish in its desertion, but he strode quickly through it and rapped at the door of the office and workroom. Response was slow in coming, though there were footsteps inside. Finally, in response to a second knock, the lock rattled, and the ancient six-panelled portal creaked reluctantly open to reveal the slouching, feverish-eyed form of George Rogers. From the first it was clear that the showman was in an unusual mood. There was a curious mixture of reluctance and actual gloating in his welcome, and his talk at once veered to extravagances of the most hideous and incredible sort.

Surviving elder gods–nameless sacrifices–the other than artificial nature of some of the alcove horrors–all the usual boasts, but uttered in a tone of peculiarly increasing confidence. Obviously, Jones reflected, the poor fellow’s madness was gaining on him. From time to time Rogers would send furtive glances toward the heavy, padlocked inner door at the end of the room, or toward a piece of coarse burlap on the floor not far from it, beneath which some small object appeared to be lying. Jones grew more nervous as the moments passed, and began to feel as hesitant about mentioning the afternoon’s oddities as he had formerly been anxious to do so.

Rogers’ sepulchrally resonant bass almost cracked under the excitement of his fevered rambling.

“Do you remember,” he shouted, “what I told you about that ruined city in Indo-China where the Tcho-Tchos lived? You had to admit I’d been there when you saw the photographs, even if you did think I made that oblong swimmer in darkness out of wax. If you’d seen it writhing in the underground pools as I did. . . .

“Well, this is bigger still. I never told you about this, because I wanted to work out the later parts before making any claim. When you see the snapshots you’ll know the geography couldn’t have been faked, and I fancy I have another way of proving It isn’t any waxed concoction of mine. You’ve never seen it, for the experiments wouldn’t let me keep It on exhibition.”

The showman glanced queerly at the padlocked door.

“It all comes from that long ritual in the eighth Pnakotic fragment. When I got it figured out I saw it could only have one meaning. There were things in the north before the land of Lomar–before mankind existed–and this was one of them. It took us all the way to Alaska, and up the Nootak from Fort Morton, but the thing was there as we knew it would be. Great cyclopean ruins, acres of them. There was less left than we had hoped for, but after three million years what could one expect? And weren’t the Eskimo legends all in the right direction? We couldn’t get one of the beggars to go with us, and had to sledge all the way back to Nome for Americans. Orabona was no good up in that climate–it made him sullen and hateful.

“I’ll tell you later how we found It. When we got the ice blasted out of the pylons of the central ruin the stairway was just as we knew it would be. Some carvings still there, and it was no trouble keeping the Yankees from following us in. Orabona shivered like a leaf–you’d never think it from the damned insolent way he struts around here. He knew enough of the Elder Lore to be properly afraid. The eternal light was gone, but our torches showed enough. We saw the bones of others who had been before us-æons ago, when the climate was warm. Some of those bones were of things you couldn’t even imagine. At the third level down we found the ivory throne the fragments said so much about–and I may as well tell you it wasn’t empty.

“The thing on the throne didn’t move–and we knew then that It needed the nourishment of sacrifice. But we didn’t want to wake It then. Better to get It to London first. Orabona and I went to the surface for the big box, but when we had packed it we couldn’t get It up the three flights of steps. These steps weren’t made for human beings, and their size bothered us. Anyway, it was devilish heavy. We had to have the Americans down to get It out. They weren’t anxious to go into the place, but of course the worst thing was safely inside the box. We told them it was a batch of ivory carving–archeological stuff; and after seeing the carved throne they probably believed us. It’s a wonder they didn’t suspect hidden treasure and demand a share. They must have told queer tales around Nome later on; though I doubt if they ever went back to those ruins, even for the ivory throne.”

Rogers paused, felt around in his desk, and produced an envelope of good-sized photographic prints. Extracting one and laying it face down before him, he handed the rest to Jones. The set was certainly an odd one: ice-clad hills, dog sledges, men in furs, and vast tumbled ruins against a background of snow–ruins whose bizarre outlines and enormous stone blocks could hardly be accounted for. One flashlight view showed an incredible interior chamber with wild carvings and a curious throne whose proportions could not have been designed for a human occupant. The carvings of the gigantic masonry–high walls and peculiar vaulting overhead–were mainly symbolic, and involved both wholly unknown designs and certain hieroglyphs darkly cited in obscene legends. Over the throne loomed the same dreadful symbol which was now painted on the workroom wall above the padlocked plank door. Jones darted a nervous glance at the closed portal. Assuredly, Rogers had been to strange places and had seen strange things. Yet this mad interior picture might easily be a fraud–taken from a very clever stage setting. One must not be too credulous. But Rogers was continuing:

“Well, we shipped the box from Nome and got to London without any trouble. That was the first time we’d ever brought back anything that had a chance of coming alive. I didn’t put It on display, because there were more important things to do for It. It needed the nourishment of sacrifice, for It was a god. Of course I couldn’t get It the sort of sacrifices which It used to have in Its day, for such things don’t exist now. But there were other things which might do. The blood is the life, you know. Even the lemures and elementals that are older than the earth will come when the blood of men or beasts is offered under the right conditions.”

The expression on the narrator’s face was growing very alarming and repulsive, so that Jones fidgeted involuntarily in his chair. Rogers seemed to notice his guest’s nervousness, and continued with a distinctly evil smile.

“It was last year that I got It, and ever since then I’ve been trying rites and sacrifices. Orabona hasn’t been much help, for he was always against the idea of waking It. He hates It–probably because he’s afraid of what It will come to mean. He carries a pistol all the time to protect himself–fool, as if there were human protection against It! If I ever see him draw that pistol, I’ll strangle him. He wanted me to kill It and make an effigy of It. But I’ve stuck by my plans, and I’m coming out on top in spite of all the cowards like Orabona and damned sniggering skeptics like you, Jones! I’ve chanted the rites and made certain sacrifices, and last week the transition came. The sacrifice was–received and enjoyed!”

Rogers actually licked his lips, while Jones held himsef uneasily rigid. The showman paused and rose, crossing the room to the piece of burlap at which he had glanced so often. Bending down, he took hold of one corner as he spoke again.

“You’ve laughed enough at my work–now it’s time for you to get some facts. Orabona tells me you heard a dog screaming around here this afternoon. Do you know what that meant?”

Jones started. For all his curiousity he would have been glad to get out without further light on the point which had so puzzled him. But Rogers was inexorable, and began to lift the square of burlap. Beneath it lay a crushed, almost shapeless mass which Jones was slow to classify. Was it a once-living thing which some agency had flattened, sucked dry of blood, punctured in a thousand places, and wrung into a limp, broken-boned heap of grotesqeness? After a moment Jones realized what it must be. It was what was left of a dog–a dog, perhaps of considerable size and whitish color. Its breed was past recognition, for distortion had come in nameless and hideous ways. Most of the hair was burned off as by some pungent acid, and the exposed, bloodless skin was riddled by innumerable circular wounds or incisions. The form of torture necessary to cause such results was past imagining.

Electrified with a pure loathing which conquered his mounting disgust, Jones sprang with a cry.

“You damned sadist–you madman–you do a thing like this and dare to speak to a decent man!”

Rogers dropped the burlap with a malignant sneer and faced his oncoming guest. His words held an unnatural calm.

“Why, you fool, do you think I did this? What of it? It is not human and does not pretend to be. To sacrifice is merely to offer. I gave the dog to It. What happened is It’s work, not mine. It needed the nourishment of the offering, and took it in Its own way. But let me show you what It looks like.”

As Jones stood hesitating, the speaker had returned to his desk and took up the photograph he had laid face down without showing. Now he extended it with a curious look. Jones took it and glanced at in in an almost mechanical way. After a moment the visitor’s glance became sharper and more absorbed, for the utterly satanic force of the object depicted had an almost hypnotic effect. Certainly, Rogers had outdone himself in modeling the eldritch nightmare which the camera had caught. The thing was a work of sheer, infernal genius, and Jones wondered how the public would react when it was placed on exhibition. So hideous a thing had no right to exist–probably the mere contemplation of it, after it was done, had completed the unhinging of its maker’s mind and led him to worship it with brutal sacrifices. Only a stout sanity could resist the insidious suggestion that the blasphemy was–or had once been–some morbid and exotic form of actual life.

The thing in the picture squatted or was balanced on what appeared to be a clever reproduction of the monstrously carved throne in the other curious photograph. To describe it with any ordinary vocabulary would be impossible, for nothing even roughly corresponding to it has ever come within the imagination of sane mankind. It represented something meant perhaps to be roughly connected with the vertebrates of this planet–though one could not be too sure of that. Its bulk was cyclopean, for even squatted it towered to almost twice the height of Orabona, who was shown beside it. Looking sharply, one might trace its approximations toward the bodily features of the higher vertebrates.

There was an almost globular torso, with six long, sinuous limbs terminating in crab-like claws. From the upper end a subsidiary globe bulged forth bubble-like; its triangle of three staring, fishy eyes, its foot-long and evidently flexible proboscis, and a distended lateral system analogous to gills, suggesting that it was a head. Most of the body was covered with what at first appeared to be fur, but which on closer examination proved to be a dense growth of dark, slender tentacles or sucking filaments, each tipped with a mouth suggesting the head of an asp. On the head and below the proboscis the tentacles tended to be longer and thicker, marked with spiral stripes–suggesting the traditional serpent-locks of Medusa. To suggest that such a thing could have an expression seems paradoxical; yet Jones felt that that triangle of bulging fish eyes and that obliquely poised proboscis all bespoke a blend of hate, greed and sheer cruelty incomprehensible to mankind because it was mixed with other emotions not of the world or this solar system. Into this bestial abnormality, he reflected, Rogers must have poured at once all his malignant insanity and all his uncanny sculptural genius. The thing was incredible–and yet the photograph proved that it existed.

Rogers interrupted his reveries.

“Well–what do you think of It? Now do you wonder what crushed the dog and sucked it dry with a million mouths? It needed nourishment–and It will need more. It is a god, and I am the first priest of Its latter-day hierarchy. Iä! Shub-Niggurath! The Goat with a Thousand Young!”

Jones lowered the photograph in disgust and pity.

“See here, Rogers, this won’t do. There are limits, you know. It’s a great piece of work, and all that, but it isn’t good for you. Better not see it any more–let Orabona break it up, and try to forget about it. And let me tear this beastly picture up, too.”

With a snarl, Rogers snatched the photograph and returned it to the desk.

“Idiot–you–and you still think It’s a fraud! You still think I made It, and you still think my figures are nothing but lifeless wax! Why, damn you, you’re going to know. Not just now, for It is resting after the sacrifice–but later. Oh, yes–you will not doubt the power of It then.”

As Rogers glanced toward the padlocked inner door Jones retrieved his hat and stick from a near-by bench.

“Very well, Rogers, let it be later. I must be going now, but I’ll call round tomorrow afternoon. Think my advice over and see if it doesn’t sound sensible. Ask Orabona what he thinks, too.”

Rogers bared his teeth in wild-beast fashion.

“Must be going now, eh? Afraid, after all! Afraid, for all your bold talk! You say the effigies are only wax, and yet you run away when I begin to prove that they aren’t. You’re like the fellows who take my standing bet that they daren’t spend the night in the museum–they come boldly enough, but after an hour they shriek and hammer to get out! Want me to ask Orabona, eh? You two–always against me! You want to break down the coming earthly reign of It!”

Jones preserved his calm.

“No, Rogers–there’s nobody against you. And I’m not afraid of your figures, either, much as I admire your skill. But we’re both a bit nervous tonight, and I fancy some rest will do us good.”

Again Rogers checked his guest’s departure.

“Not afraid, eh?–then why are you so anxious to go? Look here–do you or don’t you dare to stay alone here in the dark? What’s your hurry if you don’t believe in It?”

Some new idea seemed to have struck Rogers, and Jones eyed him closely.

“Why, I’ve no special hurry–but what would be gained by my staying here alone? What would it prove? My only objection is that it isn’t very comfortable for sleeping. What good would it do either of us?”

This time it was Jones who was struck with an idea. He continued in a tone of conciliation.

“See here, Rogers–I’ve just asked you what it would prove if I stayed, when we both knew. It would prove that your effigies are just effigies, and that you oughtn’t to let your imagination go the way it’s been going lately. Suppose I do stay. If I stick it out till morning, will you agree to take a new view of things–go on a vacation for three months or so and let Orabona destroy that new thing of yours? Come, now–isn’t that fair?”

The expression on the showman’s face was hard to read. It was obvious that he was thinking quickly, and that of sundry conflicting emotions, malign triumph was getting the upper hand. His voice held a choking quality as he replied.

“Fair enough! If you do stick it out, I’ll take your advice. We’ll go out for dinner and come back. I’ll lock you in the display room and go home. In the morning I’ll come down ahead of Orabona–he comes half an hour before the rest–and see how you are. But don’t try it unless you are very sure of your skepticism. Others have backed out–you have that chance. And I suppose a pounding on the outer door would always bring a constable. You may not like it so well after a while–you’ll be in the same building, though not in the same room with It.”

As they left the rear door into the dingy courtyard, Rogers took with him the piece of burlap–weighted with a gruesome burden. Near the center of the court was a manhole, whose cover the showman lifted quietly, and with a shuddersome suggestion of familiarity. Burlap and all, the burden went down to the oblivion of a cloacal labyrinth. Jones shuddered, and almost shrank from the gaunt figure at his side as they emerged into the street.

By unspoken mutual consent, they did not dine together, but agreed to meet in front of the museum at eleven.

Jones hailed a cab, and breathed more freely when he had crossed Waterloo Bridge and was approaching the brilliantly lighted Strand. He dined at a quite café, and subsequently went to his home in Portland Place to bathe and get a few things. Idly he wondered what Rogers was doing. He had heard that the man had a vast, dismal house in the Walworth Road, full of obscure and forbidden books, occult paraphernalia, and wax images which he did not choose to place on exhibition. Orabona, he understood, lived in separate quarters in the same house.

At eleven Jones found Rogers waiting by the basement door in Southwark Street. Their words were few, but each seemed taut with a menacing tension. They agreed that the vaulted exhibition room alone should form the scene of the vigil, and Rogers did not insist that the watcher sit in the special adult alcove of supreme horrors. The showman, having extinguished all the lights with switches in the workroom, locked the door of that crypt with one of the keys on his crowded ring. Without shaking hands he passed out the street door, locked it after him, and passed up the worn steps to the sidewalk outside. As his tread receded, Jones realized that the long, tedious vigil had commenced.

2

Later, in the utter blackness of the great arched cellar, Jones cursed the childish naïveté which had brought him there. For the first half-hour he had kept flashing his pocket-light at intervals, but now just sitting in the dark on one of the visitor’s benches had become a more nerve-wracking thing. Every time the beam shot out it lighted up some morbid, grotesque object–a guillotine, a nameless hybrid monster, a pasty-bearded face crafty with evil, a body with red torrents streaming from a severed throat. Jones knew that no sinister reality was attached to these things, but after that first half-hour he preferred not to see them.

Why he had bothered to humor that madman he could scarcely imagine. It would have been much simpler merely to have let him alone, or to have called in a mental specialist. Probably, he reflected, it was the fellow-feeling of one artist for another. There was so much genius in Rogers that he deserved every possible chance to be helped quietly out of his growing mania. Any man who could imagine and construct the incredibly life-like things that he had produced was not far from actual greatness. He had the fancy of a Sime or a Doré joined to the minute, scientific craftsmanship of a Blatschka. Indeed, he had done for the world of nightmare what the Blatschkas with their marvelously accurate plant models of finely wrought and coloured glass had done for the world of botany.

At midnight the strokes of a distant clock filtered through the darkness, and Jones felt cheered by the message from a still-surviving outside world. The vaulted museum chamber was like a tomb–ghastly in its utter solitude. Even a mouse would be cheering company; yet Rogers had once boasted that–for “certain reasons,” as he said–no mice or even insects ever came near the place. That was very curious, yet it seemed to be true. The deadness and silence were virtually complete. If only something would make a sound! He shuffled his feet, and the echoes came spectrally out of the absolute stillness. He coughed, but there was something mocking in the staccato reverberations. He could not, he vowed, begin talking to himself. That meant nervous disintergration. Time seemed to pass with abnormal and disconcerting slowness. He could have sworn that hours had elapsed since he last flashed the light on his watch, yet here was only the stroke of midnight.

He wished that his senses were not so preternaturally keen. Something in the darkness and stillness seemed to have sharpened them, so that they responded to faint intimations hardly strong enough to be called true impressions. His ears seemed at times to catch a faint, elusive susurrus which could not quite be identified with the nocturnal hum of the squalid streets outside, and he thought of vague, irrelevant things like the music of the spheres and the unknown, inaccessible life of alien dimensions pressing on our own. Rogers often speculated about such things.

The floating specks of light in his blackness-drowned eyes seemed inclined to take on curious symmetries of pattern and motion. He had often wondered about those strange rays from the unplumbed abyss which scintillate before us in the absence of all earthly illumination, but he had never known any that behaved just as these were behaving. They lacked the restful aimlessness of ordinary light-specks–suggesting some will and purpose remote from any terrestrial conception.

Then there was that suggestion of odd stirrings. Nothing was open, yet in spite of the general draftlessness Jones felt that the air was not uniformly quiet. There were intangible variations in pressure–not quite decided enough to suggest the loathsome pawings of unseen elementals. It was abnormally chilly, too. He did not like any of this. The air tested salty, as if it were mixed with the brine of dark subterrene waters, and there was a bare hint of some odor of ineffable mustiness. In the daytime he had never noticed that the waxen figures had an odor. Even now that half-received hint was not the way wax figures ought to smell. It was more like the faint smell of specimens in a natural-history museum. Curious, in view of Rogers’ claims that his figures were not all artificial–indeed, it was probably that claim which made one’s imagination conjure up the olfactory suspicion. One must guard against excesses of imagination–had not such things driven poor Rogers mad?

But the utter loneliness of this place was frightful. Even the distant chimes seemed to come from across cosmic gulfs. It made Jones think of that insane picture which Rogers had showed him-the wildly carved chamber with the cryptic throne which the fellow had claimed was part of a three-million-year-old ruin in the shunned and inaccessible solitudes of the Arctic. Perhaps Rogers had been to Alaska, but that picture was certainly nothing but stage scenery. It couldn’t normally be otherwise, with all that carving and those terrible symbols. And that monstrous shape supposed to have been found on that throne–what a flight of diseased fancy! Jones wondered just how far he actually was from the insane masterpiece in wax–probably it was kept behind that heavy, padlocked plank door leading somewhere out of the workroom. But it would never do to brood about a waxen image. Was not the present room full of such things, some of them scarcely less horrible than the dreadful “IT”? And beyond a thin canvas screen on the left was the “Adults only” alcove with its nameless phantoms of delerium.

The proximity of the numberless waxen shapes began to get on Jones’ nerves more and more as the quarter-hours wore on. He knew the museum so well that he could not get rid of their usual images even in the total darkness. Indeed, the darkness had the effect of adding to the remembered images certain very disturbing imginative overtones. The guillotine seemed to creak, and the bearded face of Landru–slayer of his fifty wives–twisted itself into expressions of monstrous menace. From the severed throat of Madame Demers a hideous bubbling sound seemed to emanate, while the headless, legless victim of a trunk murder tried to edge closer and closer on its gory stumps. Jones began shutting his eyes to see if that would dim the images, but found it was useless. Besides, when he shut his eyes the strange, purposeful patterns of light-specks became more disturbingly pronounced.

Then suddenly he began trying to keep the hideous images he had formerly been trying to banish. He tried to keep them because they were giving place to still more hideous ones. In spite of himself his memory began reconstructing the utterly non-human blasphemies that lurked in the obscurer corners, and these lumpish hybrid growths oozed and wriggled toward him as though huting him down in a circle. Black Tsathoggua molded itself from a toad-like gargoyle to a long, sinuous line with hundreds of rudimentary feet, and a lean, rubbery night-gaunt spread its wings as if to advance and smother the watcher. Jones braced himself to keep from screaming. He knew he was reverting to the traditional terrors of his childhood, and resolved to use his adult reason to keep the phantoms at bay. It helped a bit, he found, to flash the light again. Frightful as were the images it showed, these were not as bad as what his fancy called out of the utter blackness.

But there were drawbacks. Even in the light of his torch he could not help suspecting a slight, furtive trembling on the part of the canvas partition screening off the terrible “Adults only” alcove. He knew what lay beyond, and shivered. Imagination called up the shocking forms of fabulous Yog-Sothoth–only a congeries of iridescent globes, yet stupendous in its malign suggestiveness. What was this accursed mass slowly floating toward him and bumping on the partition that stood in the way? A small bulge in the canvas far to the right suggested the sharp horn of Gnoph-keh, the hairy myth-thing of the Greenland ice, that walked sometimes on two legs, sometimes on four, and sometimes on six. To get this stuff out of his head Jones walked boldly toward the hellish alcove with torch burning steadily. Of course, none of his fears was true. Yet were not the long, facial tentalces of great Cthulhu actually swaying, slowly and insidiously? He knew they were flexible, but he had not realised that the draft caused by his advance was enough to set them in motion.

Returning to his former seat outside the alcove, he shut his eyes and let the symmetrical light-specks do their worst. The distant clock boomed a single stroke. Could it be only one? He flashed the light on his watch and saw that it was precisely that hour. It would be hard indeed waiting for the morning. Rogers would be down at about eight o’clock, ahead of even Orabona. It would be light outside in the main basement long before that, but none of it could penetrate here. All the windows in this basement had been bricked up but the three small ones facing the court. A pretty bad wait, all told.

His ears were getting most of the hallucinations now–for he could swear he heard stealthy, plodding footsteps in the workroom beyond the closed and locked door. He had no business thinking of that unexhibited horror which Rogers called “It.” The thing was a contamination-it had driven its maker mad, and now even its picture was calling up imaginative terrors. It was very obviously beyond that padlocked door of heavy planking. Those steps were certainly pure imagination.

Then he thought he heard the key turn in the workroom door. Flashing on his torch, he saw nothing but the ancient six-paneled portla in its proper position. Again he tried darkness and closed his eyes, but there followed a harrowing illusion of creaking–not the guillotine this time, but the slow, furtive opening of the workroom door. He would not scream. Once he screamed, he would be lost. There was a sort of padding or shuffling audible now, and it was slowly advancing toward him. He must retain command of himself. Had he not done so when the nameless brain-shaped tried to close in on him? The shuffling crept nearer, and his resolution failed. He did not scream but merely gulped out a challenge.

“Who goes there? Who are you? What do you want?”

There was no answer, but the shuffling kept on. Jones did not know which he feared most to do–turn on his flashlight or stay in the dark while the thing crept upon him. This thing was different, he felt profoundly, from the other terrors of the evening. His fingers and throat worked spasmodically. Silence was impossible, and the suspense of utter blackness was beginning to be the most intolerable of all conditions. Again he cried out hysterically–”Halt! Who goes there?”–as he switched on the revealing beam of his torch. Then, paralyzed by what he saw, he dropped the flashlight and screamed–not once but many times.

Shuffling toward him in the darkness was the gigantic, blasphemous form of a black thing not wholly ape and not wholly insect. Its hide hung loosely upon its frame, and its rugose, dead-eyed rudiment of a head swayed drunkenly from side to side. Its forepaws were extended, with talons spread wide, and its whole body was taut with murderous malignity despite its utter lack of facial expression. After the screams and the final coming of darkness it leaped, and in a moment had Jones pinned to the floor. There was no struggle for the watcher had fainted.

Jones’ fainting spell could not have lasted more than a moment, for the nameless thing was apishly dragging him through the darkness when he began recovering consciousness. What started him fully awake were the sounds which the thing was making–or rather, the voice with which it was making them. That voice was human, and it was familiar. Only one living being could be behind the hoarse, feverish accents which were chanting to an unknown horror.

“Iä! Iä!” it was howling. “I am coming, O Rhan-Tegoth, coming with the nourishment. You have waited long and fed ill, but now you shall have what was promised. That and more, for instead of Orabona it will be one of high degree who has doubted you. You shall crush and drain him, with all his doubts, and grow strong thereby. And ever after among men he shall be shown as a monument to your glory. Rhan-Tegoth, infinite and invincible, I am your slave and high-priest. You are hungry, and I shall provide. I read the sign and have led you forth. I shall feed you with blood, and you shall feed me with power. Iä! Shub-Niggurath! The Goat with a Thousand Young!”

In an instant all the terrors of the night dropped from Jones like a discarded cloak. He was again master of his mind, for he knew the very earthly and material peril he had to deal with. This was no monster of fable, but a dangerous madman. It was Rogers, dressed in some nightmare covering of his own insane designing, and about to make a frightful sacrifice to the devil-god he had fashioned out of wax. Clearly, he must have entered the workroom from the read courtyard, donned his disguise, and then advance to seize his neatly-trapped and fear-broken victim. His strength was prodigious, and if he was to be thwarted, one must act quickly. Counting on the madman’s confidence in his unconsciousness he determined to take him by surprise, while his grip was relatively lax. The feel of a threshold told him he was crossing into the pitch-black workroom.

With the strength of mortal fear Jones made a sudden spring from the half-recumbent posture in which he was being dragged. For an instant he was free of the astonished maniac’s hands, and in another instant a lucky lunge in the dark had put his own hands at his captor’s weirdly concealed throat. Simultaneously Rogers gripped him again, and without further preliminaries the two were locked in a desperate struggle of life and death. Jones’ athletic training, without doubt, was his sole salvation; for his mad assailant, freed from every inhibition of fair play, decency, or even self-preservation, was an engine of savage destruction as formidable as a wolf or panther.

Guttural cries sometimes punctured the hideous tussle in the dark. Blood spurted, clothing ripped, and Jones at last felt the actual throat of the maniac, shorn of its spectral mask. He spoke not a word, but put every ounce of energy into the defence of his life. Rogers kicked, gouged, butted, bit, clawed, and spat–yet found strength to yelp out actual sentences at times. Most of his speech was in a ritualistic jargon full of references to “It” or “Rhan-Tegoth,” and to Jones’ overwrought nerves it seemed as if the cries echoed from an infinite distance of demoniac snortics and bayings. Toward the last they were rolling on the floor, overturning benches or striking against the walls and the brick foundations of the central melting-furnace. Up to the very end Jones could not be certain of saving himself, but chance finally intervened in his favor. A jab of his knee against Rogers’ chest produced a general relaxation, and a moment later he knew he had won.

Though hardly able to hold himself up, Jones rose and stumbled about the walls seeking the light-switch–for his flashlight was gone, together with most of his clothing. As he lurched along he dragged his limp opponent with him, fearing a sudden attack when the madman came to. Finding the switch-box, he fumbled till he had the right handle. Then, as the wildly disordered workroom burst into sudden radiance, he set about binding Rogers with such cords and belts as he could easily find. The fellow’s disguise–or what was left of it–seemed to be made of a puzzling queer sort of leather. For some reason it made Jones’ flesh crawl to touch it, and there seemed to be an alien, rusty odor about it. In the normal clothes beneath it was Rogers’ key-ring, and this the exhausted victor seized as his final passport to freedom. The shades at the small, slit-like windows were all securely drawn, and he let them remain so.

Washing off the blood of battle at a convenient sink, Jones donned the most ordinary-looking and least ill-fitting clothes he could find on the costume hooks. Testing the door to the courtyard, he found it fastened with a spring-lock which did not require a key from the inside. He kept the key-ring, however, to admit him on his return with aid–for plainly, the thing to do was to call in an alienist. There was no telephone in the museum, but it would not take long to find an all-night restaurant or chemist’s shop where one could be had. He had almost opened the door when a torrent of hideous abuse from across the room told him that Rogers–whose visible injuries were confined to a long, deep scratch down the left cheek–had regained consciousness.

“Fool! Spawn of Noth-Yidik and effluvium of K’thun! Son of the dogs that howl in the maelstrom of Azathoth! You would have been sacred and immortal, and now you are betraying It and Its priest! Beware–for It is hungry! It would have been Orabona–that damned treacherous dog ready to turn against me and It–but I give you the honor instead. Now you must both beware, for It is not gentle without Its priest.

“Iä! Iä! Vengeance is at hand! Do you know you would have been immortal? Look at the furnace! There is a fire ready to light, and there is wax in the kettle. I would have done with you as I have done with other once living forms. Hei! You, who have vowed all my effigies are waxen, would have become a waxen effigy yourself! The furnace was already! When It had had its fill, and you were like that dog I showed you, I would have made your flattened, punctured fragments immortal! Wax would have done it. Haven’t you said I’m a great artist? Wax in every pore–wax over every square inch of you–Iä! Iä! And ever after the world would have looked at your mangled carcass and wondered how I ever imagined and made such a thing! Hei! and Orabona would have come next, and others after him-and thus would my waxen family have grown!

“Dog–do you still thing I made all my effigies? Why not say preserved? You know by this time the strange places I’ve been to, and the strange things I’ve brought back. Coward–you could never face the dimensional shambler whose hide I put on to scare you–the mere sight of it alive, or even the full-fledged thought of it, would kill you instantly with fright! Iä! Iä! It waits hungry for the blood that is the life!”

Rogers, propped against the wall, swayed to and fro in his bonds.

“See here, Jones–if I let you go will you let me go? It must be taken care of by Its high priest. Orabona will be enough to keep It alive–and when he is finished I will make his fragments immortal in wax for the world to see. It could have been you, but you have rejected the honor. I won’t bother you again. Let me go, and I will share with you the power that It will bring me. Iä! Iä! Great is Rhan-Tegoth! Let me go! Let me go! It is starving down there beyond that door, and if It dies the Old Ones can never come back. Hei! Hei! Let me go!”

Jones merely shook his head, though the hideousness of the showman’s imaginings revolted him. Rogers, now staring wildly at the padlocked plank door, thumped his head again and again against the brick wall and kicked with his tightly bound ankles. Jones was afraid he would injure himself, and advanced to bind him more firmly to some stationary object. Writhing, Rogers edged away from him and set up a series of frenetic ululations whose utter, monstrous unhumanness was appalling, and whose sheer volume was almost incredible. It seemed impossible that any human throat could produce noises so loud and piercing, and Jones felt that if this contiuned there would be no need to telephone for aid. It could not be long before a constable would investigate, even granting that there were no listening neighbors in this deserted warehouse district.

“Wza-y’ei! Wza-y’ei!” howled the madman. “Y’kaa haa ho-ii, Rhan-Tegoth-Cthulhu fthagn-Ei! Ei! Ei! Ei!-Rhan-Teogth. Rhan-Tegoth, Rhan-Tegoth!”

The tautly trussed creature, who had started squirming his way across the littered floor, now reached the padlocked plank door and commenced knocking his head thunderously against it. Jones dreaded the task of binding him further, and wished he were not so exhausted from his previous struggle. This violent aftermath was getting hideously on his nerves, and he began to feel a return of the nameless qualms he had felt in the dark. Everything about Rogers and his museum was so hellishly morbid and suggestive of black vistas beyond life! It was loathsome to think of the waxen masterpiece of abnormal genius which must at this very moment be lurking close at hand in the blackness beyond the heavy, padlocked door.

At now something happened which sent an addition chill down Jones’ spine, and caused every hair–even the tiny growth on the backs of his hands–to bristle with a vague fright beyond classification. Rogers had suddenly stopped screaming and beating his head against the stout plank door, and was straining up to a sitting position, head cocked on one side as if listening intently for something. All at once a smile of devilish triumph overspread his face, and he began speaking intelligibly again–this time in a hoarse whisper contrasting oddly with his former stentorian howling.

“Listen, fool! Listen hard! It has heard me, and is coming. Can’t you hear It splashing out of Its tank down there at the end of the runway? I dug it deep, because there was nothing too good for It. It is amphibious, you know–you saw the gills in the picture. It came to the earth from lead-gray Yuggoth, where the cities are under the warm deep sea. It can’t stand up in there–too tall–has to sit down or crouch. Let me get my keys–we must let It out and kneel down before it. Then we will go out and find a dog or cat–or perhaps a drunken man–to give It the nourishment It needs.”

It was not what the madman said, but the way he said it, that disorganized Jones so badly. The utter, insane confidence and sincerity in that crazed whisper were damnably contagious. Imagination, such a stimulus, could find an active menace in the devilish wax figure that lurked unseen just beyond the heavy planking. Eyeing the door in unholy fascination, Jones notices that it bore several distinct cracks, though no marks of violent treatment were visible on this side. He wondered how large a room or closet lay behind it, and how the waxen figure was arranged. The maniac’s idea of a tank and runway was as clever as all his other imaginings.

Then, in one terrible instant, Jones completely lost the power to draw a breath. The leather belt he had seized for Rogers’ further strapping fell from his limp hands, and a spasm of shivering convulsed him from head to foot. He might have known the place would drive him mad as it had driven Rogers-and now he was mad. He was mad, for he now harbored hallucinations more weird than any which had assailed him earlier that night. The madman was bidding him hear the splashing of a mythical monster in a tank beyond the door–and now, God help him, he did hear it!

Rogers saw the spasm of horror reach Jones’ face and transform it to a staring mask of fear. He cackled.

“At last, fool, you believe! At last you know! You hear It and It comes! Get me my keys, fool–we must do homage and serve It!”

But Jones was past paying attention to any human words, mad or sane. Phobic paralysis held him immobile and half conscious, with wild images racing fantasmagorically though his helpless imagination. There was a splashing. There was padding or shuffling, as of great wet paws on a solid surface. Something was approaching. Into his nostrils, from the cracks in that nightmare plank door, poured a noisome animal stench like and yet unlike that of the mammal cages at the zoological gardens in Regent’s Park.

He did not known where Rogers was talking or not. Everything real had faded away, and he was a statue obsessed with dreams and hallucinations so unnatural that they became almost objective and remote from him. He thought he heard a sniffing or snorting from the unknown gulf beyond the door, and when a sudden baying, trumpeting noise assailed his ears he could not feel sure that it came from the tightly bound maniac whose image swam uncertainly in his shaken vision. The photograph of that accursed, unseen wax thing persisted in floating through his consciousness. Such a thing had no right to exist. Had it not driven him mad?

Even as he reflected, a fresh evidence of madness beset him. Something, he thought, was fumbling with the latch of the heavy padlocked door. It was patting and pawing and pushing at the planks. There was a thudding on the stout wood, which grew louder and louder. The stench was horrible. And now the assault on that door from the inside was a malign, determined pounding like the strokes of a battering-ram. There was an ominous cracking–a splintering–a welling fetor–a falling plank–a black paw ending in a crab-like claw. . . .

“Help! Help! God help me! . . . Aaaaaaa! . . .”

With intense effort Jones is today able to recall a sudden bursting of his fear-paralysis into the liberation of frenzied automatic flight. What he evidently did must have paralleled curiously the wild, plunging flights of maddest nightmares; for he seems to have leaped across the disordered crypt at almost a single bound, yanked open the outside door, which closed and locked itself after him with a clatter, sprung up the worn stone steps three at a time, and raced frantically and aimlessly out of that dark cobblestoned court and through the squalid streets of Southwark.

Here the memory ends. Jones does not know how he got home, and there is no evidence of his having hired a cab. Probably he raced all the way by blind instinct–over Waterloo Bridge, along the Strand and Charing Cross and up Haymarket and Regent Street to his own neighborhood. He still had on the queer melange of museum costumes when he grew conscious enough to call the doctor.

A week later the nerve specialists allowed him to leave his bed and walk in the open air.

But he had not told the specialists much. Over his whole experience hung a pall of madness and nightmare, and he felt that silence was the only course. When he was up, he scanned intently all the papers which had accumulated since that hideous night, but found no reference to anything queer at the museum. How much, after all, had been reality? Where did reality end and morbid dream begin? Had his mind gone wholly to pieces in that dark exhibition chamber, and had the whole fight with Rogers been a fantasm of fever? It would help to put him on his feet if he could settle some of these maddening points. He must have seen that damnable photograph of the wax image called “It,” for no brain but Rogers’ could ever have conceived such a blasphemy.

It was a fortnight before he dared to enter Southwark Street again. He went in the middle of the morning, when there was the greatest amount of sane, wholesome activity around the ancient, crumbling shops and warehouses. The museum’s sign was still there, and as he approached he saw that the place was still open. The gateman nodded in pleasant recognition as he summoned up the courage to enter, and in the vaulted chamber below an attendant touched his cap cheerfully. Perhaps everything had been a dream. Would he dare to knock at the door of the workroom and look for Rogers?

Then Orabona advanced to greet him. His dark, sleek face was a trifle sardonic, but Jones felt that he was not unfriendly. He spoke with a trace of accent.

“Good morning, Mr. Jones. It is some time since we have seen you here. Did you wish Mr. Rogers? I’m sorry, but he is away. He had word of business in America, and had to go. Yes, it was very sudden. I am in charge now–here, and at the house. I try to maintain Mr. Rogers’ high standard–till he is back.”

The foreigner smiled–perhaps from affability alone. Jones scarcely knew how to reply, but managed to mumble out a few inquiries about the day after his last visit. Orabona seemed greatly amused by the questions, and took considerable care in framing his replies.

“Oh, yes, Mr. Jones–the 28th of last month. I remember it for many reasons. In the morning–before Mr. Rogers got here, you understand–I found the workroom in quite a mess. There was a great deal of–cleaning up–to do. There had been–late work, you see. Important new specimen given its secondary baking process. I took complete charge when I came.

“It was a hard specimen to prepare–but of course Mr. Rogers had taught me a great deal. He is, as you know, a very great artist. When he came he helped me complete the specimen–helped very materially, I assure you–but he left soon without even greeting the men. As I tell you, he was called away suddenly. There were important chemical reactions involved. They made loud noises–in fact, some teamsters in the court outside fancy they heard several pistol shots–very amusing idea!

“As for the new specimen–that matter is very unforutnate. It is a great masterpiece–designed and made, you understand, by Mr. Rogers. He will see about it when he gets back.”

Again Orabona smiled.

“The police, you know. We put it on display a week ago, and there were two or three faintings. One poor fellow had an epileptic fit in front of it. You see, it a trifle–stronger–than the rest. Larger, for one thing. Of course, it was in the adult alcove. The next day a couple of men from Scotland Yard looked it over and said it was too morbid to be shown. Said we’d have to remove it. It was a tremendous shame–such a masterpiece of art–but I didn’t deel justified in appealing to the courts in Mr. Rogers’ absence. He would not like so much publicity with the police now–but when he gets back–when he gets back–.”

For some reason or other Jones felt a mounting tide of uneasiness and repulsion. But Orabona was continuing.

“You are a connoisseur, Mr. Jones. I am sure I violate no law in offering you a private view. It may be–subject of course, to Mr. Rogers’ wishes–that we shall destroy the specimen some day–but that would be a crime.”

Jones had a powerful impulse to refuse the sight and flee precipitately, but Orabona was leading him forward by the arm with an artist’s enthusiasm. The adult alcove, crowded with nameless horrors, held no visitors. In the farther corner a large niche had been curtained off, and to this the smiling assistant advanced.

“You must know, Mr. Jones, that the title of this specimen is ‘The Sacrifice to Rhan-Tegoth.’ ”

Jones started violently, but Orabona appeared not to notice.

“The shapeless, colossal god is a feature in certain obscure legends which Mr. Rogers had studied. All nonsense, of course, as you’ve so often assured Mr. Rogers. It is supposed to have come from outer space, and to have lived in the Arctic three million years ago. It trated its sacrifices rather peculiarly and horribly, as you shall see. Mr. Rogers had made it fiendishly life-like–even to the face of the victim.”

Now trembling violently, Jones clund to the brass railing in front of the curtained niche. He almost reached out to stop Orabona when he saw the curtain beginning to swing aside, but some conflicting impulse held him back. The foreigner smiled triumphantly.

“Behold!”

Jones reeled in spite of his grip on the railing.

“God!–great god!”

Fully ten feet high despite a shambling, crouching attitude expressive of infinite cosmic malignancy, a monstrosity of unbelievable horror was shown starting forward from a cyclopean ivory throne covered with grotesque carvings. In the central pair of its six legs it bore a crushed, flattened, distorted, bloodless thing, riddled with a million punctures, and in places seared as with some pungent acid. Only the mangled head of the victim, lolling upside down at one side, revealed that it represented something once human.

The monster itself needed no title for one who had seen a certain hellish photograph. That damnable print had been all too faithful; yet it could not carry the full horror which lay in the gigantic actuality. The globular torso–the bubble-like suggestion of a head–the three fishy eyes–the foot-long proboscis–the bulging gills–the monstrous capillation of asp-like suckers–the six sinuous limbs with their black paws and crab-like claws–God! the familiarity of the black paw ending in a crab-like claw! . . .

Orabona’s smile was utterly damnable. Jones choked, and stared at the hideous exhibit with a mounting fascination which perplexed and disturbed him. What half-revealed horror was holding and forcing him to look longer and search out details? This had driven Rogers mad . . . Rogers, supreme artist . . . said they weren’t artificial. . . .

Then he localized the thing that held him. It was the crushed waxen victim’s lolling head, and something that it implied. This head was not entirely devoid of a face, and that face was familiar. It was like the mad face of poor Rogers. Jones peered closer, hardly knowing why he was driven to do so. Wasn’t it natural for a mad egotist to mold his own features into his masterpiece? Was there anything more that subconscious vision had seized on and suppressed in sheer terror?

The wax of the mangled face had been handled with boundless dexterity. Those punctures–how perfectly they reproduced the myriad wounds somehow inflicted on that poor dog! But there was something more. On the left cheek one could trace an irregularity which seemed outside the general scheme–as if the sculptor had sought to cover up a defect of his first modelling. The more Jones looked at it, the more mysteriously it horrified him–and then, suddenly, he remembered a circumstance which brought his horror to a head. That night of hideousness–the tussle–the bound madman–and the long, deep scratch down the left cheek of the actual living Rogers. . . .

Jones, releasing his desperate clutch on the railing, sank in a total faint.

Orabona continued to smile.